Setlist via JerryBase

Writeups

  • Port Chester - November 1970
    Dead EssaysAug 21, 2009
    Almost 40 years ago, the Dead played a series of shows at Port Chester that have remained legendary, in spite of being available only as aud...

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Tapes

  • AUDDATTaper unknownSony TC-110 with built-in microphone > Cass > Reel > DAT > CD > EAC > SHN
    Taper
    Ken Leigh and Dave Tamarkin
    Discs
    4
    SHN discs
    3
  • AUDTaper unknownAudience
  • Source unknownMaster ReelTaper unknownAUD > MR > CD
    Taper
    Marty Weinberg
    Discs
    1
    SHN discs
    1
  • AUDTaper unknownaud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
    Taper
    Jerry Moore and Marty Weinberg

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1970-11-06-capitol-theatre-port-chester

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      "notes": "-- Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone\n-- Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master\n-- From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone\n\n-- There are some small master glitches ~1:30 of Black Peter.\n-- The Tamarkin master is fairly brutal, but it's the only tape which supplies the end of El Paso and Brokedown Palace.  There is some serious tape warble on these tunes, and there is some very bad tape crackle between songs, which I have removed where possible without touching the music.  Listener beware!  For completists only.\n-- There is a master tape flip at 6:14 of All I Ever Wanted.  Very little music seems to be missing.  I have smoothed the cut.\n-- There is a master glitch at 2:37 of Candyman.\n-- There are a few level fluctuations in Candyman.\n-- There is a master tape flip after Candyman.  No music is missing.\n-- The Easy Wind which has circulated with this date has been determined to be from July 10, 1970, and, as such, has not been included here.  Based on the tapes, it does not seem that Easy Wind was played this evening.\n-- There is a small master glitch at 4:03 of Drums following Good Lovin'.\n-- From Dave Tamarkin's recollection, there is a broken string which accounts for the break after Good Lovin'.  The electric set was one long set, not two sets as it has sometimes circulated in the past.\t\n-- There is a master tape flip at 7:30 of Lovelight.  Very little music seems to be missing.  I have smoothed the cut.",
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      "notes": "THE CAPITOL THEATER SHOWS -- NOV 5-8 1970 \n\nFor this run of shows at the Capitol Theater (Nov. 5-8) the Dead played a\nsingle concert each night from Thursday to Sunday. The Capitol Theater's\nVillage Voice ad for October 1 lists shows (\"featurning NRPS\") at 8:00 PM\non November 5th, 6th, 7th & 8th. In the ads for 10/29 and 11/5, ads\nfor the shows at the 46th St. Rock Palace in Brooklyn are prominent in\nthese same issues. \n\nBAND Grateful Dead\nVENUE Capitol Theater\nCITY Port Chester\nSTATE NY\nDATE 11/06/70\nSET1 Total [24:19+]; Candyman [1:06]; fixing the monitors [1:37];\nCandyman tuning & Candyman [4:16]; Uncle John's Band [1:25]; Uncle\nJohn's Band [2:13]; tuning [1:50]; Attics Of My Life [5:23]; drums\n& Phil* [6:30#]\n\nSET2 Total [50:28+]; Don't Ease Me In [#3:09]; [0:09]; Deep Elem [5:51];\n[1:27]; Dark Hollow [3:02]; [0:43]; Friend Of The Devil [3:36]; [1:31];\nThe Rub [2:57]; [0:42]; Black Peter [7:06]; [1:31]; El Paso [4:45**];\nBrokedown Palace tuning** [1:11]; Brokedown Palace** [5:52]; Uncle John's\nBand** [#5:41]\n\nSET3 Total [:]; NRPS set\n\nSET4 Total [79:30***]; Casey Jones [4:36]; [0:18]; Me & My Uncle [3:32]; King\nBee [6:45]; China Cat Sunflower [2:57] >; jam [3:05] >; I Know You Rider\n[4:08]; Easy Wind [8:38]; Truckin [7:31]; Candyman [7:20]; [0:12] Sugar\nMagnolia [7:20]; drums [0:31] >; Good Lovin [1:42] >; drums [4:17] >;\nMain Ten drums [0:35] >; Main Ten [3:43] >; drums [4:10] >; Good Lovin\n[8:40]\n\nSET5 Total [56:44]; Alligator [3:29] >; drums [0:10] >; jam [10:39] >; Not\nFade Away [2:57] >; Goin Down The Road Feelin Bad [4:13] >; Mountain jam\n[0:30] >; Not Fade Away [2:40] >; Caution [14:13] >; Lovelight [17:30];\n[0:30]\n\nNote - Most timings above are listed as per www.deadlists.com\n\nCOMMENTS SET 1 is the acoustic soundcheck. *Phil toys with the opening\nlines to Cumberland Blues among various other songs.\n\nSET 2 is the opening acoustic Dead set. The end of El Paso, Brokedown\nPalace tuning, Brokedown Palace, Uncle John's Band & the NRPS set\nthat followed (aka - SET 3), did not circulate as of (2/98)**.\n\nSET 4 is a electric Dead set. Eyewitness & AUD recorder David Tamarkin\nsays this set definetly ends with Good Lovin'. ***Does not include Easy\nWind, which is not on Teddy GoodBear's copies.\n\nSET 5 is another electric Dead set. The first 3:10 of the jam after\nAlligator is just Jerry & the drummers; this jam involves allusions to\nNot Fade Away, Goin Down The Road, The Other One and Caution, but never\nsettles into any steady riff despite the drummers energetic efforts to\nherd it into Not Fade from 7:30 on -- when they finally do slip into it\nby the back door at 10:39 the effect is explosive. The dovetail into\nGoin Down The Road 3 minutes later is as deft; this song features the\nadditional verse \"Mama told me son don't go down there.\" There are\nCaution hints in the transition from Mountain jam back to Not Fade.\n\nPigpen's harmonica is prominent early in Caution -- the jamming here is\nover the top, more than a match for any show ever -- the segue into\nLovelight takes it from a roar to a whisper to a roar in 3 seconds. It's\nhard to believe they didn't play an encore, or two.\n\nThere is no SBD master of this show in the vault.\n========================================================================\nFrom: Teddy GoodBear \nTo: Dave Tamarkin\nSubject: Re: 11/6/70 & 8/17/70?\nDate: Monday, February 14, 2000 12:41 PM\n\nFrom: \n: cassette master > cassette copy > my reel copy\n: at 3-3/4 ips > your dat except for the small portion\n: during the acoustic set with the quality difference,\n: Brokedown and part of El Paso from my cassette master\n: > my reel copy at 3-3/4 ips > your dat.\n\nWho was the taper for both? Were you the taper for the small portion\n\"cassette master\"? And do you know what equipment you or he or they used?\n\n: I don't know if i go along with the 8/17/70 assumption.\n: I have that also, never realized it was the same. it could\n: be capitol, came off one of those tapes and\n: the guy didn't do any trading. The mystery continues...\n\nIs there more to what you have listed as 8/17/70? Can you compare the 2?\n\nTeddy :^)\n\nFrom: From: \nTo: \nSubject: Re: 11/6/70 & 8/17/70?\nDate: Tuesday, February 15, 2000 7:07 PM\n\nI don't know the name of the guy who taped the bulk of that show, but he was \nthe infamous usher who's been mentioned for years. He did almost everyone who \nplayed there but after a falling out with my friend, his brother in law, we \nnever got to dub most of his stash. What was gotten includes several dead, nrps,\njanis, tuna, tull, allmans, delaney & bonnie, traffic & j.a. shows. He would \nset up off the balcony with a mike spread. I have no idea what he used. that\nsmall acoustic portion was mine on a panasonic portable, if memory serves.\n\nWhat you have as 8/17/70 is the same as what i have. As i mentioned, it was on \none his tapes with no info. He didn't trade so we don't know where else it \ncould have been from.\n\nhope this all helps. \nDave\n========================================================================\n----- Original Message ----- \nFrom: \n\nFrom: Dave Tamarkin\nDate: Wed, 3 Nov 1999 20:17:11 EST\nSubject: 11/6/70\n\nHi folks, my name is Dave Tamarkin. For many years now I've been trying\nto correct the base on the subject of 11/6/70 capitol, port chester. This\nwas my 1st show. I was already quite familiar with existing released lp's\nof the dead. Anyway, I brought a recorder with me not knowing about things\nlike fresh  batteries and how long these guys really play, I only managed\nto get a small part of the show. Many years later, I found out that my\nfriend's brother in law was the often mentioned mystery usher who may have\nrecorded some shows. He had a deal with the promoter to tape off the balcony\nwhile tending to his job. His was the source for many good tapes from there,\nincluding jethro tull, hot tuna, janis joplin, traffic and more. My copy of this\nshow has the acoustic brokedown palace, followed by ujb to close the set. Also,\nif you listen closely, after good lovin, you hear a mention of a break to change\na string, if  memory serves. After the break, alligator follows. One show that\nnight! i walked in about 8:15 and left about 2. And yes, the nrps set does exist\non tape, at least from that night.\n\nkeep up the good work, DT\n\nRECORDING 18 AF 80 A? & 90 AF. **NRPS set & missing acoustic dead songs\nsurfaced 2/00, originating from David Tamarkin to Teddy GoodBear. The\nfound \"missing\" acoustic dead songs are in somewhat degraded sound quality.\nCONTRIBUTORS Jim Powell Dwight Holmes Joey Newlander Teddy GoodBear David\nTamarkin\n========================================================================\nCD1 {Total Time using 80 min CDR - 74:47}\n  DEAD acoustic soundcheck:\nCandyman                        01:05\nfixing the monitors             01:36\ncandyman tuning and Candyman    04:16\nUncle John's Band               01:25\nUncle John's Band               02:12\ntuning                          01:50\nAttics Of My Life               05:22\ndrums & Phil                    06:29#\n  DEAD opening SET1 acoustic:\nSET1: Don't Ease Me In         #03:19\nDeep Elem                       06:16\nDark Hollow                     04:32\nFriend Of The Devil             04:14\ntuning                          01:16\nThe Rub                         03:16\nBlack Peter                     07:42\ntuning                          01:16\nEl Paso                         05:50\nBrokedown Palace tuning         01:10\nBrokedown Palace                05:51\nUncle John's Band              #05:40\n\n{NRPS Set goes here}\n\nCD2 {Total Time using 80 min CDR - 79:30}\n  DEAD SET2 1st electric:\nCasey Jones                     05:25\nMe & My Uncle                   04:04\nI'm A King Bee                  08:11\nChina Cat Sunflower >           06:05\nI Know You Rider                05:36\n  MISSING? or was not played: Easy Wind [8:38]\nTruckin                         08:43\nCandyman                        09:54\nSugar Magnolia                  05:17\nGood Lovin' >                   08:45\nMain Ten                        08:34\nGood Lovin'                     08:50\n\nCD3 {Total Time - 56:44}\n  DEAD SET3 2nd electric:\nAlligator >                     06:37\nNot Fade Away >                 10:25\nGoin Down The Road Feelin Bad > 04:57\nMountain Jam >                  00:31\nNot Fade Away >                 02:19\nCaution >                       13:47\nTurn On Your Lovelight          08:04\n========================================================================\nTeddy :^) www.goodbear.com\nHome of etrees: www.goodbear.com/tree.html\n\nPS - Thanks Dave Tamarkin for getting me started with Dead tape trading in 1975. I still have those very 1st cassettes from the Fillmore East you gave me back then!!! And it was good to see you again after more then 15 years in the year 2000!\n\nEncoded to MP3 by: Teddy \"Good Bear\" & posted the 1st time to \"alt.binaries.gdead.highspeed\" 5/00 with the help of Doug Johnson.",
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    "shnid": "119818",
    "sourceMeta": {
      "description": "Set 3 partial\n\nGood Lovin'> Alligator-> Drums-> Jam> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Mountain Jam> Not Fade Away-> Caution (Do Not Stop on Tracks)-> Turn On Your Love Light",
      "notes": "The only complete copy of this show is shn ID 17183, the composite\nassembled by Jack Warner which includes various lineage copies of\nKen Lee's and Dave Tamarkin's cassette recordings. (For the record,\nthe Lee recording was most likely made with two mics spread on the \nbalcony ledge into a sony tc-124 cassette deck, and not a sony tc-110\nusing an internal mic as noted. I say this because a) the recording\nis very much in stereo, and b) this is what Lee himself said when\nJohn Hance was working on his tapes). \n\nMost of the material in disc three was upgraded with the addition\nof shn ID 19922 which is from Marty Weinberg's master audience reel.\nThis source upgrades King Bee through the beginning of The Main Ten\nand then cuts.\n\nThe material I've provided in this seed is the rest of what Marty\ntaped that night which I've never seen in circulation before. While\nit has some glitches, the sound quality is superior to the circulating\nversion. Just listen to Caution on this seed and then check out the\nversion that you presently have in your collection.\n\nBefore I try to patch this material into the 17183/19922 composite,\nI would like to hear from other listeners in regards to pitch. To\nme this new source sounds correct and the Lee recording of the electric\nportion seems to run fast. I welcome any input in this matter.\nThe raw 24 bit files of this portion are available to any capable soul\nlooking to work on this project. Without a sound board in the vault,\nevery byte counts! \n\nCheers, \nRob Berger \npibb at optonline dot net",
      "runtime": "34:51.61",
      "transferer": "Rob Berger",
      "taperText": "Jerry Moore and Marty Weinberg"
    }
  },
  "contentUrl": "https://archive.org/details/gd1970-11-06.aud.weinberg.moore-berger.119818.flac16"
}

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