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Tapes

  • SBDMaster ReelStream OnlyTaper unknownSBD> MR> ??> CDR > EAC(secure) > DePopper (remove clicks) > CD Wave (retrack) > mkwACT > SHN (seekable)
    Discs
    1
    SHN discs
    1
  • SBDTaper unknownSBD ->?
    Discs
    2
    SHN discs
    1
  • SBDMaster ReelStream OnlyTaper unknownSBD>MR>?>LP>ZoomH4>WaveLab 5.0>FLAC24 Linn LP12 turntable, SME III tonearm, Benz ACE H2 Cartridge, Rotel RC 1082 preamp Transfer by indidarkstar
  • SBDLPStream OnlyTaper unknownLP>WAV>WAV>FLAC (Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter)
  • SBDMaster ReelStream OnlyTaper unknownSBD>MR>??>CDR
  • Source unknownReel-to-ReelStream OnlyTaper unknowntransfered by Matt Smith on 3/28/19 to 9600 Hz Stereo, 24-bit Wave --tracked and downsampled to 4800 Hz Stereo, 16 bit, adjusted pitch by (-1) semitones on the first 4 tracks, and the last track by (+0.5) semitones. and increased volume of all tracks by 140%. All post work done by Brian Flegel 4/03/19--

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1966-09-16-avalon-ballroom-san-francisco

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Recording gd1966-09-16.117435.vinyl.sbd.indidarkstar.flac24
identifier
gd1966-09-16.117435.vinyl.sbd.indidarkstar.flac24
source_type
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lineage
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gd1966-09-16.sbd.davenport.95970.flac16
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      "notes": "Audacity 1.3.3-beta was used to make WAV files.\nClickRepair 2.1.1 was used to remove clicks at its lowest settings (Declick 1, Wavelet method, Decrackle off).\nTrader's Little Helper 1.1.1 was used to make level 6 FLAC files \n\nThis is a new rip of the \"semi-legal\" bootleg LPs \"Vintage Dead\" and \"Historic Dead\", using high-quality analog equipment. I haven't listened to the other circulating versions, but this should be a substantial improvement assuming they were made with average analog equipment.\n\nThese recordings are commonly said to come from Avalon Ballroom 9-16-66 except the last two tracks, which I have seen attributed to The Matrix 11-29-66, though I haven't confirmed that myself. The sound quality of those two tracks is noticeably different. According to set lists for 9-16-66, tracks 06 and 07 were played between tracks 03 and 04, and track 05 was an encore. I have left the tracks in the LP order because crowd noise was inserted between the tracks of side one of Vintage Dead, so reordering the tracks would create an obvious break.",
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gd1966-09-16.vintagedead.25283.sbeok.shnf
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    "shnid": "146098",
    "sourceMeta": {
      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        I\n Know You Rider, It Hurts Me Too, It's All Over Now Baby Blue, Good \nMorning Little School Girl, Lindy, Dancin' In The Streets, E: Midnight \nHour\n    </div>\n</div><div class=\"set_info\">\n        <span title=\"Click to edit\"><br /></span></div>\n\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Actual date for list unknown -first Kelly/Mouse skull & rose - Other artist(s): Oxford Circle</span>\n    </div>\n</div>\n\n</div>",
      "notes": "From deaddisc.com:\nSunflower SUN-5001\n\nLP release of live material from 1966. This was a legal release but was not released with the permission of the Grateful Dead. The album reached the Billboard 200 album chart.\n\nSide 1\n\n    I Know You Rider (Traditional arr. Grateful Dead)\n    It Hurts Me Too (James)\n    It's All Over Now, Baby Blue (Dylan)\n    Dancin' In The Streets (Stevenson/Gaye/Hunter)\n\nSide 2\n\n    In The Midnight Hour (Cropper/Pickett)\n\nMusicians\n\n    Jerry Garcia - lead guitar, vocals\n    Bob Weir - rhythm guitar\n    Pigpen (Ron McKernan) - organ, vocals\n    Bill Kreutzmann - drums\n    Phil Lesh - bass\n\nCredits\n\n    Producer, engineer, notes - Robert Cohen\n    Edit, remix - Richard Delvy\n    Cover art - John Pierce, Mokelvey\n    Back cover photos - Baron Wolman\n    Poster design - Kelly / Mouse Studios\n    Ripple Bottle by Gallo\n    Thought to have been recorded on September 16 and 17, 1966 at the Avalon Ballroom, San Francisco",
      "transferer": "Matt Smith and Brian Flegel"
    }
  },
  "contentUrl": "https://archive.org/details/gd1966-09-16.146098.vintage-dead.smith.flegel.flac1648"
}

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