Grateful Dead
Feb 24, 1971 at Capitol Theatre
Port Chester, NY
Setlist via JerryBase
Set 1
Casey Jones, Me And My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playing In The Band, Good Lovin' > Drums > Good Lovin'
Set 2
Sugar Magnolia, I'm A King Bee, Greatest Story Ever Told > Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away1 > Goin' Down The Road Feelin' Bad1 > Not Fade Away1 > Turn On Your Lovelight
Additional Notes
- Jerry's last of 28 performances at Capitol Theatre
Writeups
None available yet
Related videos
None available yet
Tapes
- SBDTaper unknownSoundboardListenArchive.orgRelistenTransferLeigh Orf
- SBDMaster ReelTaper unknownCD -> Samplitude Professional v10.02 -> FLACListenArchive.orgRelistenetree121065TransferCharlie Miller
- SBDDATStream OnlyTaper unknownJace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.ListenArchive.orgRelistenetree87570TransferTransfer and mastering by Chris Ladner.
- SBDDATStream OnlyTaper unknownSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-RListenArchive.orgRelistenetree6189TransferLee Orf;retracked by Bob Clevenger
- SBDPCMBetty BoardTaper unknownSource Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16ListenArchive.orgRelistenetree140834TransferCharlie Miller and Scott Clugston
- Source unknownTaper unknownakg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob BergerListenArchive.orgRelistenetree125171TransferRob Berger, Michael Parish, Morgan Evans
- SBDDATTaper unknownSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-RListenArchive.orgRelistenetree6190TransferLeigh Orf and Bob Clevenger
- Source unknownPCMTaper unknownCassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16ListenArchive.orgRelistenetree162394TransferMatt Vernon, SirMick
- Source unknownPCMTaper unknownCassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24ListenArchive.orgRelistenetree162395TransferMatt Vernon, SirMick
- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1971-02-24-capitol-theatre-port-chester
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"notes": "via Leigh Orf; <a href=\"http://www.oakland.edu/~crouch/wbotb.htm\" rel=\"ugc nofollow\">WBOTB</a> source > distortion removed digitally (see <a href=\"http://orf.cx/notch.html\" rel=\"ugc nofollow\">notes</a>)\n\nThe short story:\n\n1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html\n\n2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was \"ripped\" to disk.\n\n3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels!\n\n4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song!\n\nThe long story with regards to 2) above:\n\nThe DAT tape, a clone from the \"whatever became of the bettys\" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two.\n\nI have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;)\n\nFor the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades.",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
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"notes": "The short story:\n\n1) I removed the whine (~8000 kHz tone at about +25 dB) from this show\nthat was present with the source reels using Sonic Foundry's Noise\nReduction algorithm, as I did with the earlier uploaded Port Chester\nshows (2/18 and 2/21). For an explanation of the noise and how I removed\nit, see http://members.home.net/orf/notch.html\n\n2) There are a couple of very minor dropouts/glitches which I have\ncleaned up as well as I can. These occurred when the DAT tape was\n\"ripped\" to disk.\n\n3) This show is as good as you're gonna get as far as I know because of\nthe NR and the excellent remastering from the originnal reels!\n\n4) I've kept in all the intersong tuning/whatever. I figure others can\nedit them down if the wish. I like having it there, sometimes funny\nthings are said and done :) plus you can always just hit FFWD on your CD\nplayer remote to get to the next song!\n\nThe long story with regards to 2) above:\n\nThe DAT tape, a clone from the \"whatever became of the bettys\" tree a\nwhile back, was borrowed and was read in on an old SGI indigo which has\nfirmware which can read DAT audio tapes and dump them to 48 kHz AIFF\nfiles. Alas, I do not own a DAT machine and digital sound card, but I am\nsaving my money! Anyhow, the error correction on the SGI DAT drive was\npretty crappy, and there were a few dropouts/glitches on the read which\nlasted anywhere from less than 1/75 s to a second or two.\n\nI have at my behest a professional quality DAT machine at a community\nradio station I volunteer for (WORT) and brought my home tape deck in\nwhich is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT\ndoes not have a computer with a digital sound card). It is a very good\ndeck for analogue. The DAT deck at WORT was able to handle *almost*\nall of the bad spots that were not handled well by the SGI. I made a\ndobly S copy of the bad spots, and pasted over (using an analogue AWE64\nSoundblaster to go A->D) the glitches/droputs on the SGI read using\nSound Forge. The result is as good as i could do. You won't even hear\nmost of the original glitches, and the ones that remain were due to bad\nspots on the DAT, that the WORT deck was unable to handle. Bear in mind\nthat the total amount I had to paste over represent a total of about\n15 seconds across the entire show, and I was able to 'fix' 99% of them\ncompletely. There are one or two dropouts/bad reads that are very short\n(mostly in Casey Jones which Betty fucked up anyway ;)\n\nFor the curious I left about 1 second of the original noise that I\nfiltered out. It's at the very very end of track 1 on disk 2 after the\ncrowd noise fades.\n\nLeigh Orf \n\n*************************\n\nFurther note:\nI retracked this show so that it fits each set onto one CDR.\nI don't believe any changes were made to the shn's but the MD5's are new.\n\nBob Clevenger\nbob@santhemermaid.com",
"transferer": "Lee Orf;retracked by Bob Clevenger"
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"description": "Set 1<br /><br />\nCasey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'<br /><br />\nSet 2<br /><br />\nSugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light<br /><br />\nE.S.P. show - Other artist(s): NRPS",
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"notes": "The Sound Forge noise reduction was used to attenuate a very\nnarrow frequency band (in the vicinity of 8000 Hz) which\nwas present as interference on the original reels. See\nhttp://members.home.net/orf/notch.html for details.\n\nRemastered by Leigh Orf \n\n\nThe short story:\n\n1) I removed the whine (~8000 kHz tone at about +25 dB) from this show\nthat was present with the source reels using Sonic Foundry's Noise\nReduction algorithm, as I did with the earlier uploaded Port Chester\nshows (2/18 and 2/21). For an explanation of the noise and how I removed\nit, see http://members.home.net/orf/notch.html\n\n2) There are a couple of very minor dropouts/glitches which I have\ncleaned up as well as I can. These occurred when the DAT tape was\n\"ripped\" to disk.\n\n3) This show is as good as you're gonna get as far as I know because of\nthe NR and the excellent remastering from the originnal reels!\n\n4) I've kept in all the intersong tuning/whatever. I figure others can\nedit them down if the wish. I like having it there, sometimes funny\nthings are said and done :) plus you can always just hit FFWD on your CD\nplayer remote to get to the next song!\n\nThe long story with regards to 2) above:\n\nThe DAT tape, a clone from the \"whatever became of the bettys\" tree a\nwhile back, was borrowed and was read in on an old SGI indigo which has\nfirmware which can read DAT audio tapes and dump them to 48 kHz AIFF\nfiles. Alas, I do not own a DAT machine and digital sound card, but I am\nsaving my money! Anyhow, the error correction on the SGI DAT drive was\npretty crappy, and there were a few dropouts/glitches on the read which\nlasted anywhere from less than 1/75 s to a second or two.\n\nI have at my behest a professional quality DAT machine at a community\nradio station I volunteer for (WORT) and brought my home tape deck in\nwhich is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT\ndoes not have a computer with a digital sound card). It is a very good\ndeck for analogue. The DAT deck at WORT was able to handle *almost*\nall of the bad spots that were not handled well by the SGI. I made a\ndobly S copy of the bad spots, and pasted over (using an analogue AWE64\nSoundblaster to go A->D) the glitches/droputs on the SGI read using\nSound Forge. The result is as good as i could do. You won't even hear\nmost of the original glitches, and the ones that remain were due to bad\nspots on the DAT, that the WORT deck was unable to handle. Bear in mind\nthat the total amount I had to paste over represent a total of about\n15 seconds across the entire show, and I was able to 'fix' 99% of them\ncompletely. There are one or two dropouts/bad reads that are very short\n(mostly in Casey Jones which Betty fucked up anyway ;)\n\nFor the curious I left about 1 second of the original noise that I\nfiltered out. It's at the very very end of track 1 on disk 2 after the\ncrowd noise fades.\n\nLeigh Orf",
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"sourceMeta": {
"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">E.S.P. show - Other artist(s): NRPS</span></div></div>",
"notes": "Comments:\n\n- After they have played \"Casey Jones\" or it could be after \"Me And My Uncle\" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light.\n\n\nNotes:\n\n- This derives from the same source as shnid but we get 6 more songs from Set II.\n- All tracks have been speed corrected and some wow and flutter has been repaired.\n- The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible.\n- There is about 1:38 missing with the cut in \"Love Light.\" The parts have been crossfaded together.\n- Most tracks are clipped at the start.\n\n\nThanks to Doiug Lamarre for this source.\n\nThanks to Matt Vernon for the transfer and facilitatings\n\n\nedited and mastered\nSIRMick\nJanuary 2023",
"runtime": "77:53.61",
"transferer": "Matt Vernon, SirMick",
"taperText": "Marty Weinberg? From the collection of Doug Lamarre"
}
},
"contentUrl": "https://archive.org/details/gd1971-02-24.162394.akgd1909e.weinberg.lamarre.vernon.sirmick.flac16"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24
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- content_url
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Full served wire node (JSON)
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">E.S.P. show - Other artist(s): NRPS</span></div></div>",
"notes": "Comments:\n\n- After they have played \"Casey Jones\" or it could be after \"Me And My Uncle\" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light.\n\n\nNotes:\n\n- This derives from the same source as shnid but we get 6 more songs from Set II.\n- All tracks have been speed corrected and some wow and flutter has been repaired.\n- The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible.\n- There is about 1:38 missing with the cut in \"Love Light.\" The parts have been crossfaded together.\n- Most tracks are clipped at the start.\n\n\nThanks to Doiug Lamarre for this source.\n\nThanks to Matt Vernon for the transfer and facilitatings\n\n\nedited and mastered\nSIRMick\nJanuary 2023",
"runtime": "77:53.813",
"transferer": "Matt Vernon, SirMick",
"taperText": "Marty Weinberg? From the collection of Doug Lamarre"
}
},
"contentUrl": "https://archive.org/details/gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording playdead:1971-02-24:47742
- identifier
- playdead:1971-02-24:47742
- source_type
- SBD
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- mean_rating
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- shnid
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- content_url
- https://vault.playdead.app/release/47742
Full served wire node (JSON)
{
"@type": "AudioObject",
"@id": "https://longstrangeclick.com/id/recording/playdead:1971-02-24:47742",
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"lsc": {
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},
"contentUrl": "https://vault.playdead.app/release/47742"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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