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Tapes

  • SBDCD-RStream OnlyTaper unknownMSR>R>D>CDR>EAC>CDWav>Flac
    Taper
    Seed provided by Paul Scotton
    SHN discs
    2
  • SBDCD-RStream OnlyTaper unknownSoundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1966-03-19-carthay-studios-los-angeles

Recording gd66-03-19.sbd.scotton.81951.sbeok.flac
identifier
gd66-03-19.sbd.scotton.81951.sbeok.flac
source_type
MSR>R>D>CDR>EAC>CDWav>Flac
lineage
lineage_chain
MSR > R > D > CDR > EAC > CDWav > Flac
capture_position
soundboard
lineage_media_token
cdr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
28868
review_count
12
mean_rating
4.44
shnid
81951
relisten_url
https://relisten.net/grateful-dead/1966/03/19?source=3868927
etree_url
https://etreedb.org/shn/81951
content_url
https://archive.org/details/gd66-03-19.sbd.scotton.81951.sbeok.flac

Full served wire node (JSON)

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  "contributor": [],
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    "etreeUrl": "https://etreedb.org/shn/81951",
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      "generationCount": 6,
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          "note": "MSR"
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    "shnid": "81951",
    "sourceMeta": {
      "notes": "There is debate over whether this is 3/19/66 or 3/12/66.  Deadlists has a good discussion of this issue.  The consensus there is that the correct date is 3/12/66.  This came to me listed as 3/19/66.  This is a better copy than what has been in general circulation.  That MAY mean the date that came on it is correct.  I don't know.",
      "runtime": "66",
      "transferer": "Tracking by Ihor Slabicky",
      "taperText": "Seed provided by Paul Scotton",
      "shnDiscs": "2"
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}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1966-03-19.153760.scotton.sirmick.remaster.flac16
identifier
gd1966-03-19.153760.scotton.sirmick.remaster.flac16
source_type
Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)
lineage
lineage_chain
Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)
capture_position
soundboard
lineage_media_token
cdr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
3840
review_count
3
mean_rating
4.5
shnid
153760
relisten_url
https://relisten.net/grateful-dead/1966/03/19?source=3869037
etree_url
https://etreedb.org/shn/153760
content_url
https://archive.org/details/gd1966-03-19.153760.scotton.sirmick.remaster.flac16

Full served wire node (JSON)

{
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    "identifier": "gd1966-03-19.153760.scotton.sirmick.remaster.flac16",
    "people": [],
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    "relistenUrl": "https://relisten.net/grateful-dead/1966/03/19?source=3869037",
    "etreeUrl": "https://etreedb.org/shn/153760",
    "capturePosition": "soundboard",
    "lineageMediaToken": "cdr",
    "circulation": {
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      "observedSourceFamilies": [],
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      "generationCount": 6,
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          "atUtc": null,
          "note": "Soundboard - provided by Paul Scotton (MSR"
        },
        {
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          "atUtc": null,
          "note": "R"
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        {
          "eventType": "transfer",
          "atUtc": null,
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        {
          "eventType": "transfer",
          "atUtc": null,
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        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "EAC"
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        {
          "eventType": "transfer",
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          "note": "CD Wave"
        },
        {
          "eventType": "reseed",
          "atUtc": null,
          "note": "Flac)"
        }
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    "engagement": {
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      "bayesianRating": 4.36
    },
    "downloadCount": 3840,
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    "sourceType": "Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)",
    "lineageChain": "Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)",
    "shnid": "153760",
    "sourceMeta": {
      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">/Viola Lee Blue<br />\"I Need Some Coke...\" And \"there Will Be A Slight Pause...\" Stage Talk<br />/One Kind Favor<br />I Know You Rider<br />You See A Broken Heart<br />/It's A Sin<br />P.A. And \"tasting\" And Tuning Stage Talk<br />Beat It On Down The Line<br />\"Just Bearly\" PA Stage Talk<br />Heads Up<br />\"How's The PA Now\" Stage Talk<br />Next Time You See Me<br />\"Take A Break\" And \"Ice Cream\" Stage Talk<br />/Slow R And B Instrumental<br />Noodling Onwards/<br />/Death Don't Have No Mercy (6:01)<br />\"A Little Tune Now Called The...\" Midnight Hour/</span></div></div><div class=\"b2 set\"> <br /></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Acid Test, moved from UCLA at the last minute.</span></div></div>",
      "notes": "Notes:\n\nThis is a remaster of shn id 81951.\n\nPaul had heard the way that I had ewmastered a QMS show and wondered whether it might possible to do the same for this.  It is a typical Bear mix with vocals in one channel and instruments in the other.  So I agreed to see what could be done.\n\nFirst I joined all the files together and loaded it into iZotope RX 8 Advanced.  It is possible to split tracks into component parts and I ended up with four stereo files, vocals, bass, percussion and other instruments.  This effectively gave me eight channels to work with.\n\nI then loaded these four tracks into the multi-channel module of Adobe Audition 3 and set about adjusting levels track by track until I was reasonably happy with what I had.  A mixdown was then made which I loaded into RX 8.  I sent Paul a sample for him to listen to and he thought it sound ok but asked whether it might be possible to make the sound of Pigpen's organ more prominent as it was very low in the original mix.  After several attempts I decided that the best way would ptobably be to add some eq. It has worked to some extent but not as much as we would like. I also eq'd the bass a little too.\n\n\"Heads Up\" has a cut around 2:36, the two parts have been crossfaded together\n\nI also removed quite a number of clicks.\n\n\n\nWe think that this sounds much better overall, the mix now gives a better listening experience.\n\n\nThanks to Paul for providing the original recording and his help with this project.\n\n\nThe most surprising thing to me about this Acid Test is that Tiny Tim was billed to appear, whether he did I don't know.\n\n\n\nremastered by SIRMick\nOctober 2021",
      "runtime": "66:32.26",
      "transferer": "This is a remaster of shn id 81951 by SIRMick"
    }
  },
  "contentUrl": "https://archive.org/details/gd1966-03-19.153760.scotton.sirmick.remaster.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.