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  • Sweet Suzy

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Tapes

  • SBDTaper unknownSoundboard
    Discs
    3
    SHN discs
    2
  • SBDMaster ReelTaper unknownCD -> Samplitude Professional v10.02 -> FLAC
  • SBDDATStream OnlyTaper unknownJace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
    Taper
    Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
  • SBDDATStream OnlyTaper unknownSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
  • SBDPCMBetty BoardTaper unknownSource Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
    Taper
    Betty Cantor
  • Source unknownTaper unknownakg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
    Taper
    Marty Weinberg
  • SBDDATTaper unknownSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
  • Source unknownPCMTaper unknownCassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16
    Taper
    Marty Weinberg? From the collection of Doug Lamarre
  • Source unknownPCMTaper unknownCassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24
    Taper
    Marty Weinberg? From the collection of Doug Lamarre
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1971-02-24-capitol-theatre-port-chester

Recording gd71-02-24.sbd.orf.114.sbeok.shnf
identifier
gd71-02-24.sbd.orf.114.sbeok.shnf
source_type
Soundboard
lineage
lineage_chain
capture_position
soundboard
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
68120
review_count
4
mean_rating
4
shnid
relisten_url
https://relisten.net/grateful-dead/1971/02/24?source=3876572
etree_url
content_url
https://archive.org/details/gd71-02-24.sbd.orf.114.sbeok.shnf

Full served wire node (JSON)

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    "sourceType": "Soundboard",
    "sourceMeta": {
      "description": "Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin' Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light",
      "notes": "via Leigh Orf; <a href=\"http://www.oakland.edu/~crouch/wbotb.htm\" rel=\"ugc nofollow\">WBOTB</a> source > distortion removed digitally (see <a href=\"http://orf.cx/notch.html\" rel=\"ugc nofollow\">notes</a>)\n\nThe short story:\n\n1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html\n\n2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was \"ripped\" to disk.\n\n3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels!\n\n4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song!\n\nThe long story with regards to 2) above:\n\nThe DAT tape, a clone from the \"whatever became of the bettys\" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two.\n\nI have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;)\n\nFor the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades.",
      "transferer": "Leigh Orf",
      "discs": "3",
      "shnDiscs": "2"
    }
  },
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
identifier
gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
source_type
SBD -> Master Reel -> CD
lineage
CD -> Samplitude Professional v10.02 -> FLAC
lineage_chain
CD > Samplitude Professional v10.02 > FLAC
capture_position
soundboard
lineage_media_token
mr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
13760
review_count
3
mean_rating
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shnid
121065
relisten_url
https://relisten.net/grateful-dead/1971/02/24?source=2604688
etree_url
https://etreedb.org/shn/121065
content_url
https://archive.org/details/gd1971-02-24.121065.sbd.miller.digitalrbb.flac16

Full served wire node (JSON)

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          "note": "CD"
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          "eventType": "transfer",
          "atUtc": null,
          "note": "Samplitude Professional v10.02"
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        {
          "eventType": "reseed",
          "atUtc": null,
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    "sourceMeta": {
      "description": "Set 1\n\nCasey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'\n\nSet 2\n\nSugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light\n\nE.S.P. show - Other artist(s): NRPS",
      "notes": "Notes:\n-- All disc changes are seamless\n-- Master Reel transferred to CD at the Mastering Plant in L.A.",
      "runtime": "172:25.74",
      "transferer": "Charlie Miller"
    }
  },
  "contentUrl": "https://archive.org/details/gd1971-02-24.121065.sbd.miller.digitalrbb.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16
identifier
gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16
source_type
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
lineage
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
lineage_chain
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
capture_position
soundboard
lineage_media_token
dat
compendium_quality_grade
tape_culture_tags
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is_listable
false
download_count
13054
review_count
9
mean_rating
4
shnid
87570
relisten_url
https://relisten.net/grateful-dead/1971/02/24?source=3876532
etree_url
https://etreedb.org/shn/87570
content_url
https://archive.org/details/gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16

Full served wire node (JSON)

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    "sourceType": "7\" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).",
    "lineage": "Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.",
    "lineageChain": "Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.",
    "shnid": "87570",
    "sourceMeta": {
      "description": "Set 1\n\nCasey Jones  \nMe And My Uncle  \nCumberland Blues  \nNext Time You See Me  \nBird Song  \nMe And Bobby McGee  \nBertha  \nHard To Handle  \nLoser  \nPlaying In The Band  \nGood Lovin' ->\nDrums ->\nGood Lovin'  \n\nSet 2\n\nSugar Magnolia  \nI'm A King Bee  \nGreatest Story Ever Told  ->\nJohnny B. Goode  \nDeal  \nNew Minglewood Blues  \nTruckin'  \nNot Fade Away  ->\nGoin' Down The Road Feeling Bad  ->\nJam  ->\nNot Fade Away  ->\nTurn On Your Lovelight",
      "notes": "- First note of \"Casey Jones\" clipped.",
      "runtime": "171",
      "transferer": "Transfer and mastering by Chris Ladner.",
      "taperText": "Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT  for transfer."
    }
  },
  "contentUrl": "https://archive.org/details/gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
identifier
gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
source_type
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
lineage
lineage_chain
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
capture_position
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compendium_quality_grade
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download_count
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review_count
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mean_rating
5
shnid
6189
relisten_url
https://relisten.net/grateful-dead/1971/02/24?source=3876612
etree_url
https://etreedb.org/shn/6189
content_url
https://archive.org/details/gd1971-02-24.sbd.clevenger.6189.sbefail.shnf

Full served wire node (JSON)

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    "shnid": "6189",
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      "description": "SET1\n 1. Casey Jones \t\t\t\t5:11\n 2. Me And My Uncle \t\t\t\t4:27\n 3. Cumberland Blues \t\t\t\t5:04\n 4. Next Time You See Me \t\t\t3:34\n 5. Bird Song \t\t\t\t\t7:45\n 6. Me And Bobby McGee \t\t\t\t6:04\n 7. Bertha \t\t\t\t\t5:26\n 8. Hard To Handle \t\t\t\t6:36\n 9. Loser \t\t\t\t\t6:07\n10. Playing In The Band \t\t\t4:28\n11. Good Lovin' > Drums > Good Lovin' \t       17:05\n\nDisc 2:\n======\n\nSET2\n 1. tuning\t\t\t\t\t0:10\n 2. Sugar Magnolia \t\t\t\t5:37\n 3. I'm A King Bee \t\t\t\t7:30\n 4. Greatest Story Ever Told  >\t\t\t4:13\n 5. Johnny B. Goode \t\t\t\t4:00\n 6. Deal \t\t\t\t\t4:41\n 7. New Minglewood Blues \t\t\t4:16\n 8. Truckin' \t\t\t\t\t8:39\n 9. Not Fade Away  >\t\t\t\t3:33\n10. Goin' Down The Road Feeling Bad  > Jam  >   9:06\n11. Not Fade Away reprise >\t\t\t2:23\n12. Turn On Your Lovelight \t\t       19:53",
      "notes": "The short story:\n\n1) I removed the whine (~8000 kHz tone at about +25 dB) from this show\nthat was present with the source reels using Sonic Foundry's Noise\nReduction algorithm, as I did with the earlier uploaded Port Chester\nshows (2/18 and 2/21). For an explanation of the noise and how I removed\nit, see http://members.home.net/orf/notch.html\n\n2) There are a couple of very minor dropouts/glitches which I have\ncleaned up as well as I can. These occurred when the DAT tape was\n\"ripped\" to disk.\n\n3) This show is as good as you're gonna get as far as I know because of\nthe NR and the excellent remastering from the originnal reels!\n\n4) I've kept in all the intersong tuning/whatever. I figure others can\nedit them down if the wish. I like having it there, sometimes funny\nthings are said and done :) plus you can always just hit FFWD on your CD\nplayer remote to get to the next song!\n\nThe long story with regards to 2) above:\n\nThe DAT tape, a clone from the \"whatever became of the bettys\" tree a\nwhile back, was borrowed and was read in on an old SGI indigo which has\nfirmware which can read DAT audio tapes and dump them to 48 kHz AIFF\nfiles. Alas, I do not own a DAT machine and digital sound card, but I am\nsaving my money! Anyhow, the error correction on the SGI DAT drive was\npretty crappy, and there were a few dropouts/glitches on the read which\nlasted anywhere from less than 1/75 s to a second or two.\n\nI have at my behest a professional quality DAT machine at a community\nradio station I volunteer for (WORT) and brought my home tape deck in\nwhich is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT\ndoes not have a computer with a digital sound card). It is a very good\ndeck for analogue. The DAT deck at WORT was able to handle *almost*\nall of the bad spots that were not handled well by the SGI. I made a\ndobly S copy of the bad spots, and pasted over (using an analogue AWE64\nSoundblaster to go A->D) the glitches/droputs on the SGI read using\nSound Forge. The result is as good as i could do. You won't even hear\nmost of the original glitches, and the ones that remain were due to bad\nspots on the DAT, that the WORT deck was unable to handle. Bear in mind\nthat the total amount I had to paste over represent a total of about\n15 seconds across the entire show, and I was able to 'fix' 99% of them\ncompletely. There are one or two dropouts/bad reads that are very short\n(mostly in Casey Jones which Betty fucked up anyway ;)\n\nFor the curious I left about 1 second of the original noise that I\nfiltered out. It's at the very very end of track 1 on disk 2 after the\ncrowd noise fades.\n\nLeigh Orf \n\n*************************\n\nFurther note:\nI retracked this show so that it fits each set onto one CDR.\nI don't believe any changes were made to the shn's but the MD5's are new.\n\nBob Clevenger\nbob@santhemermaid.com",
      "transferer": "Lee Orf;retracked by Bob Clevenger"
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.sbd.clevenger.6190.sbefail.shnf
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.162394.akgd1909e.weinberg.lamarre.vernon.sirmick.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24
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https://relisten.net/grateful-dead/1971/02/24?source=3876628
etree_url
https://etreedb.org/shn/162395
content_url
https://archive.org/details/gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording playdead:1971-02-24:47742
identifier
playdead:1971-02-24:47742
source_type
SBD
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content_url
https://vault.playdead.app/release/47742

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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