Tags

  • Official Release

Setlist via JerryBase

Notes

  1. Released on Iconic Performances From The Monterey International Pop Festival
  2. With unidentified-19670618-01 on harmonica 12

Additional Notes

  • Monterey International Pop Festival

Writeups

Related videos

None available yet

Tapes

  • SBDMaster ReelStream OnlyTaper unknownSBD > MR > ? > DAT x 2 > Sonic Solutions > CD > SHN
    Discs
    1
    SHN discs
    1
  • SBDMaster ReelStream OnlyTaper unknownSBD > MR > Cass > DAT > ZA2 > CD
    Discs
    1
    SHN discs
    1
  • SBDMaster ReelStream OnlyTaper unknownLineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1967-06-18-monterey-county-fairgrounds-monterey

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Recording gd1967-06-18.115858.sbd.kaplan.flac16
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gd1967-06-18.115858.sbd.kaplan.flac16
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      "description": "Set 1\n\nCold Rain And Snow, Viola Lee Blues\nAlligator > Caution (Do Not Stop on  Tracks)\n\nNote: Deadlists indicates that Alligator/Caution may NOT be from this date.  See that discusion for additional details.\n\nMonterey International Pop Festival - Other artist(s): The Blues Project, Big Brother & The Holding Co.; The Byrds;The Band With No Name; Stephen Stills David Crosby Richie Furay Doug Hastings Dewey Martin; The Who, Jimi Hendrix The Mamas & The Papas.",
      "notes": "This is a previously uncirculated source for this show and in comparison to the prior \nmost recently circulated source (etree.org - http://db.etree.org/shninfo_detail.php?shnid=19586) \noffers us the following: \n\n- a known lineage without a stated cassette generation (or the uncertainty of one) \n\n- a couple of additional minutes of between tunes banter and stage announcements and most importantly, \n\n- an improved fidelity. Noteworthy, are a more complete Bill Graham outro following Caution and the right and left \nchannels remaining intact from the transfer as they appear to be reversed on the prior circulating source. \nAlso, tracks are now all at the correct pitch vs. being a semitone flat on earlier circulating sources. \n\n\nTrack editing, pitch correction, minor edits and sector boundary correction and verification done by Seth Kaplan \n(alligator69@optonline.net) via CDWAV, Cool Edit 2k and Traders Little Helper, respectively. Entire \nshow was pitch corrected up one half step via Cool Edit 2k and Apple GarageBand. \n\n\n\n* Emcee on \"The Beatles aren't here\" is apparently NOT Tommy Smothers as previously indicated in notes to the prior most\nrecently circulating source of the Dead's set at Monterey Pop. The emcee is currently stated to have actually been Peter \nTork of The Monkees who MC'd at the festival and whose voice on audio was compared to that of Tork introducing Buffalo \nSpringfield on the outtakes disc of \"The Complete Monterey Pop Festival\" DVD and determined to be a match. (Source: Billy K. \nat etree.org - http://db.etree.org/shninfo_detail.php?shnid=19586) \n\n\n\n** With regards to the Alligator > Caution potentially non-Monterey source issue noted on Deadlists and quoted below, it \nappears that the additional Bill Graham outro segment in addition to comparative listening across multiple selections \nserves to support the notion that this part of the tape is indeed from Monterey due to both its stated content and from \nconsistency with the other material in terms of general ambience, audience sound and unique sonic characteristics appearing \nthroughout all of the material. First off, on the earlier source(s) Bill Graham's voice trails off half way through his \nopening remark after Caution, loosely interpreted by Deadlists below. The new source doesn't trail off and he can basically \nbe heard to say, \"Let's go just one more time, let's hear it again, The Grateful Dead\", perhaps indicating this as a \npossible ending to an encore. Furthermore, he continues on with a few more lines, the most informative of which is: \n\"When they talk about those peace talks this week, they should come out here first for a couple of days.\" Preceding this \nstatement he specifically names the following individuals who were in fact, then recent and upcoming peace talk participants: \nPresident Lyndon B. Johnson/Israeli Prime Minister Levi Eshkol/Russian Premier Alexei Kosygin. According to Deadlists, \n6/18/67 Monterey Pop was the last show played prior to 7/13/67. Graham's statement referencing \"those peace talks this week\" \nlikely refers to the well publicized upcoming Glassboro Summit Conference featuring Johnson and Kosygin scheduled later that \nweek for 23Ð25 June 1967, just five days after Monterey. A week before Monterey, the 1967 Arab-Israeli War, fought between \nJune 5 and June 10, 1967 had featured Eshkol as a key player in the peace negotiations and was an inspiration for the Glassboro \nSummit talks between the U.S. and Russia. This, along with general consistencies amongst several sound factors, appear to support \nAlligator > Caution as being from the same performance as the rest of the material featured within the tape. \n\n\n\nFrom Deadlists (as of 07/10/2011):\n\nComments: Alligator > Caution may not be from Monterey. What makes me suspicious is that at the conclusion of Caution, Bill Graham \nis heard to say something like \"let's hear it for the Grateful Dead.\" Bill Graham was not the emcee at the Monterey Pop Festival, \nso it's doubtful he would introduce the band from the stage. However, some folks have speculated that since Graham was in attendance \nand a friend of the Dead, he might have done the intro and or the outro as a \"guest emcee.\" The Alligator is a curiosity; it's a very \nprimordial version without vocals\n\nRecordings: (50) SB. Cold Rain And Snow And Viola Lee Blues from master reel > 1 cassette generation > DAT > circulation; also Alligator \n(without vocals) > Caution from master reels > DAT > circulation. Master recording source(s): 14inch Master Reel",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.