Grateful Dead
Apr 29, 1971 at Fillmore East
New York, NYGD-NRPS April 1971 East Coast
Setlist via JerryBase
Set 1
Truckin'1, Bertha1, Hurts Me Too1, Cumberland Blues > Me And My Uncle23, Bird Song, Playing In The Band, Loser, Dark Hollow1, Hard To Handle1, Ripple1, Me And Bobby McGee, Casey Jones
Set 2
Morning Dew4, Minglewood Blues4, Sugar Magnolia, Black Peter, Beat It On Down The Line, I Second That Emotion5, Alligator46 > Drums4 > Alligator478 > Goin' Down The Road Feelin' Bad4 > Cold Rain And Snow4, China Cat Sunflower > I Know You Rider, Greatest Story Ever Told > Johnny B. Goode, Uncle John's Band
Notes
Additional Notes
- Jerry's last of 58 performances at Fillmore East
Writeups
- St. Stephen (Guest Post)
ST. STEPHEN by Alan Friedman , Gary Hartman & Barney Issen Houston , March 1999 By the time "St. Stephen" made its first appearance ...
Related videos
None available yet
Tapes
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- MatrixStream OnlyTaper unknownmatrix of SBD: shnid=33565 and AUD: shnid=26568ListenArchive.orgRelistenetree97660Transferhansokolow
- SBDMaster ReelStream OnlyTaper unknownMaster Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16ListenArchive.orgRelistenetree105926TransferCharlie Miller
- SBDMaster ReelTaper unknownSBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLACListenArchive.orgRelistenetree114145TransferMatt Smith
- SBDMaster ReelStream OnlyTaper unknownSBD>MR : Shure line mixers > Sony reel to reel (middle of the line model, exact model unknown) at 7 1/2 ips onto BASF 90 minute reels MR>CDR: Revox A77 reel to reel > Alesis Masterlink ML960ListenArchive.orgRelistenetree4333TransferBill Gadsden
- SBDStream OnlyTaper unknownMSR > 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink > CD-RListenArchive.orgRelistenetree33565TransferDan Haugh
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- SBDTwo-TrackStream OnlyTaper unknownSBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified)ListenArchive.orgRelistenetree19639TransferJay Serafin
- SBDStream OnlyTaper unknownMSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-RListenArchive.orgRelistenetree1858TransferBob Murphy
- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
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"description": "Set 1\n\nTruckin' \nBertha \nIt Hurts Me Too \nCumberland Blues ->\nMe And My Uncle \nBird Song \nPlaying In The Band \nLoser \nDark Hollow \nHard To Handle \nRipple \nMe And Bobby McGee \nCasey Jones Six Days On The Road ->\nRunnin' Back To You \nI Don't Know You \nSailin' \nHenry \nDirty Business \nSuperman \nLodi \nGlendale Train \nFair Chance To Know \nThe Weight \nPortland Woman \nLast Lonely Eagle \nLouisiana Lady \nHonky Tonk Women \n\nSet 2\n\nMorning Dew \nNew Minglewood Blues \nSugar Magnolia \nBlack Peter \nBeat It On Down The Line \nI Second That Emotion \nAlligator ->\nDrums ->\nJam ->\nGoin' Down The Road Feeling Bad ->\nCold Rain And Snow \nChina Cat Sunflower ->\nI Know You Rider \nGreatest Story Ever Told ->\nJohnny B. Goode \n\nEncore\nUncle John's Band \nIn The Midnight Hour ->\nAnd We Bid You Good Night",
"notes": "There is so much work on this in terms of time/pitch adjustments and level adjustments that I cannot list them all. It's been an ongoing project for a long time, as the quality of this AUD made it a very challenging show to matrix. The main thing to know is that I made use of every bit of the AUD that is useable. Most AUD tracks are missing the beginnings of songs and often the ends as well. A string of songs in the first set are also not present on the AUD: Cumberland Blues, Me And My Uncle, Bird Song, and Playin'. Those parts are, of course, all SBD. The AUD is very inconsistent, clearly the mic was stuffed under someone's shirt at points, turned in different directions, etc. I tried as best I could to account for that by changing the levels, but there is a fair amount of hiss on the AUD, so when the level is boosted, the hiss will be more present. That's just how it is. Also there are moments of a loud, obnoxious crowd, mostly notable in quiet parts like Dark Hollow and Ripple. I tuned out a fair amount of the crowd in Ripple, as it is just distracting. I tried to make this thing as smooth as I could, but some of the transitions when the AUD kicks in or out are still a bit jolting..\n\nI went through a fair amount of confusion about the patches in Me And Bobby McGee and the transition between China Cat and Rider that were reportedly found on cassette from a master reel hidden at the Fillmore. Until just now I thought I was making a big revelation that these are not actually patches from this night, but upon reading the notes on db.etree.org, I find that this is already known. In any case, I decided to remove those sections and fade to the AUD only, so this is now, I believe, a totally complete version of this show. The parts that are AUD only are from 2:32 to 3:22 of Me And Bobby McGee, and from 3:44 of China Cat to 0:09 of Rider, then again in Rider from 1:58 to 2:33. As for the patch in Birdsong, that song is not present on the AUD, but I instead used the patch from a different SBD, shnid: 16782. Midnight Hour has some scratchiness on the SBD that I left in, as going to the AUD only would be worse. The cowbell is also quite strong in the AUD of this song, and I left that in, as there is always room for more cowbell.",
"runtime": "229:29",
"transferer": "hansokolow",
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"description": "Set 1\n\nTruckin', Bertha, It Hurts Me Too, Cumberland Blues-> Me & My Uncle, Bird Song, Playin' In The Band, Loser, Dark Hollow, Hard To Handle, Ripple, Me And Bobby McGee, Casey Jones\n\nSet 2\n\nMorning Dew, Minglewood Blues, Sugar Magnolia, Black Peter, Beat It On Down The Line, Second That Emotion, Alligator-> Drums-> Alligator-> Goin' Down The Road Feelin' Bad-> Cold Rain & Snow, China Cat Sunflower-> I Know You Rider, Greatest Story Ever Told-> Johnny B. Goode, E: Uncle John's Band, E: Midnight Hour*-> We Bid You Good Night*",
"notes": "Notes:\n-- All disc changes are seamless\n-- Thanks to Bill Gadsden for supplying the reels\n-- Thanks to Rob Eaton for supplying the patch source\n-- Thanks to Joe B. Jones for his help with the pitch correction",
"runtime": "229:15.69",
"transferer": "Charlie Miller",
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"description": "Set 1\n\nTruckin', Bertha, It Hurts Me Too, Cumberland Blues-> Me & My Uncle, Bird Song, Playin' In The Band, Loser, Dark Hollow, Hard To Handle, Ripple, Me And Bobby McGee, Casey Jones\n\nSet 2\n\nMorning Dew, Minglewood Blues, Sugar Magnolia, Black Peter, Beat It On Down The Line, Second That Emotion, Alligator-> Drums-> Alligator-> Goin' Down The Road Feelin' Bad-> Cold Rain & Snow, China Cat Sunflower-> I Know You Rider, Greatest Story Ever Told-> Johnny B. Goode, E: Uncle John's Band, E: Midnight Hour*-> We Bid You Good Night*\n\nOther Artist(s): NRPS. This date is featured on <a href=\"http://mars.dead.net\" rel=\"ugc nofollow\">Ladies and Gentlemen... The Grateful Dead</a>.",
"notes": "Matt's notes:\n\npatches for 4/29 are 'bird song'(16 tk source). 'bobby mcgee' and 'china>rider' were patched with the Ramrod source\n\nThanks to Bob Menke for the patch sources\n\nI decided to put this out for a number of reasons but mainly it's an improvement as to what circulates. The main reason being Will's reels are in prime condition and have never had to be baked over a number of times. The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them.. According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden \"purchased\" the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973. Will's are 7.5 ips. and Pat's are 3.3/4 ips. Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself. I realize in some circles this is considered heresy but it's true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility. We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy!\n\n\nMy notes:\nBig Thanks to Matt. Wonderful!!\nThanks to jpc3 for tagging the files\ntext file created & seeded 06/23/2011 gballen",
"runtime": "230:38.31",
"transferer": "Matt Smith"
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Recording gd1971-04-29.sbd.unknown.4333.shnf
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"description": "Disc 1\n---- NRPS ----\n1. Six Days On The Road [3:19]\n2. Runnin' Back To You [5:35]\n3. I Don't Know You [4:12]\n4. Sailin' [4:20]\n5. Henry [4:24]\n6. Dirty Business [11:07]\n7. Superman [5:37]\n8. Lodi [4:16]\n9. Glendale Train [5:01]\n10. Fair Chance To Know [4:11]\n11. The Weight [7:50]\n\nDisc 2\n---- NRPS (Continued) ----\n1. Portland Woman [7:32]\n2. Last Lonely Eagle [7:10]\n3. Louisiana Lady [4:47]\n4. Honky Tonk Women [7:17]\n\n---- Set 1 ----\n5. Truckin' [11:22]\n6. Bertha [10:44]\n7. Hurts Me Too [6:36]\n\nDisc 3\n---- Set 1 (Continued) ----\n1. Tuning [1:49]\n2. Cumberland Blues [4:39]\n3. Me & My Uncle [4:13]\n4. Bird Song // [11:49]\n5. Playin' [7:28]\n6. Loser [10:26]\n7. Dark Hollow [5:51]\n8. Hard to Handle [10:15]\n\nDisc 4\n---- Set 1 (Continued) ----\n1. Ripple [7:52]\n2. Me and Bobby McGee [5:12]\n3. Casey Jones [5:56]\n---- Set 2 ----\n4. Morning Dew [10:58]\n5. New Minglewood Blues [6:49]\n6. Sugar Magnolia [7:49]\n7. Black Peter [11:20]\n8. BIODTL [3:19]\n9. Second That Emotion [5:15]\n\nDisc 5\n---- Set 2 (Continued) ----\n1. Alligator > [5:30]\n2. Drums > [4:09]\n3. Jam > [9:42]\n4. GDTRFB > [4:28]\n5. Cold Rain [6:39]\n6. Chinacat Sunflower // [4:02]\n7. I Know You Rider [5:59]\n8. Greatest Story > [2:54]\n9. Johnny B. Goode [6:25]\n10. Uncle John's Band [8:23]\n11. Bill Graham comments [4:42]\n---- Encore ----\n12. Midnight Hour [9:59]\n13. AWBYGN [4:30]",
"notes": "Glitches:\n[ All of these glitches are from the master reels and are not \n digi-noise. Many of the glitches aren't even tape problems and\n are suspected to be percussion or someone knocking something,\n but are noted here for completeness ]\nd1t04 1:07 - quiet tick/pop? (Sailin')\nd1t08 2:54 - quiet tick/pop? (Lodi)\nd1t08 2:59, 3:00, 3:25, 3:26 - quiet static/tick\nd2t01 1:50-1:57, 3:33, 3:42, 3:43, 5:54 - strange quiet clicking noise in right \nchannel. Not digi-noise (leading theories:\npick knocking a pickguard or pickup or a\nwatchband knocking the side of a guitar) \n(Portland Woman)\nd2t03 2:42 - tick (Lousiana Lady)\nd2t03 3:03, 3:05, 3:09 - quiet ticks\nd3t04 8:37 - end of reel?, rest of song missing (Bird Song)\nd4t02 2:33 - splice, at least a verse missing? (Bobby McGee)\nd5t06 3:59 - end of song missing, faded out (Chinacat)\nd5t07 2:04 - tape problems, short splice (Rider)\nd5t11 4:12 - click (Bill Graham comments)\nd5t12 0:09 - click (Midnight Hour)\nd5t12 4:02-7:40 strange click in left channel. Not digi-noise, percussion\n\n\n\n-*-*-*-*-*-*-*-*- The Story of the Tapes *-*-*-*-*-*-*-*-\n\n\n\"Who's the Dead freak?\" With that innocuous question the story of these tapes \nbegins. It was the summer of 1973, between attending 6/10/73 at R.F.K. \nStadium and the Watkins Glen soundcheck. A friend of mine was listening to \nLive/Dead at his parent's house. A local cabinetmaker was working at the \nhouse and asked the question. He mentioned that he had a bunch of Dead tapes \nfrom the Fillmore East back at his house. For about a year, three 90 minute \ncomposites of the 4/71 shows had made their way around taping circles in the \nPrinceton, N.J. area, but not the complete shows.\nWithin hours, Peter Kafer and I were at the cabinet shop with our reel to \nreel decks. What we found when we got there were 11 master reels of the 4/71 \nshows, along with a host of other 1st and 2nd generation tapes from the \nFillmore East of other bands, but also including 9/20/70. Also there were the \n1st generation reels from 11/23/70 at the Anderson Theater.\n\nThe 4/26-29/71 master reels were recorded by an individual named Buddy \nMiller, a local N. J. area musician. Buddy has become a very well respected, \nand recorded, Nashville guitarist. He is currently touring with Emmy Lou \nHarris, and can be heard on her current CD, Red Dirt Girl. Buddy was a friend \nof the cabinetmaker and, since he travelled a great deal, the tapes resided \nat the cabinet shop. Buddy was set up to record these shows by a friend who \nwas a member of the Fillmore East soundcrew.\n\nThese shows were NOT recorded in the same manner as the February '70,the May \n15, '70 show, and the material from the September 18, 19, '70 shows. For the \nApril '71 shows, a feed was run off the soundboard, which was upstairs in a \nbalcony box, stageleft. There is a good picture of the soundbooth in Amalie \nRothchild's book, Live at the Fillmore East. The feed went from the \nsoundboard into a broomcloset nearby, literally a broomcloset. Buddy \nremembers a bucket and mop! The feed was mixed down on two little Shure line \nmixers and recorded on a middle of the line Sony deck onto BASF 90 minute \nreels at 7 1/2 ips. There was also a little consumer Dolby B unit used, which \nis why these recordings seem so 'bright'.\n\nWe taped everything that summer of 1973 onto BASF reels. The following fall, \nPeter took his reels with him to California to begin his freshman year at \nU.C., Berkeley. From here he met various West coast tapers such as Bob Menke \nand Rob Bertrando, and the tapes began their circulation on the West coast. I \ntook mine to Trinity College in Connecticut and began to circulate them out \nEast.\n\nTwo years later, we wanted to retape the original masters, since we now had \nsomewhat better decks and Maxell reel to reel tape had come on the market. We \nrecopied everything. At this time, Buddy Miller simply gave us many of the \nFillmore and Anderson Theater reels for essentially the cost of blank tape. \nHis own musical interests had moved on. Of the 4/71 masters, we were given 6 \nof the 11 reels and Buddy retained the other 5. I've had these reels in my \npossession since then.\n\nWhy has it taken so long for these reels to enter the digital world? \nBasically because I dropped out of the whole tape collecting scene about 1980 \ndue to family, career, etc. \n\nHowever, two of my old taping buddies, Bernie Tenenbaum and Chris Zingg, \nimplored me to get my reels digitized before the analog reels degraded. \nFortunately they had been safely stored in cardboard boxes, away from heat \nand light, in the back of a closet. I knew nothing of the digital world, \ndidn't have a DAT or CD machine, had no idea what a tree or a 'B and P' was, \nand was absolutely amazed at how big the community of collectors had become. \nWhen I effectively left it at the end of the '70s, it was really only a \nhandful of people.\n\nThis past Spring I reconnected with Buddy Miller for the first time in over \n20 years. He actually was able to dig up 2 of the 5 original BASF masters \nthat he had hung onto, and mailed them up to me. With 8 of the original 11 \nnow in hand, and my complete set of Maxell 1st gen. copies to fill in the \nblanks for the still missing 3 masters, I digitized the shows. The missing \nreels, #'s 4, 5, and 6, run from 4/27 Hard to Handle through the pre-break \nportion of Bird Song on 4/28. For this I used the Maxells. Along the way, I \nwas directed to Jim Wise for advice and assistance in digitizing and getting \nthe shows out into the community.\n\nI transferred the shows to CD incorporating the New Riders sets, instead of \ntreating them discreetly. I really believe that the performances should be \nconsidered in their entirety. Back in the '70s when these shows got \ncirculated, the Riders sets got ignored after awhile, which was a shame. They \nare a lot of fun to listen to, and a great warmup for the Dead show to follow.\n\nThe reels were played on a Revox A77 and digitized directly onto an Alesis \nMasterlink ML9600, sampling at 16 bit, 44.1 k. The Alesis was a wonderful \nsolution for someone in my position, sitting on a bunch of reels. It removed \nthe intermediate step of re-recording everything onto DAT. For those who are \ncurious about the Masterlink, check it out at www.alesis.com.\n\nOne final bit of information that makes this whole 27 year story all the more \nfascinating is that these 2 track masters were used for the recent 16 track \nrelease, Ladies and Gentlemen....The Grateful Dead. While the 16 track \nrecordings had Bill Graham's introduction and his tribute/tirade speech \nbefore In the Midnight Hour on 4/29, it was not nearly as strong and present \nas it was on the 2 tracks for some reason.Through an introduction facilitated \nby Jim Wise, Jeffrey Norman and David Lemieux asked if I could send out the 2 \ntracks to be used on the release. With 5 days to go before the production CDs \nwere due at the printing plant, I FedEx'ed them out and they were used for \nthose two Bill Graham pieces. A wonderful chapter after all these years.\n\nThere has always been a question about 4/25/71. The BASF master labelled #1 \nbegins with Big Boss Man from 4/26. Back in 1973 we saw nothing of any taping \nof 4/25's show. I have asked Buddy about it and, after 29 years, he doesn't \nbelieve he recorded it, which would be consistent with 4/26 being #1. Just a \nguess: since the record company was there to record the run, our \nsurrepticious broomcloset tapers just lay low the first night to make sure it \nwas clear to try to tape. I know there has been a high-gen fragment of 4/25 \nthat has circulated for years that supposedly came from cassette masters that \nwere also made of these shows. While anything is possible, if this were true \none would have to wonder why no material from cassette has ever surfaced of \nany of the other 4 nights. The mystery remains, but one day I am gonna have \nto put this mystery to rest.\n\nI hope everyone enjoys these new and improved versions of the 4/71 Fillmore \nEast shows. They have always been the heart of my Dead collection and many \nothers as well, I suspect.\n\nBill Gadsden",
"transferer": "Bill Gadsden",
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"transferer": "Jay Serafin",
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"description": "Set 1\n\nTruckin' \nBertha \nIt Hurts Me Too \nCumberland Blues ->\nMe And My Uncle \nBird Song \nPlaying In The Band \nLoser \nDark Hollow \nHard To Handle \nRipple \nMe And Bobby McGee \nCasey Jones Six Days On The Road ->\nRunnin' Back To You \nI Don't Know You \nSailin' \nHenry \nDirty Business \nSuperman \nLodi \nGlendale Train \nFair Chance To Know \nThe Weight \nPortland Woman \nLast Lonely Eagle \nLouisiana Lady \nHonky Tonk Women \n\nSet 2\n\nMorning Dew \nNew Minglewood Blues \nSugar Magnolia \nBlack Peter \nBeat It On Down The Line \nI Second That Emotion \nAlligator ->\nDrums ->\nJam ->\nGoin' Down The Road Feeling Bad ->\nCold Rain And Snow \nChina Cat Sunflower ->\nI Know You Rider \nGreatest Story Ever Told ->\nJohnny B. Goode \n\nEncore\nUncle John's Band \nIn The Midnight Hour ->\nAnd We Bid You Good Night",
"notes": "The new Vault release, \"Ladies and Gentlemen, the Grateful Dead\" is a\ncompilation of all five shows from the April, '71 Fillmore run. LAGTGD is\nfrom the multitrack masters and is commercially available on Arista, or from\nGDM at http://mars.dead.net\n\n For the obsessive completist collectors, here are the complete 4-29-71\nNRPS & Dead Sets directly from two-track masters. The well-known cuts from\nprevious versions are still present on this version (Bird Song, Me & My\nBobby McGee, and China Rider). \n\nshn conversion and upload done by Bob Murphy\n\nMedia requirements: Five disks , two choices:\n Four 74 minute disks and one 80 min. disk (five disks total) to have the complete show in order, OR\n Five 74-min. disks (five disks total) with the encores pasted at the end of disk #2\n\n\nlisteners' notes (see also pub comments by Darrin):\nGlitches (all glitches are from the master reel, and are not digi-noise):\nd1t04 1:07 - quiet tick/pop? (Sailin')\nd1t08 2:54 - quiet tick/pop? (Lodi)\nd1t08 2:59, 3:00, 3:25, 3:26 - quiet static/tick\nd2t01 1:50-1:57, 3:33, 3:42, 3:43, 5:54 - strange quiet clicking noise in\nright\n channel. Not digi-noise (leading\ntheories:\n pick knocking a pickguard or pickup or a\n watchband knocking the side of a guitar)\n (Portland Woman)\nd2t03 2:42 - tick (Lousiana Lady)\nd2t03 3:03, 3:05, 3:09 - quiet ticks\nd3t04 8:37 - end of reel?, rest of song missing (Bird Song)\nd4t02 2:33 - splice, at least a verse missing? (Bobby McGee)\nd5t06 3:59 - end of song missing, faded out (Chinacat)\nd5t07 2:04 - tape problems, short splice (Rider)\nd5t11 4:12 - click (Bill Graham comments)\nd5t12 0:09 - click (Midnight Hour)\nd5t12 4:02-7:40 strange click in left channel. Not digi-noise, percussion",
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Recording playdead:1971-04-29:47731
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