Tags

  • Sweet Suzy

Setlist via JerryBase

Notes

  1. Released on Grateful Dead (Skull & Roses) 12
  2. Released on The Golden Road (1965 - 1973) 12
  3. Released on Ladies and Gentlemen... the Grateful Dead
  4. Released on Enjoying the Ride 123456
  5. Released on Ladies and Gentlemen... the Grateful Dead 12
  6. Released on On A Back Porch, Vol 2
  7. Last known performance (by GD) 1970-11-08 (55 events ago) and final time played by any act
  8. With Carl Wilson on vocals and guitar, Dennis Wilson on vocals and keys, Mike Love on vocals, Al Jardine on vocals and guitar, and Bruce Johnston on vocals and bass 12345
  9. Only known performance (by GD) next performance on 1989-04-24 by Elvis Costello and Friends as guest
  10. Only known performance 12

Writeups

None available yet

Related videos

None available yet

Tapes

  • SBDMaster ReelStream OnlyTaper unknownSBD > MR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink 9600 > CD-R
    Discs
    3
    SHN discs
    2
    Official release
    This show has been commercially released as "Ladies and Gentlemen, the Grateful Dead"
  • SBDMaster ReelStream OnlyTaper unknownCD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC
  • SBDMaster ReelTaper unknownSource One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
    Official release
    This performance has been commercially released on "Ladies and Gentlemen, the Grateful Dead"
  • SBDPCMTaper unknownSource Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
    Taper
    Harvey Lubar, Tim Dalton
  • SBDMaster ReelStream OnlyTaper unknownLineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
    Taper
    Will Boswell
  • SBDMaster ReelStream OnlyTaper unknownSource One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
    Official release
    This performance has been commercially released on "Ladies and Gentlemen, the Grateful Dead"
  • SBDMaster ReelStream OnlyTaper unknownNRPS: MR>C>CDRx?>SHN, Truckin' through Loser: MR>CDR>SHN , Hard to Handle through Lovelight: MR>R>CDR>SHN. GD SBD>MR : Shure line mixers > Sony reel to reel (middle of the line model, exact model unknown) at 7 1/2 ips onto BASF 90 minute reels MR>R: ??? > Sony 640 MR>CDR, R>CDR: Revox B77 reel to reel > Alesis Masterlink ML9600, sampled at 24 bit, 96k CDR>SHN : PlexWriter 8/2/20 > Exact Audio Copy
    Official release
    This show has been commercially released as " Ladies and Gentleman, The Grateful Dead"
  • SBDMaster ReelTaper unknownSBD>MR>R>D>CD
    Official release
    This show has been commercially released as " Ladies and Gentleman, The Grateful Dead"
  • SBDMaster ReelTaper unknownStart of show through Loser: MR>CDR Hard to Handle to end of show: MR>R>CDR
    Official release
    This show has been commercially released as "Ladies and Gentleman,..."
  • Source unknownStream OnlyTaper unknownTransfer: Maxell UDXL2 w/Dolby B (Nakamichi Dragon playback w/Dolby B)-> Lexicon Lambda-> Logic 16/44.1 (tracking only)-> wav-> xAct (sbe correction)-> FLAC
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1971-04-27-fillmore-east-new-york

Recording gd71-04-27.sbd.murphy.2221.sbeok.shnf
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gd71-04-27.sbd.murphy.2221.sbeok.shnf
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lineage
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lineage_chain
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capture_position
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compendium_quality_grade
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2221
relisten_url
https://relisten.net/grateful-dead/1971/04/27?source=3876716
etree_url
https://etreedb.org/shn/2221
content_url
https://archive.org/details/gd71-04-27.sbd.murphy.2221.sbeok.shnf

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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lineage
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lineage_chain
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lineage_media_token
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compendium_quality_grade
tape_culture_tags
source_family_tags
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review_count
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mean_rating
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shnid
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relisten_url
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etree_url
https://etreedb.org/shn/114461
content_url
https://archive.org/details/gd1971-04-27.sbd.miller.114461.flac16

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-04-27.sbd.miller.106550.flac16
identifier
gd1971-04-27.sbd.miller.106550.flac16
source_type
Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips);
lineage
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lineage_chain
Source One: Master Reel (Teac A-6100) > Advent Advocate Dolby B Unit > Fostex FR-2LE > WAV (24bit/96k); Source Two:Reel (Teac A-6100) > Advent Advocate Dolby B Unit > Fostex FR-2LE > WAV (24bit/96k); Mastering Info:WAV > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
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      "description": "Set 1<br /><br />\nTruckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones<br /><br />\nSet 2<br /><br />\nSugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light<br /><br />\n*with the Beach Boys<br />\n**Just the Beach Boys: Good Vibrations, I Get Around.",
      "notes": "Notes:\n- Thanks to Harvey Lubar (R.I.P.)for the Master Soundboard Reel source\n- Thanks to Tim Dalton for the source PCM\n- Thanks to Charlie Miller for the transfer\n- Thanks to Matt Smith for the shnid114094 soundboard source which supplies the first 0:35 of \"Hard To Handle\", a 0:03 patch in \"Casey Jones\", a 0:46 patch in \"Sugar Magnolia\", the final 4:56 of \"Birdsong\", the final 3:14 of \"Help Me Rhonda\", as well as the final 3:11 of \"Turn On Your Lovelight\"\n- \"Searchin'\", \"Riot In Cell Block #9\", \"Help Me Rhonda\", \"Okie From Muskogee\" and \"Johnny B. Goode\" with the Beach Boys\n- \"Good Vibrations\" and \"I Get Around\" - Beach Boys by themselves\n\nMastered by Scott Clugston\nFebruary 20, 2018",
      "runtime": "193:53.15",
      "transferer": "Scott Clugston and Charlie Miller",
      "taperText": "Harvey Lubar, Tim Dalton"
    }
  },
  "contentUrl": "https://archive.org/details/gd1971-04-27.141129.sbd.pcm.lubar.dalton.miller.clugston.flac1644"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-04-27.sbd.boswell.smith.114094.flac16
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      "description": "Set 1\n\nTruckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones\n\nSet 2\n\nSugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light\n\n*with the Beach Boys\n**Just the Beach Boys: Good Vibrations, I Get Around.",
      "notes": "Matt's notes:\nhard to handle, sugar magnolia, bird song, help me rhonda, sing me back home\nThese are all patched with the Ramrod source\n\nlovelight\nPatched with the 16 track source\n\n\nThanks to Bob Menke for the patch sources\n\n\nI decided to put this out for a number of reasons but mainly it's a improvement as to what circulates.  The main reason being Will's reels are in prime condition and have never had to be baked over a number of times.  The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them..  According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden \"purchased\" the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973.  Will's are 7.5 ips. and Pat's are 3.3/4 ips.  Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself.  I realize in some circles this is considered heresy but it's true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility.  We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy!\n\n\n\nMy notes:\nBig Thanks to Matt. Wonderful!!\nThanks to jpc3 for tagging the files\ntext file created & seeded 06/19/2011 gballen",
      "runtime": "203:09.49",
      "transferer": "Matt Smith",
      "taperText": "Will Boswell"
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-04-27.sbd.miller.106562.flac24
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      "description": "Set 1\n\nTruckin', Mama Tried, Bertha, Next Time You See Me, Cumberland Blues, Me And Bobby McGee, Loser, Hard To Handle, China Cat Sunflower-> I Know You Rider, Casey Jones\n\nSet 2\n\nSugar Magnolia, Deal, Me & My Uncle, Bird Song, Playing In The Band, Dire Wolf, Searchin'*, Riot In Cell Block #9*, Good Vibrations**, I Get Around**, Help Me Rhonda*, Okie From Muskogee*, Johnny B. Goode*, Sing Me Back Home, Uncle Johns Band > Turn On Your Love Light\n\n*with the Beach Boys **Just the Beach Boys: Good Vibrations, I Get Around. NRPS.  This date is featured on <a href=\"http://mars.dead.net\" rel=\"nofollow\">Ladies and Gentlemen... The Grateful Dead</a>.",
      "notes": "Notes:\n-- Set 2 is seamless\n-- Truckin' through Loser from source one (Master Reel)\n-- Hard To Handle through end of show from source two (1st Gen Reel)\n-- Patch source also provides some Set 1 tunings due to tape bleed through\n-- Some patches are not very smooth due to extrenme mix differences\n-- Beach Boys play on Searchin' through Johnny B. Goode\n-- Good Vibrations and I Get Around without The Grateful Dead\n-- Thanks to Bill Gadsden for supplying the reels\n-- Thanks to digitalrbb for supplying the patch source\n-- Thanks to Neil Sturtevant for rebuilding the dolby unit\n-- Thanks to Joe B. Jones for his help with the pitch correction",
      "runtime": "199:01.029",
      "transferer": "Charlie Miller and David Gans",
      "releaseNote": "This performance has been commercially released on \"Ladies and Gentlemen, the Grateful Dead\""
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-04-27.sbd.gadsden-oleynick.5165.shnf
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      "description": "Set 1\n\nTruckin'  \nMama Tried  \nBertha  \nNext Time You See Me  \nCumberland Blues  \nMe And Bobby McGee  \nLoser  \nHard To Handle  \nChina Cat Sunflower  ->\nI Know You Rider  \nCasey Jones  Six Days On The Road  \nWatcha Gonna Do  \nDown In The Boondocks  \nFair Chance To Know  \nHenry  \nPortland Woman  \nGlendale Train  \nLodi  \nSailin'  \nSweet Lovin One  \nRunnin' Back To You  \nLast Lonely Eagle  \nThe Weight  \nLouisiana Lady  \n\nSet 2\n\nSugar Magnolia  \nDeal  \nMe And My Uncle  \nBird Song  \nPlaying In The Band  \nDire Wolf  \nSearchin'   \nRiot In Cell Block    \nGood Vibrations   \nI Get Around   \nHelp Me Rhonda   \nOkie From Muskogee   \nJohnny B. Goode   \nSing Me Back Home  \nUncle John's Band  \nTurn On Your Lovelight",
      "notes": "Glitches:\nd1t09 0:36-1:08 - reel splice patched from same source as GD sets (Sailin')\n\n\n-*-*-*-*-*-*-*-*- The Story of the Tapes *-*-*-*-*-*-*-*-\n\n\n\"Who's the Dead freak?\" With that innocuous question the story of these tapes \nbegins. It was the summer of 1973, between attending 6/10/73 at R.F.K. \nStadium and the Watkins Glen soundcheck. A friend of mine was listening to \nLive/Dead at his parent's house. A local cabinetmaker was working at the \nhouse and asked the question. He mentioned that he had a bunch of Dead tapes \nfrom the Fillmore East back at his house. For about a year, three 90 minute \ncomposites of the 4/71 shows had made their way around taping circles in the \nPrinceton, N.J. area, but not the complete shows.\nWithin hours, Peter Kafer and I were at the cabinet shop with our reel to \nreel decks. What we found when we got there were 11 master reels of the 4/71 \nshows, along with a host of other 1st and 2nd generation tapes from the \nFillmore East of other bands, but also including 9/20/70. Also there were the \n1st generation reels from 11/23/70 at the Anderson Theater.\n\nThe 4/26-29/71 master reels were recorded by an individual named Buddy \nMiller, a local N. J. area musician. Buddy has become a very well respected, \nand recorded, Nashville guitarist. He is currently touring with Emmy Lou \nHarris, and can be heard on her current CD, Red Dirt Girl. Buddy was a friend \nof the cabinetmaker and, since he travelled a great deal, the tapes resided \nat the cabinet shop. Buddy was set up to record these shows by a friend who \nwas a member of the Fillmore East soundcrew.\n\nThese shows were NOT recorded in the same manner as the February '70,the\nMay 15, '70 show, and  the material from the September 18, 19, and 20,\n'70 shows. For the April '71 shows, a feed was run off the soundboard,\nwhich was upstairs in a balcony box, stageleft. There is a good picture\nof the soundbooth in Amalie Rothchild's book, Live at the Fillmore\nEast. The feed went from the soundboard into a broomcloset nearby,\nliterally a broomcloset. Buddy remembers a bucket and mop! The feed was\nmixed down on two little Shure line mixers and recorded on a middle of the\nline Sony deck onto BASF 90 minute reels at 7 1/2 ips. There was also a\nlittle consumer Dolby B unit used, which is why these recordings seem so\n'bright'.\n\nWe taped everything that summer of 1973 onto BASF reels. The following fall, \nPeter took his reels with him to California to begin his freshman year at \nU.C., Berkeley. From here he met various West coast tapers such as Bob Menke \nand Rob Bertrando, and the tapes began their circulation on the West coast. I \ntook mine to Trinity College in Connecticut and began to circulate them out \nEast.\n\nTwo years later, we wanted to retape the original masters, since we now had \nsomewhat better decks and Maxell reel to reel tape had come on the market. We \nrecopied everything. At this time, Buddy Miller simply gave us many of the \nFillmore and Anderson Theater reels for essentially the cost of blank tape. \nHis own musical interests had moved on. Of the 4/71 masters, we were given 6 \nof the 11 reels and Buddy retained the other 5. I've had these reels in my \npossession since then.\n\nWhy has it taken so long for these reels to enter the digital world? \nBasically because I dropped out of the whole tape collecting scene about 1980 \ndue to family, career, etc. \n\nHowever, two of my old taping buddies, Bernie Tenenbaum and Chris Zingg, \nimplored me to get my reels digitized before the analog reels degraded. \nFortunately they had been safely stored in cardboard boxes, away from heat \nand light, in the back of a closet. I knew nothing of the digital world, \ndidn't have a DAT or CD machine, had no idea what a tree or a 'B and P' was, \nand was absolutely amazed at how big the community of collectors had become. \nWhen I effectively left it at the end of the '70s, it was really only a \nhandful of people.\n\nThis past Spring I reconnected with Buddy Miller for the first time in over \n20 years. He actually was able to dig up 2 of the 5 original BASF masters \nthat he had hung onto, and mailed them up to me. With 8 of the original 11 \nnow in hand, and my complete set of Maxell 1st gen. copies  to fill in the \nblanks for the still missing 3 masters, I digitized the shows. The missing \nreels, #'s 4, 5, and 6,  run from 4/27 Hard to Handle through the pre-break \nportion of Bird Song on 4/28. For this I used the Maxells. Along the way, I \nwas directed to Jim Wise for advice and assistance in digitizing and getting \nthe shows out into the community.\n\nI transferred the shows to CD incorporating the New Riders sets, instead of \ntreating them discreetly. I really believe that the performances should be \nconsidered in their entirety. Back in the '70s when these shows got \ncirculated, the Riders sets got ignored after awhile, which was a shame. They \nare a lot of fun to listen to, and a great warmup for the Dead show to follow.\n\nThe reels were played on a Revox A77 and digitized directly onto an Alesis \nMasterlink ML9600, sampling at 16 bit, 44.1 k. The Alesis was a wonderful \nsolution for someone in my position, sitting on a bunch of reels. It removed \nthe intermediate step of re-recording everything onto DAT. For those who are \ncurious about the Masterlink, check it out at www.alesis.com.\n\nOne final bit of information that makes this whole 27 year story all the more \nfascinating is that these 2 track masters were used for the recent 16 track \nrelease, Ladies and Gentlemen....The Grateful Dead. While the 16 track \nrecordings had Bill Graham's introduction and his tribute/tirade speech \nbefore In the Midnight Hour on 4/29, it was not nearly as strong and present \nas it was on the 2 tracks for some reason.Through an introduction facilitated \nby Jim Wise, Jeffrey Norman and David Lemieux asked if I could send out the 2 \ntracks to be used on the release. With 5 days to go before the production CDs \nwere due at the printing plant, I FedEx'ed them out and they were used for \nthose two Bill Graham pieces. A wonderful chapter after all these years.\n\nThere has always been a question about 4/25/71. The BASF master labelled #1 \nbegins with Big Boss Man from 4/26. Back in 1973 we saw nothing of any taping \nof 4/25's show. I have asked Buddy about it and, after 29 years, he doesn't \nbelieve he recorded it, which would be consistent with 4/26 being #1. Just a \nguess: since the record company was there to record the run, our \nsurrepticious broomcloset tapers just lay low the first night to make sure it \nwas clear to try to tape. I know there has been a high-gen fragment of 4/25 \nthat has circulated for years that supposedly came from cassette masters that \nwere also made of these shows. While anything is possible, if this were true \none would have to wonder why no material from cassette has ever surfaced of \nany of the other 4 nights. The mystery remains, but one day I am gonna have \nto put this mystery to rest.\n\nI hope everyone enjoys these new and improved versions of the 4/71 Fillmore \nEast shows.  They have always been the heart of my Dead collection and many \nothers as well, I suspect.\n\nBill Gadsden, 11/23/00\n\n\nAbout three months ago I discovered that the New Riders' sets, just the \nRiders, from all five nights had been taped on a reel to reel, separately and \ndistinctly from Buddy Miller's taping effort.  With this alternative source I \ncan now supply the missing first half of the NRPS set from 4/27, and the \ncomplete sets from 4/25 and 4/26.\n\nBill Gadsden, 2/20/01",
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Recording gd1971-04-27.152206.BerthaRoughMixes.studio.bershaw.flac16
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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        Bertha, Bertha<br /></div>\n</div><br /><div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\" style=\"background-image:none;\">Rough\n reference mixes for the Skull And Roses live album track Bertha, which \nwas recorded at the April 27, 1971 Fillmore East show.</span>\n    </div>\n</div>\n\n</div>",
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Recording playdead:1971-04-27:47733
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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