Nov 1, 1968 at Silver Dollar Fairgrounds

identifier

gd68-11-01.sbd.cotsman.18100.sbeok.shnf

source_type

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—

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—

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—

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17

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4

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relisten_url

https://relisten.net/grateful-dead/1968/11/01?source=3870396

etree_url

https://etreedb.org/shn/18100

content_url

https://archive.org/details/gd68-11-01.sbd.cotsman.18100.sbeok.shnf

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identifier

gd1968-11-01.sbd.kaplan.17080.sbeok.shnf

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CD > EAC > SHN

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content_url

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      "notes": "This tape consists of two segments, the first running for 35:02, from the introduction of the Dead's \"last set\" through the first 2:21 of New Potato Caboose, and the second starting a couple minutes in to Alligator and running through the end of the set in 32:14.  \n\nAt  0:41 of New Potato Caboose the strength of the signal falls away severely in both channels, past all recovery and continues in this state for 14:03 before resuming proper strength and continuing for 19:54 to the end of the tape.\n\nOriginally the source contained both a complete version, including the 14:03 of bad signal, and an edited version, with this segment removed. Since then a third version has circulated that contains a digitally modified version 14:03 where the music is at least audible. This is the \"edited\" version.",
      "runtime": "53:12",
      "transferer": "Jim Powell and J Barnes"
    }
  },
  "contentUrl": "https://archive.org/details/gd1968-11-01.sbd.kaplan.17080.sbeok.shnf"
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identifier

gd1968-11-01.sbd.kaplan.9965.shnf

source_type

MSR>C>D>CD

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—

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https://etreedb.org/shn/9965

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https://archive.org/details/gd1968-11-01.sbd.kaplan.9965.shnf

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      "notes": "Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com)\nvia EAC and MKW. Proper extraction and sector boundaries verified\nvia EAC and .shntool",
      "transferer": "Seth Kaplan"
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identifier

gd1968-11-01.131661.sbd.restore.droncit.flac16

source_type

This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.

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https://etreedb.org/shn/131661

content_url

https://archive.org/details/gd1968-11-01.131661.sbd.restore.droncit.flac16

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      "description": "Set 1\n\nAlligator-> Drums-> Alligator-> Caution (Do Not Stop on Tracks), Dark Star-> Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> New Potato Caboose, We Bid You Good Night\n\nGarcia can clearly be heard saying this was the Dead's final set of the evening, and then Alligator begins.",
      "notes": "Droncit notes:\nI used Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.  \nThanks to original seeders.\n\n1. For the high quality portion, I primarily relied on a spectral difference filter and \n   sometimes used very light noise reduction.  \n\n2. For the \"messy\" portion, I used the spectral difference, band pass, notch and noise \n   reduction filters. \n\n3. I used 68-03-30 (ShnID 108994)for the sound profile for all the songs.\n  \n4. This set of music is listed as set 2, but it is introduced as the \"last set\" which may \n   imply more than one prior set.\n  \n5. The first 2:33 or so of Dark Star is mono in the shnid 18100. In 09580 that portion of \n   the right track is very noisy. I ran a very aggressive noise filter on it,and found it \n   was in mono, so apparently there was a problem with the soundboard and it pops into \n   stereo at 2:33. So I kept the 18100 version, but raised gain at the cutpoint and added \n   some of the left channel back into the right for a couple of seconds to make a smoother\n   transition.  It's still very noticeable, but maybe not as jarring. It is hissy for the \n   first minute or so, less so after.\n\n6. SHnID 18100 had the drums intro to The Other One as a separate track.  I combined them \n   into one track.\n\n7. ShnID 18100 had New Potato Caboose as one track (combining decent quality and messy \n   sections).  I split them into two track to make it easier to skip if you desire \n   (just skip tracks 6-9).\n\n8. Different sources and/or different paths provided different levels of hiss and different \n   levels of quality.  I tried to give them all the same overall sound.\n \n9. There is print-through throughout the set, as well as an annoying motor noise at parts, \n   and a motor clunk evident in certain spots (mostly the 14 minute \"messy\" portion), \n   although it is most noticeable on the opening notes of Dark Star and on the pauses in \n   And We Bid You Good Night.  I corrected it in those two spots, but there is still a bit \n   of a \"smeary\" quality to the music at other spots in the tape because of the generations \n   and the print-through.\n\n10. And We Bid You Good Night is in mono in this version.  In 18100, it is stereo, but \n    there is nothing but noise and stage echo in the right channel, so I used the left \n    channel (with all the vocals and the cymbal).  I increased the gain, used the spectral \n    difference filter, and used a light noise reduction.  There is still a little stage \n    feedback in this version, but it's not too bad to my ears.\n\n11. The songs are listed as one long uninterrupted set, but there are a number of cuts in \n    the material, so it's difficult to tell for certain. \n \n12. The Caution portion that comes from 09580 is tracked with the section from 18100. They \n    sound similar, but the 09580 has some clicky sections that I couldnot eliminate.  I did \n    minimize them through a median filter and an impulse noise filter, but they're still \n    evident. \n\n12. The 14-minute extremely low quality material was a challenge.  I left it in stereo and \n    tried to get rid of some of the hiss and the annoying tape recorder motor noise, but \n    the noise is at the same frequency as the music and vocals, so there was little I could \n    do.  I think it now sounds about as good as the worst cassettes that were being traded \n    in the early 70s.  We listened to them then; you can listen now if you want.  If you do \n    listen, there is some interesting vocal and nice guitar work.\n\n13. Thanks to BCE for providing the playground.",
      "runtime": "66:34.35",
      "transferer": "droncit"
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identifier

gd1968-11-01.sbd.kaplan.20008.sbeok.shnf

source_type

MSR > R > D > CD > EAC (secure) > SHN

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—

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MSR > R > D > CD > EAC (secure) > SHN

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soundboard

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—

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—

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4832

review_count

2

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5

shnid

20008

relisten_url

https://relisten.net/grateful-dead/1968/11/01?source=2170403

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https://etreedb.org/shn/20008

content_url

https://archive.org/details/gd1968-11-01.sbd.kaplan.20008.sbeok.shnf

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    "sourceMeta": {
      "description": "Set 1\n\n\nSet 2\n\nDark Star  ->\nCryptical Envelopment  ->\nDrums  ->\nThe Other One  ->\nCryptical Envelopment  ->\nNew Potato Caboose  % Feedback  ->\nAnd We Bid You Good Night",
      "notes": "*  severely attenuated signal, useless for music  14:03 total.\n   \n\n   Additional note: \n   \n   Attenuated signal sequence (track 5a) was initially almost \n   completely inaudible. Both channels were subsequently run \n   through Cool Edit 2000 and amplified 40 db including reduction  \n   of some degree of hiss and removal of several artifacts result-\n   ing in a fairly listenable segment. \n\n\n\nThis tape consists of two segments, the first running for 35:02, from the introduction of \nthe Dead's \"last set\" through the first 2:21 of New Potato Caboose, and the second starting \na couple minutes in to Alligator and running through the end of the set in 32:14.  \n\nAt  0:41 of New Potato Caboose the strength of the signal falls away severely in both channels, \npast all recovery and continues in this state for 14:03 before resuming proper strength and \ncontinuing for 19:54 to the end of the tape.\n\nI note that Eaton lists for this date\n\n11/01/68 Silver Dollar Fair, Chica Ca - xcerpt\n  4.9, 055min, Sbd, A0D1, Reel M->Dat  1, 44k,\n  10inch 8trk Master [EMAIL PROTECTED]>3700 x 0->3700 x 1\n\nAfter We Bid You Goodnight Phil tells the audience to \"Come back next week -- this is a good place.\"\n\nLatvala played a Viola Lee from this date at one of the Fillmore Dick's Picks Release Parties.\n\nIt's not clear to me how all this fits together.\n\nWe have mastered both a complete version, including the 14:03 of bad signal, and an edited version, \nwith this segment removed.\n\nBoth versions are included in this set.",
      "transferer": "MSR > R > D > CD by Jim Powell. EAC > SHN by J.Barnes. Track 5a edited by Seth Kaplan"
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identifier

gd1968-11-01.sbd.axelrod.9580.shnf

source_type

SBD>MSR>C>DAT>CDR

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5

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9580

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https://relisten.net/grateful-dead/1968/11/01?source=2170429

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https://etreedb.org/shn/9580

content_url

https://archive.org/details/gd1968-11-01.sbd.axelrod.9580.shnf

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    "lineage": "CDR > EAC(secure) > CDWav(retracking) > mkwact(seekable)",
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    "sourceMeta": {
      "description": "SET1\t[Missing]\n\nDisk 1 [42:20.40]\nSET2\t\n01. [12:23] Introduction > Dark Star > \n02. [01:47] Cryptical Envelopment > \n03. [00:12] Drums > \n04. [10:44] The Other One > \n05. [06:56] Cryptical Envelopment > \n06. [00:37] New Potato Caboose  % \n07. [01:17] //Caution >\n07. [07:09] Feedback > \n08. [01:12] And We Bid You Good Night & closing Remarks",
      "notes": "Note:\n1. There is clearly a Caution jam going into feedback so I tracked it separately.  I started feedback where the drums stopped and it was only guitar feedback.\n\nHere's what deadlists has to say about this source\n\nCOMMENTS\tThe circulating copy of this that is MSR>Cass>DAT>CDR has an \nannouncer who clearly states before Dark Star that the Grateful Dead played an \nearlier set.  Circulating tapes all cut at the very beginning of New Potato \nCaboose and splice into the Feedback.  DeadBase XI lists the end of this one as  \nNew Potato Caboose going into Alligator > Caution > Feedback > AWBYGN, which is \nprobably just speculation on what's missing - but that would be a good guess \nbased on the song list and time period.",
      "runtime": "42",
      "transferer": "Mike Axelrod, Matt Vernon, Raoul Duke"
    }
  },
  "contentUrl": "https://archive.org/details/gd1968-11-01.sbd.axelrod.9580.shnf"
}

identifier

gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644

source_type

SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700)

lineage

DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC

lineage_chain

DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC

capture_position

soundboard

lineage_media_token

dat

compendium_quality_grade

—

tape_culture_tags

—

source_family_tags

—

is_listable

false

download_count

3246

review_count

2

mean_rating

5

shnid

150968

relisten_url

https://relisten.net/grateful-dead/1968/11/01?source=3870257

etree_url

https://etreedb.org/shn/150968

content_url

https://archive.org/details/gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644

Full served wire node (JSON)

{
  "@type": "AudioObject",
  "@id": "https://longstrangeclick.com/id/recording/gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644",
  "contributor": [],
  "lsc": {
    "entityType": "archive_recording",
    "identifier": "gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644",
    "people": [],
    "legs": [],
    "relistenUrl": "https://relisten.net/grateful-dead/1968/11/01?source=3870257",
    "etreeUrl": "https://etreedb.org/shn/150968",
    "capturePosition": "soundboard",
    "lineageMediaToken": "dat",
    "circulation": {
      "firstSeedSourceFamily": null,
      "observedSourceFamilies": [],
      "mostRecentEventType": "reseed",
      "generationCount": 5,
      "events": [
        {
          "eventType": "seed",
          "atUtc": null,
          "note": "DAT (Panasonic SV-3800)"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "Avid MBox Pro"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "Pro Tools 12"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "WAV (16-bit/44.1k) Additional Mastering: WAV"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "Samplitude Pro X5 Suite"
        },
        {
          "eventType": "reseed",
          "atUtc": null,
          "note": "FLAC"
        }
      ]
    },
    "engagement": {
      "ratingCount": 1,
      "meanRating": 5,
      "bayesianRating": 4.43
    },
    "downloadCount": 3246,
    "reviewCount": 2,
    "isListable": false,
    "sourceType": "SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700)",
    "lineage": "DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC",
    "lineageChain": "DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC",
    "shnid": "150968",
    "sourceMeta": {
      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        Alligator->\n Drums-> Alligator-> Caution (Do Not Stop on Tracks), Dark \nStar-> Cryptical Envelopment-> Drums-> The Other One-> \nCryptical Envelopment-> New Potato Caboose, We Bid You Good Night\n    </div>\n</div><div class=\"b1 set\"><div class=\"set_info\">\n        <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Garcia can clearly be heard saying this was the Dead's final set of the evening, and then Alligator begins.</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Notes:\n-- Thanks to Rob Eaton and Dick Latvala for this source\n-- The first 2:34 of Dark Star was made mono (there was almost nothing in the right channel)\n-- And We Bid You Good Night was made mono (there was almost nothing in the right channel)\n-- I pasted the left channel over the right channel so it wouldn't sound weird",
      "runtime": "42:27.46",
      "transferer": "Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller charliemiller87@earthlink.net November 28, 2020"
    }
  },
  "contentUrl": "https://archive.org/details/gd1968-11-01.150968.sbd.eaton-latvala.miller.flac1644"
}