Grateful Dead
Mar 21, 1970 at Capitol Theatre
Port Chester, NY
Setlist via JerryBase
Writeups
- 3/21/70 Capitol Theater, Port Chester NY
GRATEFUL...DEAD...GRATEFUL...DEAD After our performance on Sat. night, a few Pageant Players went up to Portchester to catch the Grateful ... - March 21, 1970: Capitol Theater, Port Chester, NY #2 - Catfish / Grateful Dead
CAPITOL THEATER I never figured out where all those press people came from. It was a green school bus which we boarded in front of Grand... - March 21, 1970: Capitol Theatre, Port Chester, NY / Mickey Hart Interview
DEAD The Capitol Theatre is hungry. They've only been running rock shows out in Portchester for a few weeks, and the big crowds aren't com... - March 21, 1970: Capitol Theater, Port Chester
DEAD LIVE AND WELL IN PORTCHESTER, NEW YORK Recently Howie Stein has attempted to make the Capitol Theater in suburban Portchester, N.Y., ...
Related videos
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Tapes
- AUDTaper unknownCassette Master> Soundforge> cd> SHNListenArchive.orgetree21779TransferJohn J Hance
- AUDTaper unknownAud > cassette x 2 > CDListenArchive.orgetree5316TransferUsher Tree
- Source unknownTaper unknownsource: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob BergerListenArchive.orgetree124148TransferRob Berger
- Source unknownTaper unknownLineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16ListenArchive.orgetree144604TransferJohn Hance and Sirmick
- AUDTaper unknownLate Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.ListenArchive.orgetree118670
- AUDTaper unknownPlayback 2018-12-xx ::: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper -> yr ears.ListenArchive.orgetree144383TransferKnees
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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"description": "Disc 1\nElectric- I\n\n1. Introdcution\n2. Casey Jones\n3. Dancin' In the Streets (!)\n4. Easy Wind// (1,2,3)\n\nAcoustic\n\n5. Friend of the Devil (4)\n6. Deep Elem Blues (5)\n7. Don't Ease Me In\n8. Black Peter\n9. Wake Up Little Susie\n10. Uncle John's Band (6)\n\nDisc 2\n\n1. ...wanna hear Pig Pen? (7)\n2. Katie Mae\n\nElectric- II\n\n3. Cosmic Charlie\n4. Saint Stephen>\n5. Not Fade Away>\n6. Jam>\n7. Not Fade Away>\n8. Midnight Hour>\n9. Lovelight\n\nEncore:\n10. We Bid You Goodnight",
"notes": "-Original tape was baked in \"Susie Q\", shell replaced and transferred on a\nTascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to\ndisc on a Tascam CDRW700 by John Jay Hance.\n-Cleanup performed by Peter G with Soundforge.\n-Retracking with WavMerge2.1 and CDWav. SHN conversion with MKW (seekable)\nby Evan Bellaff \n\n\"Sit Down, Shut up!\"- Definitely the crowd mantra at this Grateful Dead show at the Capitol Theater. The energy of an extremely restless audience was beautifully captured on these tapes by Ken and Judy Lee. Not at all shy\nabout making their presence and demands known, this feisty New York crowd\ntested the band's nerves during the first half of the show with an endless\narsenal of hoots, jeers, cries for quiet and a relentless bombardment of\nsong requests. Fortunately in typical Grateful Dead fashion, the band rose\nto the occasion and harnessed and transmuted crowd chaos into one of the\nmost powerful, over the top and enjoyable finishes in Grateful Dead history. Enjoy this 2.5'nd installment of the Port Chester Resurrection Project- Grateful Dead at the Capitol Theater, March 21, 1970- Late Show.\n\nThanks to Ken, Judy, Peter and John Jay for another excellent effort. If you are ever at The Capitol Theater in Port Chester, stop by the balcony and say hello to Ken and Judy, but remember to be \"vewy, vewy qwiet\" (and no tapping on the railing, please)!-\nEvan Bellaff (01/04)\n\nNotes:\n(!) 06:42-07:24 During this portion of a fine \"Dancin'\" jam, Phil and\nJerry's lead open into a state of grace which is breathtaking. The ensuing\n7:30 of jam is quite beautiful as well.\n(1) Pig mistakedly begins singing the first verse of \"Easy Wind\" as the\nband opens the song with the chorus.\n(2) \"Easy Wind\" cuts off at 7:36. The remainder of the track is a leadin\nto the acoustic set, containing some great stage/crowd banter.\n(3) 09:42 Bobby- Hey Let's hear some... let's hear some insults. Why\ndoesn't everybody turn to their neighbor and insult him as worst as you\npossibly can.\n 10:36 Jerry- Take it easy out there you unruly pigs!\n(4) 00:20 Audience member (screaming over Jerry's guitar intro to \"Friend\nof the Devil\"):Please sit down!!\n Jerry: Shut the f*@K up (second two words clearly muttered under\nhis breath).\n(5) 03:37 One example of several audible instances of a fan tapping on the\nbalcony railing, to which Ken's microphones were fastened. This sound is\nnoticable during the acoustic set only.\n(6) 00:16 Shhh!!!....Shhh!!!- This sound is none other than Judy Lee\ncontaining crowd noise. Notice how the \"clap along\" to the UJB introduction\nsuddenly drops off into silence after the audience is well reprimanded.\n(7) 00:00-00:29 Bobby: You guys wanna hear Pig Pen? ...well let him KNOW\nabout it ...I don't think he hears you, maybe you better shout a little\nlouder ...and here he is now folks, Pig Pen!!!\n 00:43 Pig Pen: You probably heard this one last night because it's the\nonly one I know. (over noisy crowd) Yeah, you can't hear the mistakes\nunless you shut up!",
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"taperText": "Recorded by Ken & Judy Lee on a Sony pc-124 cassette deck with Sony dynamic mics on Norelco cassettes. Microphones were set up in the balcony with a 10-20 foot spread."
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"description": "Electric-1: Casey Jones, Dancin' In The Streets, Easy Wind Acoustic: Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake Up Little Susie > Uncle John's Band, Katie Mae \n\nElectric-2: Cosmic Charlie, St. Stephen > Not Fade Away > St. Stephen jam > China Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You Goodnight",
"notes": "Mics balcony center 15' spread.\n\nSource Information for The Usher's Tapes Tree:\n\n\"the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the\nguy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice &\nunassuming person) i owe mark a huge debt of gratitude. \n\nken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted\non the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. \n\nken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ½ hour\ndancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for\nhimself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out.\nso...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of\nwhat circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are\nestranged) and ken literally & figuratively shut the door on mark. \n\nmarks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were haphazard & i taped what i could given the time i had on hand. \n\nmark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic \"swing low sweet chariot\" it was mia, but I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a powerful psychedelic feast. i could never sit through it before, because of the abysmal quality \n\ni want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand\ni can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our 1970 caretaker, jim powell, will get cd's from me for his analysis \n\nthat's the story\"",
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"description": "Set 1\n\nElectric-1: Casey Jones, Dancin' In The Streets, Easy Wind\n\nSet 2\n\nAcoustic: Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake Up Little Susie > Uncle John's Band, Katie Mae\n\nSet 3\n\nElectric-2:Cosmic Charlie, St. Stephen > Not Fade Away > St. Stephen jam > China Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You Goodnight\n\nLate show. Comments courtesy <a href=\"http://www.deadlists.com\" rel=\"nofollow\">Deadlists</a>: \"The Friend Of The Devil has different lyrics. Wake Up Lil Susie\nis in response to an audience request... Catfish was advertised on this bill and may have played an\nopening set for the late show.\"",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Electric-1: Casey Jones, Dancin' In The Streets, Easy Wind</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Acoustic:\n Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake\n Up Little Susie > Uncle John's Band, Katie Mae</span></div>\n</div>\n\n<div class=\"b1 set\">\n<b>Set III</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Electric-2:Cosmic\n Charlie, St. Stephen > Not Fade Away > St. Stephen jam > \nChina Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My\n Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You \nGoodnight</span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Late show. Comments courtesy <a href=\"http://www.deadlists.com\" rel=\"ugc nofollow\">Deadlists</a>: \"The Friend Of The Devil has different lyrics. Wake Up Lil Susie<br />\nis in response to an audience request... Catfish was advertised on this bill and may have played an<br />\nopening set for the late show.\"</span>\n </div>\n</div>\n\n</div>",
"notes": "Comments:\n\n* includes jam with St. Stephen and China Cat teases\n\n\nNotes:\n\n- This is a remaster of shn id 21779\n\n- When Ken and Judy recorded this their microphones were attached to the rail at the front of the balcony. Some of the audience were tapping/banging on that rail, particulary during the acoustic section of the set, and these taps were picked up by the mics. John removed as many of them as he could and sent me his files to see if there was anything else that I thought could be done to improve it. I found some more knocks which have been removed. There are a few that are exceptionally hard to remove completely but have been attentuated.\n- Pitch adjustments have been made, in this connection I had to redo a patch that John had made because the patch source also needed correcting. The patch is the last 18.5 seconds of \"Easy Wind\" I also patched in the last 35.3 seconds of \"In The Midnight Hour\". I eq'd the patches so that they are a better fit.\n\nThe patch source used is shn id 124148 - Thank you Jim Cooper and Rob Berger.\n\n-A number of dropouts have been repaired and level adjustments have also been been made.\n\n\n\nThanks to Ken and Judy Lee for recording this wonderful show, to John Hance for the original transfer and others involved in the original release\n\n\nPigpen was such a vital part of this show so I want to dedicate this release to his memory. R.I.P Ron.\n\n\nfurther editing by John Hance and myself\nremastered by\nSIRMick\nJanuary 2019",
"runtime": "123:35.50",
"transferer": "John Hance and Sirmick",
"taperText": "Ken and Judy Lee"
},
"editorialNote": {
"note": "JerryBase source table lists this circulating source for 1970-03-21-capitol-theatre-port-chester-late; Archive identifier date matches the show date (1970-03-21). Applied from research package Batch A (same-date only).",
"sourceLabel": "JerryBase SHNID 144604",
"url": null
}
},
"contentUrl": "https://archive.org/details/gd1970-03-21.144604.late.sonyf95.remaster.lee.hance.sirmick.flac1644"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1970-03-21.late.aud.coolsonics.altsource.118670.flac16
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"description": "Set 1\n\nElectric-1: Casey Jones, Dancin' In The Streets, Easy Wind\n\nSet 2\n\nAcoustic: Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake Up Little Susie > Uncle John's Band, Katie Mae\n\nSet 3\n\nElectric-2:Cosmic Charlie, St. Stephen > Not Fade Away > St. Stephen jam > China Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You Goodnight\n\nLate show. Comments courtesy <a href=\"http://www.deadlists.com\" rel=\"ugc nofollow\">Deadlists</a>: \"The Friend Of The Devil has different lyrics. Wake Up Lil Susie\nis in response to an audience request... Catfish was advertised on this bill and may have played an\nopening set for the late show.\"",
"notes": "::: Middle of the road audience quality recording for the period. Check the samples for illumination.\n::: NOT the Ken & Judy Lee Port Chester Resurrection Project source. I do not know the name of the taper.\n::: Warts: Taper turned off reel-to-reel between songs, so there are some late starts & I think there was 1 splice. \"St.Stephen\" cuts.\n::: Catfish was advertised & may have opened for this late show.\n::: After many hours of work, my entirely finished original textfile got zapped, so this is somewhat abbreviated & lacks most of the edit details, sorry.\n::: Comments courtesy Deadlists & http://db.etree.org : \"The Friend Of The Devil has different lyrics. Wake Up Lil Susie is in response to an audience request...\" \n::: As Jerry calls 'em at one point, the audience is a bunch of \"unruly freaks\"! Just havin' a good time, you'll hear 'em.\n::: \"Easy Wind\" does not cut off at the end. Likely there are other patches or possibilities to combine this with the Ken Lee source in some way.\n\nLine-up ::: Jerry Garcia - acoustic & electric guitars, vocals // Bob Weir - acoustic & electric guitars, vocals // Phil Lesh - electric bass, vocals // Mickey Hart - drums // Bill Kreutzmann - drums // Ron \"Pigpen\" McKernan - organ, percussion, vocals.\n\nNothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.\n\nCoolSonics 108 ::: Thanks to the original taper & traders! My copy came from the Florida Kid, who borrowed some Port Chester reel masters from a friend & kindly dubbed me some copies from the masters. ::: Corrections welcome ::: \"Wishing well with a golden bell, bucket hanging clear to hell, Hell halfway twixt now and then, Stephen fill it up and lower down and lower down again.\" It used to be a running, not so funny joke among us Dead tape collectors that \"St Stephen\" was cursed. One of the greats & version after version that appeared back in the day was cut in some fashion. Anyway, plenty of other things good about this, so let yer ears have at it. Enjoy.\n\nMore recordings on the way, making up for years of slow netspeed. Kudos to Zongo for life support, Lochner for mikes & much more, & to Fast Freddie for runnin' Video Dick's Record Emporium with the bathroom office full of tape decks. Thanks to Hanwaker (few among us can keep his pace) for over 30 years of trading & friendship. Mountains of gratitude to Davmar, D.White, Sanchez, Elliot, The Florida Kid, Kloiber, Zingg, JTW, Bershaw, Boston Gold, Weeks, Dixon, Moore, Gough & SO many more for all that collecting & sharing... Royal thanks to The Man In The Palace, Doc Tinker, Brinkhoffs, Barely Eatin', Reel Master Gaule, Parrish & all the traders who housed me thru my music acquisition & travel years. Hats off to Brother Kent, Uncle Jake, Little Queenie (& her neighbor Frank) & his honor Ptomaine Thomas. Glasses raised to Byron for musical horizon expansion & much obliged to J & Thurston for keepin' my concert fires burnin' since my continental shift. Thanks to the Mods for keepin' DIME alive. Enjoy, share, give, spread peace. Yers truly, Knees\n\nSupport the artists! www.dead.net\n\nDo whatever you want with it except sell it, 'cause that ain't cool!",
"runtime": "107:21.12"
},
"editorialNote": {
"note": "JerryBase source table lists this circulating source for 1970-03-21-capitol-theatre-port-chester-late; Archive identifier date matches the show date (1970-03-21). Applied from research package Batch A (same-date only).",
"sourceLabel": "JerryBase SHNID 118670",
"url": null
}
},
"contentUrl": "https://archive.org/details/gd1970-03-21.late.aud.coolsonics.altsource.118670.flac16"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1970-03-21.144383.late.rec3.m-aud.flac1644
- identifier
- gd1970-03-21.144383.late.rec3.m-aud.flac1644
- source_type
- Recording Information ::: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs.
- lineage
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Electric-1: Casey Jones, Dancin' In The Streets, Easy Wind</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n Acoustic:\n Friend Of The Devil, Deep Elem, Don't Ease Me In > Black Peter, Wake\n Up Little Susie > Uncle John's Band, Katie Mae</div>\n</div>\n\n<div class=\"b1 set\">\n<b>Set III</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Electric-2:Cosmic\n Charlie, St. Stephen > Not Fade Away > St. Stephen jam > \nChina Cat Sunflower jam > jam> Not Fade Away, Has Anybody Seen My\n Gal tuning, Midnight Hour > Turn On Your Lovelight, And We Bid You \nGoodnight</span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Late show. Comments courtesy <a href=\"http://www.deadlists.com\" rel=\"ugc nofollow\">Deadlists</a>: \"The Friend Of The Devil has different lyrics. Wake Up Lil Susie<br />\nis in response to an audience request... Catfish was advertised on this bill and may have played an<br />\nopening set for the late show.\"</span>\n </div>\n</div>\n\n</div>",
"notes": "Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.\n\nCoolSonics 108 ::: Thanks to the original taper & the trader! My copy came from the Florida Kid, who borrowed these Port Chester reel masters from the original taper. ::: Corrections welcome ::: Primevil archival fodder from \"Tiny But Mighty\" Pot Chesta. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees\n\nSupport the artists! www.dead.net\n\nDo whatever you want with it except sell it, 'cause that ain't cool!",
"runtime": "105:48.50",
"transferer": "Knees",
"taperText": "Unknown"
},
"editorialNote": {
"note": "JerryBase source table lists this circulating source for 1970-03-21-capitol-theatre-port-chester-late; Archive identifier date matches the show date (1970-03-21). Applied from research package Batch A (same-date only).",
"sourceLabel": "JerryBase SHNID 144383",
"url": null
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"contentUrl": "https://archive.org/details/gd1970-03-21.144383.late.rec3.m-aud.flac1644"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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