Mar 21, 1970 at Capitol Theatre

identifier

gd70-03-21.early.lee.pcrp.20184.sbeok.shnf

source_type

Audience - Early Show Only

lineage

Sony dynamic mics (balcony, 20' spread) > Sony 124 Cassette Deck > Norelco 120 normal bias tape > Susie Q > Tascam 122mk3 > Lucid ADA1000 A/D Converter > Tascam CDRW700 > EAC > Soundforge > CD Wave > mkwACT > SHN

lineage_chain

Sony dynamic mics (balcony, 20' spread) > Sony 124 Cassette Deck > Norelco 120 normal bias tape > Susie Q > Tascam 122mk3 > Lucid ADA1000 A/D Converter > Tascam CDRW700 > EAC > Soundforge > CD Wave > mkwACT > SHN

capture_position

balcony

lineage_media_token

—

compendium_quality_grade

—

tape_culture_tags

—

source_family_tags

—

is_listable

true

download_count

45523

review_count

19

mean_rating

4.42

shnid

20184

relisten_url

—

etree_url

https://etreedb.org/shn/20184

content_url

https://archive.org/details/gd70-03-21.early.lee.pcrp.20184.sbeok.shnf

Full served wire node (JSON)

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    "shnid": "20184",
    "sourceMeta": {
      "description": "Walkin' The Dog, Me & My Uncle, Death Don't Have No Mercy, Good Lovin'-> Drums-> Good Lovin', Dire Wolf, Big Boss Man, He Was A Friend Of Mine-> Viola Lee Blues-> The Seven-> Cumberland Blues",
      "notes": "Ken and Judy Lee didn't think anyone would be interested in hearing their recordings...\n\nBetween the years 1970 and 1971, Ken worked security at The Capitol Theatre in Port Chester, New York,  while his girlfriend Judy ran movie projections between sets.  One of a few live music taping enthusiasts of  the time, Ken was granted exclusive permission by club promoter Howard Stein to record the shows at the  theatre for his own personal use.  Judy was on hand to perform the tape flips while Ken was busy doing his  job.\n\nIn 1968, the couple took Judy's brother Mark, who was nine years old to his first concert at \"Cafe Wha?\"  in New York City.  The Monkees were on tour and Jimi Hendrix was along for the ride as their opening act. \n\nSeveral years later, Mark was introduced to the music of the Grateful Dead at the Nassau Coliseum on  March 19th, 1973 in Uniondale, Long Island.  This single event marked the beginning of a life long odyssey  of musical experiences with the band that affected him most deeply.  Along with his good friend, John Jay  Hance, who Mark met at a Dead show in 1979, the two traveled around the United States with the band in  search of the ultimate musical experience, attending over 350 shows together.  The two also shared a  common interest in seeing live music of a wide variety of genres, and during the 23 years that they knew  each other attended more than 1000 total concerts together, until Mark's untimely death in November of  2002.\n\nMark knew of brother in-law Ken's recordings from the Capitol Theatre, and had a strong interest in having the shows circulated; however, being true to his word to Howard Stein, Ken kept the recordings under  wraps and the tapes never saw the light of the trading domain (One noteworthy bending of this rule  occurred when Ken agreed at Mark's request to circulate the late show that the Grateful Dead did on June  24th of 1970.  This show is highly regarded as an all-time magical performance by the Dead during their 30  year history as a band)",
      "transferer": "John Jay Hance, Peter G, Evan Bellaff",
      "taperText": "Ken & Judy Lee",
      "discs": "1",
      "shnDiscs": "1"
    },
    "editorialNote": {
      "note": "JerryBase source table lists this circulating source for 1970-03-21-capitol-theatre-port-chester-early; Archive identifier date matches the show date (1970-03-21). Applied from research package Batch A (same-date only).",
      "sourceLabel": "JerryBase SHNID 20184",
      "url": null
    }
  },
  "contentUrl": "https://archive.org/details/gd70-03-21.early.lee.pcrp.20184.sbeok.shnf"
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identifier

gd70-03-21.early.aud.5315.sbeok.shnf

source_type

Audience - Early Show Only

lineage

Aud > cassette x 2 > CD

lineage_chain

Aud > cassette x 2 > CD

capture_position

audience

lineage_media_token

—

compendium_quality_grade

—

tape_culture_tags

—

source_family_tags

—

is_listable

true

download_count

15032

review_count

7

mean_rating

4

shnid

5315

relisten_url

—

etree_url

https://etreedb.org/shn/5315

content_url

https://archive.org/details/gd70-03-21.early.aud.5315.sbeok.shnf

Full served wire node (JSON)

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          "note": "cassette x 2"
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          "atUtc": null,
          "note": "CD"
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    "sourceType": "Audience - Early Show Only",
    "lineage": "Aud > cassette x 2 > CD",
    "lineageChain": "Aud > cassette x 2 > CD",
    "shnid": "5315",
    "sourceMeta": {
      "description": "Walkin' The Dog, Me & My Uncle, Death Don't Have No Mercy, Good Lovin'-> Drums-> Good Lovin', Dire Wolf, Big Boss Man, He Was A Friend Of Mine-> Viola Lee Blues-> The Seven-> Cumberland Blues",
      "notes": "Mics balcony center 15' spread.\n\nSource Information for The Usher's Tapes Tree:\n\n\"the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the\nguy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice &\nunassuming person) i owe mark a huge debt of gratitude. \n\nken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted\non the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. \n\nken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ½ hour\ndancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for\nhimself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out.\nso...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of\nwhat circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are\nestranged) and ken literally & figuratively shut the door on mark. \n\nmarks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were haphazard & i taped what i could given the time i had on hand. \n\nmark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic \"swing low sweet chariot\" it was mia, but I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a powerful psychedelic feast. i could never sit through it before, because of the abysmal quality \n\ni want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand\ni can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our 1970 caretaker, jim powell, will get cd's from me for his analysis \n\nthat's the story\"",
      "transferer": "Usher Tree",
      "discs": "3",
      "shnDiscs": "2"
    },
    "editorialNote": {
      "note": "JerryBase source table lists this circulating source for 1970-03-21-capitol-theatre-port-chester-early; Archive identifier date matches the show date (1970-03-21). Applied from research package Batch A (same-date only).",
      "sourceLabel": "JerryBase SHNID 5315",
      "url": null
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