Dec 5, 1969 at Fillmore West

identifier

gd69-12-05.sbd.cotsman.11256.sbeok.shnf

source_type

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lineage

Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD > EAC > mkwACT > SHN

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compendium_quality_grade

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tape_culture_tags

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source_family_tags

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review_count

10

mean_rating

3.7

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relisten_url

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etree_url

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content_url

https://archive.org/details/gd69-12-05.sbd.cotsman.11256.sbeok.shnf

Full served wire node (JSON)

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      "notes": "From Deadists:\n\nDuring the pause after Me & My Uncle, referring to the free concert the next day at Altamont Bobby says \"Bear wants me to tell you to bring dope\" and Jerry adds \"Not only that but it's something to do.\"\n\nHarry Ely mastered this AUD tape.  He was a little fast on his pause button at this show.  He clips several songs and pauses three times during drums. Otherwise, he made quite a decent audience tape for '69 Dead.\n\nJerry introduces Dire Wolf saying \"This is a song you can all sing along on\" and as it turned out \"Don't murder me, I beg of you, don't murder me\" was a good refrain at Altamont.  Jerry uses this intro the night before as well. \n\nThe longest China Cat > Rider bridge jam yet features a Caution tease from Phil among its divagations.\n\nThe Uncle John's Jam is just a scrap from the song's jam in 7s.  Apparently the previous night was the song's premier (there are Uncle John's Jams on 11/7 and 11/8) but as far as we know they didn't play the tune again till 12/12.  Given this taper's fast pause button finger, he's quite capable of having clipped the transition from Uncle John's jam into the Main Ten, but unless he ran into serious trouble it's difficult to figure how he lost nearly the whole of Uncle John in a flip (he had a flip coming, probably, after Dire Wolf).  The evidence leaves it totally unclear whether they played the tune or just the jam.",
      "transferer": "Seth Kaplan",
      "taperText": "Harry Ely",
      "discs": "2",
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identifier

gd1969-12-05.141664.SonyF995.ely.dalton.miller.sirmick.flac1648

source_type

flac16/48kHz ; Source: Sony F995 > Sony TC-124 > Cassette Master > DAT (48k) - Recorded by Harry Ely and provided by Tim Dalton; Tansfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac1648; edited and mastered SIRMick April 2018

lineage

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content_url

https://archive.org/details/gd1969-12-05.141664.SonyF995.ely.dalton.miller.sirmick.flac1648

Full served wire node (JSON)

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      "notes": "Comments:\n\nFrom Deadlists\n\n\"The Uncle John's Jam is just a scrap from the song's Jam in 7s. Apparently the previous night was the song's premier (there are Uncle John's Jams on 11/7 and 11/8) but as far as we know they didn't play the tune again till 12/12. Given this taper's fast pause button finger, he's quite capable of having clipped the transition from Uncle John's Jam into the Main Ten, but unless he ran into serious trouble it's difficult to figure how he lost nearly the whole of Uncle John in a flip (he had a flip coming, probably, after Dire Wolf). The evidence leaves it totally unclear whether they played the tune or just the Jam.\"\n\n~~~~~~~~~~~~~~~~~~~~~~~~~~~\n\nFrom what is on on Tim's Dat the tape flip came at the end of what we have for UJB, so it doesn't seem likely that Harry would have missed the whole of the song,  It's seems more likely that the jam went straight into \"The Main Ten\"\n\n\n\nNotes:\n\n- There was a lot of use of the pause button which resulted in the start of some tracks being clipped, I have smoothed them out where I could.  There are three pauses during the drums section of \"TIFTOO\"\n- I also removed a considerable number of artifacts (pops, clicks, etc)\n- Some level adjustments have been made.\n- I repaired a few small dropouts but there are some that are too big to do anything about. When I say big they are only a second or so.\n \n\nThanks to Joe B. Jones for his help with pitch correction.\n\nThanks to Harry Ely for being there.\n\nThanks to Tim Dalton for providing this source and Charlie Miller for the transfer.\n\n\nThere's still a lot that is wrong with this but there's also so much that is right, we are so very lucky to have it.\n\n\nedited and mastered\nSIRMick\nApril 2018",
      "runtime": "108:31.987",
      "transferer": "Charlie Miller and SIRMick",
      "taperText": "Harry Ely via Tim Dalton"
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