Mar 23, 1972 at Academy of Music

identifier

gd1972-03-23.sbd.miller.100000.sbeok.flac16

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100000

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content_url

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identifier

gd1972-03-23.sbd.cantor-gans.field.20676.shnf

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gd72-03-23.sbd.goodbear.137.sbefail.shnf

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identifier

gd1972-03-23.136683.sbd.sirmick.flac1648

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identifier

gd1972-03-23.sbd.miller.bertha.100298.dvda

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identifier

gd1972-03-23.157068.aud.lamarre.vernon.sirmick.flac24

source_type

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    "sourceMeta": {
      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">China Cat Sunflower &gt;<br />\nI Know You Rider<br />\nBlack Throated Wind<br />\nChinatown Shuffle<br />\nBrown Eyed Women<br />\nBeat It On Down The Line<br />\nCumberland Blues<br />\nLooks Like Rain<br />\nMr. Charlie<br />\nTennessee Jed<br />\nEl Paso<br />\nYou Win Again<br />\nJack Straw<br />\nNext Time You See Me<br />\nPlaying In The Band<br />\nComes A Time<br />\nMe &amp; Bobby McGee<br />\nCasey Jones</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Truckin'<br />\nRamble On Rose<br />\nTwo Souls In Communion<br />\nMexicali Blues<br />\nDark Star<br />\nBig Boss Man<br />\nNot Fade Away &gt;<br />\nGoin' Down The Road Feeling Bad &gt;<br />\nNot Fade Away</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n    <div class=\"set_info\">\n        <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">There is no proof Sugar\n Magnolia was played. Betty’s 10in master reel ends with 4 minutes of \ncheering followed by the lights being turned on and the show ending. If \nfor some reason they came back and played an encore it would be on the \nmaster reel or the audience cassette. Harvey Lubar’s soundboard came \nfrom Rob Eaton who gave it to Harvey on cassette so it has an extra \nanalog gen. - Per Charlie Miller<br />\n<br />\nJerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nRon \"Pigpen\" McKernan - Hammond B3, Harmonica<br />\nKeith Godchaux - Piano<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Comments:\n\n- Jerry on pedal steel*\n- Seems strange reading the review of this show in the Taping Compendium.  At that time the only source available was an aud and since no others have shown up I guess it might be this one.  The comment that caught my eye was that \"Dark Star\" stood out because it seemed of much better quality than the rest of the recording. In fact pretty much the whole of Set II sounds better than Set I.\n\n\n\nNotes:\n\n- DC offset and pitch corrected\n- There is some light wow and flutter but I haven't attempted to fix that.\n- Where tracks are missing or the taper paused, crossfades have been put in to smooth it out. A number of tracks are clipped at the start.\n- Quite a number of dropouts have been repaired.\n- There are two patches in each of \"Dark Star\",  \"Big Boss Man\" and the first two or three seconds of \"NFA\" has been patched on. The source used is shnid 136683, a sbd that was originally credited to an anonymous donor. I can now reveal that it came to me from my friend, the late Harvey Lubar. I decided to change it to mono and then add some ambience so that it is a better fit. Harv is probably turning in his grave at the thought of that because he didn't like his sources patched if the patch was inferior, which most times they were.\n- I have used some eq, mostly to adjust the bottom end.\n\n\n\nThanks to Doug Lamarre for providing this source\n\nThanks to Matt Vernon for the transfer and facilitating\n\n\nedited and mastered\nSIRMick\nMay 2022",
      "runtime": "129:28.533",
      "transferer": "Sirmick and Matt Vernon",
      "taperText": "Unknown"
    }
  },
  "contentUrl": "https://archive.org/details/gd1972-03-23.157068.aud.lamarre.vernon.sirmick.flac24"
}

identifier

gd1972-03-23.157067.aud.lamarre.vernon.sirmick.flac16

source_type

Unknown audience cassette - from the collection of Doug Lamarre

lineage

Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > iZotope RX 9 Advanced > wav 16/44.1 > CD

lineage_chain

Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > iZotope RX 9 Advanced > wav 16/44.1 > CD

capture_position

audience

lineage_media_token

—

compendium_quality_grade

—

tape_culture_tags

—

source_family_tags

—

is_listable

true

download_count

1157

review_count

—

mean_rating

—

shnid

157067

relisten_url

https://relisten.net/grateful-dead/1972/03/23?source=3876840

etree_url

https://etreedb.org/shn/157067

content_url

https://archive.org/details/gd1972-03-23.157067.aud.lamarre.vernon.sirmick.flac16

Full served wire node (JSON)

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    "lineageChain": "Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > iZotope RX 9 Advanced > wav 16/44.1 > CD",
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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">China Cat Sunflower &gt;<br />\nI Know You Rider<br />\nBlack Throated Wind<br />\nChinatown Shuffle<br />\nBrown Eyed Women<br />\nBeat It On Down The Line<br />\nCumberland Blues<br />\nLooks Like Rain<br />\nMr. Charlie<br />\nTennessee Jed<br />\nEl Paso<br />\nYou Win Again<br />\nJack Straw<br />\nNext Time You See Me<br />\nPlaying In The Band<br />\nComes A Time<br />\nMe &amp; Bobby McGee<br />\nCasey Jones</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Truckin'<br />\nRamble On Rose<br />\nTwo Souls In Communion<br />\nMexicali Blues<br />\nDark Star<br />\nBig Boss Man<br />\nNot Fade Away &gt;<br />\nGoin' Down The Road Feeling Bad &gt;<br />\nNot Fade Away</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n    <div class=\"set_info\">\n        <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">There is no proof Sugar\n Magnolia was played. Betty’s 10in master reel ends with 4 minutes of \ncheering followed by the lights being turned on and the show ending. If \nfor some reason they came back and played an encore it would be on the \nmaster reel or the audience cassette. Harvey Lubar’s soundboard came \nfrom Rob Eaton who gave it to Harvey on cassette so it has an extra \nanalog gen. - Per Charlie Miller<br />\n<br />\nJerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nRon \"Pigpen\" McKernan - Hammond B3, Harmonica<br />\nKeith Godchaux - Piano<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Comments:\n\n- Jerry on pedal steel*\n- Seems strange reading the review of this show in the Taping Compendium.  At that time the only source available was an aud and since no others have shown up I guess it might be this one.  The comment that caught my eye was that \"Dark Star\" stood out because it seemed of much better quality than the rest of the recording. In fact pretty much the whole of Set II sounds better than Set I.\n\n\n\nNotes:\n\n- DC offset and pitch corrected\n- There is some light wow and flutter but I haven't attempted to fix that.\n- Where tracks are missing or the taper paused, crossfades have been put in to smooth it out. A number of tracks are clipped at the start.\n- Quite a number of dropouts have been repaired.\n- There are two patches in each of \"Dark Star\",  \"Big Boss Man\" and the first two or three seconds of \"NFA\" has been patched on. The source used is shnid 136683, a sbd that was originally credited to an anonymous donor. I can now reveal that it came to me from my friend, the late Harvey Lubar. I decided to change it to mono and then add some ambience so that it is a better fit. Harv is probably turning in his grave at the thought of that because he didn't like his sources patched if the patch was inferior, which most times they were.\n- I have used some eq, mostly to adjust the bottom end.\n\n\n\nThanks to Doug Lamarre for providing this source\n\nThanks to Matt Vernon for the transfer and facilitating\n\n\nedited and mastered\nSIRMick\nMay 2022",
      "runtime": "129:28.40",
      "transferer": "Sirmick and Matt Vernon",
      "taperText": "Unknown"
    }
  },
  "contentUrl": "https://archive.org/details/gd1972-03-23.157067.aud.lamarre.vernon.sirmick.flac16"
}