Grateful Dead
Jan 16, 1970 at Springer's Inn
Gresham, ORJanuary 1970 West Coast
Setlist via JerryBase
Set 1
Casey Jones, Mama Tried, Black Peter, Hard To Handle, China Cat Sunflower > I Know You Rider, High Time, Good Lovin' > Drums > Good Lovin', Dancin' In The Streets, Alligator > Drums > The Eleven1 > Death Don't Have No Mercy
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Tapes
- SBDCD-RStream OnlyTaper unknownSBD > ?? > CDR > EAC > SHNListenArchive.orgRelistenetree7111TransferMoss Willow and popi n. feeldz
- SBDTaper unknownrestoration of source ID 7111 ; see info file for detailsListenArchive.orgRelistenetree131910Transferdroncit
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- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1970-01-16-springers-inn-gresham
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"notes": "Droncit notes:\n*Lots of problems in Casey Jones - distortion, noisy pots, loose wiring. I tried to fix as much as I could. \n Mostly in left channel, but some in both. Some fun comments after Casey Jones related to coca-cola.\n \n**Garcia says \"boogie\" before his second solo\n\n***Opening riff to Big Boss Man is played, so songs may be missing.\n\n****Someone in the audience calls it.\n\n*****the opening to Cosmic Charlie sounds like an edit was made; songs may be missing or it may not have \n come directly from Cryptical\n\nI was listening to this as it was; it had nice sound quality, but there were a couple of noticeable speed issues. \n101 through 115 had a curvilinear increase in speed and was slightly fast. 201 through 210 was noticeably slow, \nbut in a straight offset. I straightened the first out and slowed it very slightly; I sped the 2nd one up slightly. \nThey are all very close to the same speed now. There were also spots that appeared to be from a stretched tape. \nNoticeably Pigpen's opening line to Alligator. Still not perfect, but better.\n\nAfter that, I thought I might as well rework the sound, which seemed to have at least 2 generations in it, and had \na lot of clipping in certain songs. Dancing in the Streets was especially bad. There's still a lot of distortion \non vocals for some songs. I de-clipped it (about 300,000 clips altogether), and gain-normalized by channel. \n\nFinally, I used a multi-filter on it with equalization, very light expansion, and some virtual valves. All done with \nDiamond Cut Forensics 8.5 and 9 alpha 2. No noise reduction was needed, so just a tiny bit of hiss is evident.\n \nThe original indicates that Cumberland is a \"possible set 2\" - it's difficult to say, so I just left it as it was\nnumbered.",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1970-01-16.140967.sbd.lubar.dalton.miller.sirmick.flac1644
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"notes": "Notes:\n\n- DC offset removed\n- 60Hz hum during track 1 reduced \n- The sound starts off a little rough but after about 4:20 0f \"Casey Jones\" it improves quite considerably.\n- A number of level adjustments made.\n- Tape flip after \"High Time\" There is nothing available to patch it with.\n\n\n\nThanks to my late friend Harvey Lubar, Tim Dalton and Charlie Miller for this source.\n\n\n\nedited and mastered\nSIRMick\nFebruary 2018",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording playdead:1970-01-16:48268
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