Tags

  • Sweet Suzy

Setlist via JerryBase

Notes

  1. Released on Ladies and Gentlemen... the Grateful Dead 1234567
  2. Released on Ladies and Gentlemen... the Grateful Dead 1234567
  3. Released on Grateful Dead (Skull & Roses) 123
  4. Released on The Golden Road (1965 - 1973)
  5. With Tom Constanten on keys 12345

Additional Notes

  • Garcia's last known performance with Tom Constanten

Writeups

  • St. Stephen (Guest Post)
    Dead EssaysMar 24, 2017
    ST. STEPHEN by Alan Friedman , Gary Hartman & Barney Issen Houston , March 1999 By the time "St. Stephen" made its first appearance ...
  • Garcia and Tarot: The Evidence
    Dead EssaysAug 8, 2013
    There is a lot of circumstantial evidence that Jerry Garcia occasionally played with Tom Constanten in 1970, after TC left the Dead and was ...

Related videos

None available yet

Tapes

  • SBDMaster ReelStream OnlyTaper unknownMaster Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16
  • SBDMaster ReelStream OnlyTaper unknownSBD > MR > (Reel post-Bird Song) > Alesis Masterlink > CD-R
    Discs
    4
    SHN discs
    3
    Official release
    This show has been commercially released as "Ladies and Gentlemen, the Grateful Dead"
  • SBDMaster ReelStream OnlyTaper unknownMaster Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24
    Official release
    This performance has been commercially released on Ladies and Gentlemen, the Grateful Dead...
  • SBDMaster ReelStream OnlyTaper unknownAkai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName
  • SBDMaster ReelTaper unknownLineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith
  • SBDMaster ReelStream OnlyTaper unknownLineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11
    Taper
    Will Boswell
  • SBDMaster ReelTaper unknownLineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith
    Taper
    Will Boswell
  • SBDMaster ReelStream OnlyTaper unknownMR>R>CDR
    Official release
    This show has been commercially released as " Ladies and Gentleman, The Grateful Dead"
  • SBDMaster ReelStream OnlyTaper unknownWorkin' Man Blues through the cut in Bird Song: MR>R>CDR the cut in Bird Song through the end: MR>CDR
    Official release
    This show has been commercially released as "Ladies and Gentleman..."
  • SBDCD-RStream OnlyTaper unknownTruckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77>Alesis Masterlink>CDR (previous splices patched via multi- track sources as noted below)
    Official release
    This show has been commercially released as " Ladies and Gentleman, The Grateful Dead"
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1971-04-28-fillmore-east-new-york

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "description": "Disc 1\n---- NRPS ----\n1. Workin' Man Blues [4:48]\n2. Superman [4:27]\n3. Truck Drivin' Man [3:49]\n4. I Don't Know You [5:00]\n5. Runnin' Back To You [6:06]\n6. Down In the Boondocks [4:51]\n7. Garden of Eden [7:17]\n8. Glendale Train [5:35]\n9. Fair Chance to Know [4:24]\n10. Sailin' [4:32]\n11. Connection [4:23]\n12. Henry [5:13]\n13. The Weight [7:29]\n\nDisc 2\n---- NRPS (Continued) ----\n1. Last Lonely Eagle [7:59]\n2. Louisiana Lady [4:22]\n3. Fun, Fun, Fun [1:05]\n4. Honky Tonk Women [5:17]\n\n---- Set 1 ----\n5. Truckin' [13:53]\n6. Beat It On Down The Line [3:57]\n7. Loser [8:08]\n8. El Paso [6:52]\n9. The Rub [6:11]\n10. Bird Song [6:24]\n\nDisc 3\n---- Set 1 (Continued) ----\n1. Playing in the Band [7:06]\n2. Cumberland Blues [7:01]\n3. Ripple [6:11]\n4. Me and Bobby McGee [8:21]\n5. King Bee [8:42]\n6. Bertha // [7:38]\n---- Set 2 ----\n7. Morning Dew [12:45]\n8. Me & My Uncle [3:55]\n9. Deal [5:29]\n\nDisc 4\n---- Set 2 (Continued) ----\n1. Hard to Handle [12:14]\n2. Cryptical Envelopment > [2:02]\n3. Drums > [4:56]\n4. The Other One // [4:29]\n5. Sugar Magnolia [12:34]\n6. Dark Star > (1) [14:05]\n7. St. Stephen > (1) [6:25]\n8. Not Fade Away > (1) [3:32]\n9. Goin' Down The Road\nFeelin' Bad > (1) [6:30]\n10. Not Fade Away (1) [3:32]\n\n\n(1) with Tom Constanten",
      "notes": "Glitches:\nd2t05 0:19 - pause/splice? (between songs) (Truckin')\nd2t10 1:17 - dropout/splice? (Bird Song)\nd2t10 3:01, 3:03 - some tape problem\nd2t10 3:37 - background static\nd3t06 5:07 - reel flip?, rest of song missing (Bertha)\nd4t04 4:29 - end of reel?  rest of song (and Cryptical?) missing (Other 1)",
      "transferer": "Unknown",
      "releaseNote": "This show has been commercially released as \"Ladies and Gentleman...\""
    }
  },
  "contentUrl": "https://archive.org/details/gd1971-04-28.sbd.unknown.4332.shnf"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1971-04-28.sbd.kaplan-fink.11257.sbeok.shnf
identifier
gd1971-04-28.sbd.kaplan-fink.11257.sbeok.shnf
source_type
Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77>Alesis Masterlink>CDR (previous splices patched via multi- track sources as noted below)
lineage
lineage_chain
Truckin'through Bird Song 02:07.38: MSR > Reel > Alesis Masterlink > CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77 > Alesis Masterlink > CDR (previous splices patched via multi- track sources as noted below)
capture_position
soundboard
lineage_media_token
cdr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
2861
review_count
0
mean_rating
shnid
11257
relisten_url
https://relisten.net/grateful-dead/1971/04/28?source=2172407
etree_url
https://etreedb.org/shn/11257
content_url
https://archive.org/details/gd1971-04-28.sbd.kaplan-fink.11257.sbeok.shnf

Full served wire node (JSON)

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    "identifier": "gd1971-04-28.sbd.kaplan-fink.11257.sbeok.shnf",
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          "note": "Truckin'through Bird Song 02:07.38: MSR"
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          "note": "Reel"
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          "note": "Alesis Masterlink"
        },
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          "note": "CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77"
        },
        {
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          "note": "CDR (previous splices patched via multi- track sources as noted below)"
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    "sourceType": "Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77>Alesis Masterlink>CDR (previous splices patched via multi- track sources as noted below)",
    "lineageChain": "Truckin'through Bird Song 02:07.38: MSR > Reel > Alesis Masterlink > CDR Bird Song 02:08.70 through end of show: MSR 7 inch(7.5 ips)Revox A 77 > Alesis Masterlink > CDR (previous splices patched via multi- track sources as noted below)",
    "shnid": "11257",
    "sourceMeta": {
      "description": "Set 1\n\nTruckin'  \nBeat It On Down The Line  \nLoser  \nEl Paso  \nThe Rub  \nBird Song  \nPlaying In The Band  \nCumberland Blues  \nRipple  \nMe And Bobby McGee  \nI'm A King Bee  \nBertha  Workin' Man Blues \nSuperman \nTruck Drivin' Man \nRunnin' Back To You \nDown In The Boondocks \nGarden Of Eden \nGlendale Train \nFair Chance To Know \nSailin' \nConnection \nHenry \nThe Weight \nLast Lonely Eagle \nLouisiana Lady \nFun, Fun, Fun \nHonky Tonk Women \n\nSet 2\n\n\nMorning Dew  \n\nMe And My Uncle  \n\nDeal  \n\nHard To Handle  \n\nCryptical Envelopment  ->\nDrums  ->\nThe Other One  \nSugar Magnolia  \n\nDark Star    ->\nSaint Stephen   ->\nNot Fade Away   ->\nGoin' Down The Road Feeling Bad   ->\nNot Fade Away",
      "notes": "(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.\nAccurate extraction and properly aligned sector boundaries \nverified via EAC and .shntool)\n\n\nNotes:\n  * patched w/Skull & Roses\n ** patched w/LAGTGD\n*** with Tom Constanten\n\nTruckin'  - 0:19 -/splice > Bill Graham's intro before Truckin'\nBird Song - 0:01.32 splice at source change from initial source to \n            remaining source patched from LAGTGD. 0:03.049 MSR tape \n            glitch prior to second splice removed and patched\n            with additional 02:33.63 from LAGTGD. \nBertha    - cuts at 05:08 - probable reel flip. Cross fade from 04:57-\n            05:08 via Cool Edit 2000. \nOther One - 08:47.22 (through end) patched from Skull & Roses with \n            initial 08:37.22 increased by +4db. \n            Cool Edit Quick Filter used to increase frequencies:\n            2.9K - 1.5\n            7.3K - 4.5\n             22K - 7\n            Final 00:10 normalised by an average of +3db - +6db via Cool \n            Edit 2000 to adjust the initial edited cross fade on the \n            original Skull & Roses release as well as cut to remove the \n            opening chord of Wharf Rat as heard at the end of the original\n            Skull & Roses fadeout which is picked up in the following Wharf \n            Rat patch from LAGTGD.       \nWharf Rat - entire track patched from LAGTGD and normalised to 60%. Sub\n            second audience segment overlapped from end of 4/29's Minglewood \n            preceding Wharf Rat on LAGTGD removed to complete the original \n            segue from the Other One > Wharf Rat as heard at the end of the \n            original Skull & Roses fadeout.\nGeneral   - several miscellaneous pops during tuneups either prior to \n            or subsequent to Bird Song, Bertha, Hard to Handle and Cryptical \n            Envelopment removed via Cool Edit 2000 click/pop eliminator.\n\nEdits performed by Seth D Kaplan via Cool Edit 2000. 08:37.22 of the Other One \npatch edited by Alan J Fink via Cool Edit as described above. \n\n\n\nThe above edits make this classic show musically complete given the good fortune\nof having the long missing portions supplied via the official releases. Many thanks\nto the Dead, Bill Gadsden, the tapers, Jim Wise and others for getting just about \nall of the great music played during this phenomenal run, out there. \n\nSeth Kaplan July 27,2002  \n\nBill Gadsden's story of the April '71 Fillmore tapes:\n\n-*-*-*-*-*-*-*-*- The Story of the Tapes *-*-*-*-*-*-*-*-\n\n\n\"Who's the Dead freak?\" With that innocuous question the story of these tapes \nbegins. It was the summer of 1973, between attending 6/10/73 at R.F.K. \nStadium and the Watkins Glen soundcheck. A friend of mine was listening to \nLive/Dead at his parent's house. A local cabinetmaker was working at the \nhouse and asked the question. He mentioned that he had a bunch of Dead tapes \nfrom the Fillmore East back at his house. For about a year, three 90 minute \ncomposites of the 4/71 shows had made their way around taping circles in the \nPrinceton, N.J. area, but not the complete shows.\nWithin hours, Peter Kafer and I were at the cabinet shop with our reel to \nreel decks. What we found when we got there were 11 master reels of the 4/71 \nshows, along with a host of other 1st and 2nd generation tapes from the \nFillmore East of other bands, but also including 9/20/70. Also there were the \n1st generation reels from 11/23/70 at the Anderson Theater.\n\nThe 4/26-29/71 master reels were recorded by an individual named Buddy \nMiller, a local N. J. area musician. Buddy has become a very well respected, \nand recorded, Nashville guitarist. He is currently touring with Emmy Lou \nHarris, and can be heard on her current CD, Red Dirt Girl. Buddy was a friend \nof the cabinetmaker and, since he travelled a great deal, the tapes resided \nat the cabinet shop. Buddy was set up to record these shows by a friend who \nwas a member of the Fillmore East soundcrew.\n\nThese shows were NOT recorded in the same manner as the February '70,the May \n15, '70 show, and  the material from the September 18, 19, '70 shows. For the \nApril '71 shows, a feed was run off the soundboard, which was upstairs in a \nbalcony box, stageleft. There is a good picture of the soundbooth in Amalie \nRothchild's book, Live at the Fillmore East. The feed went from the \nsoundboard into a broomcloset nearby, literally a broomcloset. Buddy \nremembers a bucket and mop! The feed was mixed down on two little Shure line \nmixers and recorded on a middle of the line Sony deck onto BASF 90 minute \nreels at 7 1/2 ips. There was also a little consumer Dolby B unit used, which \nis why these recordings seem so 'bright'.\n\nWe taped everything that summer of 1973 onto BASF reels. The following fall, \nPeter took his reels with him to California to begin his freshman year at \nU.C., Berkeley. From here he met various West coast tapers such as Bob Menke \nand Rob Bertrando, and the tapes began their circulation on the West coast. I \ntook mine to Trinity College in Connecticut and began to circulate them out \nEast.\n\nTwo years later, we wanted to retape the original masters, since we now had \nsomewhat better decks and Maxell reel to reel tape had come on the market. We \nrecopied everything. At this time, Buddy Miller simply gave us many of the \nFillmore and Anderson Theater reels for essentially the cost of blank tape. \nHis own musical interests had moved on. Of the 4/71 masters, we were given 6 \nof the 11 reels and Buddy retained the other 5. I've had these reels in my \npossession since then.\n\nWhy has it taken so long for these reels to enter the digital world? \nBasically because I dropped out of the whole tape collecting scene about 1980 \ndue to family, career, etc. \n\nHowever, two of my old taping buddies, Bernie Tenenbaum and Chris Zingg, \nimplored me to get my reels digitized before the analog reels degraded. \nFortunately they had been safely stored in cardboard boxes, away from heat \nand light, in the back of a closet. I knew nothing of the digital world, \ndidn't have a DAT or CD machine, had no idea what a tree or a 'B and P' was, \nand was absolutely amazed at how big the community of collectors had become. \nWhen I effectively left it at the end of the '70s, it was really only a \nhandful of people.\n\nThis past Spring I reconnected with Buddy Miller for the first time in over \n20 years. He actually was able to dig up 2 of the 5 original BASF masters \nthat he had hung onto, and mailed them up to me. With 8 of the original 11 \nnow in hand, and my complete set of Maxell 1st gen. copies  to fill in the \nblanks for the still missing 3 masters, I digitized the shows. The missing \nreels, #'s 4, 5, and 6,  run from 4/27 Hard to Handle through the pre-break \nportion of Bird Song on 4/28. For this I used the Maxells. Along the way, I \nwas directed to Jim Wise for advice and assistance in digitizing and getting \nthe shows out into the community.\n\nI transferred the shows to CD incorporating the New Riders sets, instead of \ntreating them discreetly. I really believe that the performances should be \nconsidered in their entirety. Back in the '70s when these shows got \ncirculated, the Riders sets got ignored after awhile, which was a shame. They \nare a lot of fun to listen to, and a great warmup for the Dead show to follow.\n\nThe reels were played on a Revox A77 and digitized directly onto an Alesis \nMasterlink ML9600, sampling at 16 bit, 44.1 k. The Alesis was a wonderful \nsolution for someone in my position, sitting on a bunch of reels. It removed \nthe intermediate step of re-recording everything onto DAT. For those who are \ncurious about the Masterlink, check it out at www.alesis.com.\n\nOne final bit of information that makes this whole 27 year story all the more \nfascinating is that these 2 track masters were used for the recent 16 track \nrelease, Ladies and Gentlemen....The Grateful Dead. While the 16 track \nrecordings had Bill Graham's introduction and his tribute/tirade speech \nbefore In the Midnight Hour on 4/29, it was not nearly as strong and present \nas it was on the 2 tracks for some reason.Through an introduction facilitated \nby Jim Wise, Jeffrey Norman and David Lemieux asked if I could send out the 2 \ntracks to be used on the release. With 5 days to go before the production CDs \nwere due at the printing plant, I FedEx'ed them out and they were used for \nthose two Bill Graham pieces. A wonderful chapter after all these years.\n\nThere has always been a question about 4/25/71. The BASF master labelled #1 \nbegins with Big Boss Man from 4/26. Back in 1973 we saw nothing of any taping \nof 4/25's show. I have asked Buddy about it and, after 29 years, he doesn't \nbelieve he recorded it, which would be consistent with 4/26 being #1. Just a \nguess: since the record company was there to record the run, our \nsurrepticious broomcloset tapers just lay low the first night to make sure it \nwas clear to try to tape. I know there has been a high-gen fragment of 4/25 \nthat has circulated for years that supposedly came from cassette masters that \nwere also made of these shows. While anything is possible, if this were true \none would have to wonder why no material from cassette has ever surfaced of \nany of the other 4 nights. The mystery remains, but one day I am gonna have \nto put this mystery to rest.\n\nI hope everyone enjoys these new and improved versions of the 4/71 Fillmore \nEast shows.  They have always been the heart of my Dead collection and many \nothers as well, I suspect.\n\nBill Gadsden",
      "transferer": "Seth Kaplan and Alan Fink",
      "releaseNote": "This show has been commercially released as \"\tLadies and Gentleman, The Grateful Dead\""
    }
  },
  "contentUrl": "https://archive.org/details/gd1971-04-28.sbd.kaplan-fink.11257.sbeok.shnf"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording playdead:1971-04-28:47732
identifier
playdead:1971-04-28:47732
source_type
SBD
lineage
lineage_chain
capture_position
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
download_count
review_count
mean_rating
shnid
relisten_url
etree_url
content_url
https://vault.playdead.app/release/47732

Full served wire node (JSON)

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  "@id": "https://longstrangeclick.com/id/recording/playdead:1971-04-28:47732",
  "contributor": [],
  "lsc": {
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    "sourceType": "SBD"
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  "contentUrl": "https://vault.playdead.app/release/47732"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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