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Tapes

  • AUDMaster ReelTaper unknownAUD > MR > Cassette (unknown gen) > NAK DR3 > AUDACITY > CD Wave > FLAC16
    SHN discs
    2
  • SBDMaster ReelStream OnlyTaper unknownCD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC
  • MatrixStream OnlyTaper unknownnak dr3 > audacity > cdwav [Updated lineage: Bruce Harvie recorded the AUD: Sony ECM 22P's > Sony 770 reel > reel > DAT > ?] SIRMick January 2006 [First remaster by Zeb, 12-9-05] [Missing Stella Blue and OMSN] [Momentary cut in Truckin' and at the beginning of China Cat]
  • SBDMaster ReelTaper unknownSbd: MR>DAT>CDR>SHN
    Discs
    0
    SHN discs
    2
  • AUDMaster ReelTaper unknownAUD > MR > Cassette (unknown gen) > Nakamichi DR3 > Audacity > CD Wave > FLAC16
    Discs
    3
    SHN discs
    2
  • AUDTaper unknownnak dr3 > audacity > cdwav
    Taper
    Unknown
  • Source unknownTaper unknownMAR > R; sony ecm 22p's > sony tc-770; taped by Bruce Harvie; transfer: tdk 1800-sd 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger
    Taper
    Bruce Harvie
  • SBDStream OnlyTaper unknown1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Debbie Stash and Will Boswell
  • AUDTaper unknownmaxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014
    Taper
    Bruce Harvie
  • SBDMaster CassetteStream OnlyTaper unknownRecording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015
  • SBDMaster CassetteStream OnlyTaper unknownRecording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015
  • SBDStream OnlyTaper unknown1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Debbie Stash and Will Boswell
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1972-09-09-hollywood-palladium-hollywood

Recording gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf
identifier
gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf
source_type
Audience: Unknown Mics (pitch corrected)
lineage
AUD > MR > Cassette (unknown gen) > NAK DR3 > AUDACITY > CD Wave > FLAC16
lineage_chain
AUD > MR > Cassette (unknown gen) > NAK DR3 > AUDACITY > CD Wave > FLAC16
capture_position
audience
lineage_media_token
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compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
64836
review_count
6
mean_rating
4.6
shnid
31949
relisten_url
https://relisten.net/grateful-dead/1972/09/09?source=3876939
etree_url
https://etreedb.org/shn/31949
content_url
https://archive.org/details/gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf

Full served wire node (JSON)

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      "description": "Promised Land, Sugaree, Me & My Uncle, Bird Song, Black Throated Wind, Tennessee Jed, Mexicali Blues, Deal, Playin' In The Band, Loser, Johnny B. Goode China Cat Sunflower-> I Know You Rider, Friend Of The Devil, Jack Straw, He's Gone-> Truckin'-> The Other One, Stella Blue, El Paso, Casey Jones, Sugar Magnolia, E: One More Saturday Night",
      "notes": "No editing was done to the recording except for the tape flip in \"Truckin'\". All reel pauses have been left intact.\n\nThis is a clean sounding low-generation tape and was a rare one back in the tape trading days (remember those?). I decided to transfer it for myself since this recording has not made it into the digital realm. Hopefully the master reel will surface as this is a great audience recording  especially for 1972.\n\nCOMMENT:\n\nWhat a difference an audience tape can make! This show really comes to life  listen to the band and the audience interact  a crucial dynamic missing from the soundboard counterpart.\n\n-----------------------------------------------------------\n\nZeb's notes 10-20-05:\n\nI downloaded this show from the Lossless Legs site (www.shnflac.net) a few months ago...when I gave it a first listen for sonic quality, I found that it was pitched too slow...so, after testing it numerous times to get the sound right (I don't claim to have perfect pitch, and I'm not a musician - but I have been listening to the Dead for nearly 25 years and feel I have a decent ear for their voices), I did the following:\n- I merged the wavs for disc 1 into a big file using WavMerge, and corrected the pitch (to my ears) using GoldWave, then I did the same for discs 2 & 3...\nEach of the 3 big files needed to be pitched up 1 semitone, and then they needed these additional tweaks (GoldWave calls it fine-tuning): disc 1 by -1 cent, disc 2 by -2 cents, and disc 3 by +8 cents...additional tweaks were made per the recommendation of a musician friend of mine (thanks Dr. Dave!), who knew upon first listen that a song wasn't pitched correctly by the song's key (guitar sounded sharp, piano notes were flat, etc.) - those adjustments were for d1t02,03 & 08 all of which needed a +1 cent speed change........now it's about as good as it's gonna get!\n\nI added fades at the end of the 3 discs (after Deal, He's Gone and Sugar Magnolia), and needed to do some pitch correction to the lion's share of Playin' (there was a cut)...the same was true of Truckin', where the tape flip occurred...\n\nI left the reel pauses intact, and located my track splits so that the reel pauses were at the beginning of the tracks - that seemed to be the most logical place for them...\n\nI gotta say - this show is great!  The crowd enthusiastically claps along with the beat during several numbers, and it spurs the Dead on to great heights of ensemble playing!\n\nThis is indeed an awesome recording, especially for 1972 - it does need some work, though...many times, the microphone(s?) and tape deck just couldn't handle the sheer intensity and volume of what was being played, and so there is some distortion present...but it doesn't diminish the enjoyment I get from listening to this wonderful slice of history!\n\nMy copy of The Deadhead's Taping Compendium Vol. I doesn't even list this show, so this recording must not circulate much - I did find the SBD of it on The Live Music Archive, however, and grabbed it before it was too late! (see below)\n\n***UPDATE*** - as of 11-23-05, all GD SBDs have been removed from the Live Music Archive, per the GD's request :-(\n***UPDATE 2*** - the GD SBDs are once again available on The Live Music Archive, but only as streaming mp3s (no longer downloadable)\n\nso, I offer this excellent *uncirculated speed-corrected version* of this Grateful Dead show, sonic warts and all, for everyone to enjoy!  If anyone would like to spend the time to clean it up a bit, that would be more than appreciated!\n\nZeb  12-9-05",
      "transferer": "Zeb",
      "shnDiscs": "2"
    }
  },
  "contentUrl": "https://archive.org/details/gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1972-09-09.sbd.miller.105458.flac16
identifier
gd1972-09-09.sbd.miller.105458.flac16
source_type
SBD -> Master Reel -> Cassette -> Dat -> CD
lineage
CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC
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CD > Cool Edit Pro v1.5 > Samplitude Professional v10.22 > FLAC
capture_position
soundboard
lineage_media_token
mr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
24797
review_count
7
mean_rating
4.33
shnid
105458
relisten_url
https://relisten.net/grateful-dead/1972/09/09?source=3876896
etree_url
https://etreedb.org/shn/105458
content_url
https://archive.org/details/gd1972-09-09.sbd.miller.105458.flac16

Full served wire node (JSON)

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    "shnid": "105458",
    "sourceMeta": {
      "description": "Set 1<br /><br />\nPromised Land, Sugaree, Me & My Uncle, Bird Song, Black Throated Wind, Tennessee Jed, Mexicali Blues, Deal, Playin' In The Band, Loser, Johnny B. Goode<br /><br />\nSet 2<br /><br />\nChina Cat Sunflower-> I Know You Rider, Friend Of The Devil, Jack Straw, He's Gone-> Truckin'-> The Other One, Stella Blue, El Paso, Casey Jones, Sugar Magnolia, E: One More Saturday Night",
      "notes": "Notes:\n-- All disc changes are seamless\n-- This is a re-master of shnid=14086\n-- The pitch is not perfect but is a lot better\n-- Dozens of flaws cleaned up - some may still remain\n-- Thanks to Joe B. Jones for his help with the pitch correction",
      "runtime": "201:53.05",
      "transferer": "Charlie Miller"
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  "contentUrl": "https://archive.org/details/gd1972-09-09.sbd.miller.105458.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1972-09-09.mtx.seamons.bertrando.103311.flac16
identifier
gd1972-09-09.mtx.seamons.bertrando.103311.flac16
source_type
Matrix mix (SBD/AUD)
lineage
nak dr3 > audacity > cdwav [Updated lineage: Bruce Harvie recorded the AUD: Sony ECM 22P's > Sony 770 reel > reel > DAT > ?] SIRMick January 2006 [First remaster by Zeb, 12-9-05] [Missing Stella Blue and OMSN] [Momentary cut in Truckin' and at the beginning of China Cat]
lineage_chain
capture_position
matrix
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
19584
review_count
3
mean_rating
3.33
shnid
103311
relisten_url
https://relisten.net/grateful-dead/1972/09/09?source=3852509
etree_url
https://etreedb.org/shn/103311
content_url
https://archive.org/details/gd1972-09-09.mtx.seamons.bertrando.103311.flac16
legs
soundboard / Sbd: MR>DAT>CDR>SHN; audience / nak dr3 > audacity > cdwav [Updated lineage: Bruce Harvie recorded the AUD: Sony ECM 22P's > Sony 770 reel > reel > DAT > ?] SIRMick January 2006 [First remaster by Zeb, 12-9-05] [Missing Stella Blue and OMSN] [Momentary cut in Truckin' and at the beginning of China Cat]

Full served wire node (JSON)

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      "notes": "*Matrix* \n\n----------------------------------------------------\nSBD (shnid=14086):\n\nSbd: MR>DAT>CDR>SHN\n\nAudio discs provided by Dyer O' Connor\neac>mkw>shn by popi n. feeldz\n\n[Probably not MR>DAT]\n[Momentary cuts in Tennessee Jed and Truckin']\n\n----------------------------------------------------\nAUD (shnid=32036):\n\nmac > cass (u/k gen) > wav > flac > wav > flac\ntransfer: nak dr3 > audacity > cdwav\n\n[Updated lineage: Bruce Harvie recorded the AUD:\nSony ECM 22P's > Sony 770 reel > reel > DAT > ?]\n\nSIRMick\nJanuary 2006 \n\n[First remaster by Zeb, 12-9-05]\n[Missing Stella Blue and OMSN]\n[Momentary cut in Truckin' and at the beginning of China Cat]\n\n---------------------------------------------------\nThank you to Dyer O' Connor and popi n. feeldz for the SBD transfer,\nto Bruce Harvey for recording the show,\nand to Zeb and SIRMick for the AUD transfer.\n\nMatrix by Hunter Seamons using Final Cut Pro\nPitch correction, normalization, and EQ work by Rob Bertrando\n\nNotes:\n\n1) These were not the most ideal sources in terms of quality, but putting them together has resulted in a significant improvement, and Rob Bertrando has done some sonic wizardry on the matrix to make it sound even better.",
      "runtime": "201:35.25",
      "transferer": "Hunter Seamons and Rob Bertrando"
    }
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  "contentUrl": "https://archive.org/details/gd1972-09-09.mtx.seamons.bertrando.103311.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd72-09-09.sbd.popi.14086.sbeok.shnf
identifier
gd72-09-09.sbd.popi.14086.sbeok.shnf
source_type
Soundboard
lineage
Sbd: MR>DAT>CDR>SHN
lineage_chain
Sbd: MR > DAT > CDR > SHN
capture_position
soundboard
lineage_media_token
mr
compendium_quality_grade
tape_culture_tags
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review_count
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shnid
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relisten_url
https://relisten.net/grateful-dead/1972/09/09?source=3876864
etree_url
https://etreedb.org/shn/14086
content_url
https://archive.org/details/gd72-09-09.sbd.popi.14086.sbeok.shnf
legs
soundboard / MR>DAT>CDR>SHN

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd72-09-09.aud.unknown.30991.sbeok.flacf
identifier
gd72-09-09.aud.unknown.30991.sbeok.flacf
source_type
Audience: Unknown Mics
lineage
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AUD > MR > Cassette (unknown gen) > Nakamichi DR3 > Audacity > CD Wave > FLAC16
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30991
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https://archive.org/details/gd72-09-09.aud.unknown.30991.sbeok.flacf

Full served wire node (JSON)

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      "notes": "Second source: sbd: mr> dat > cdr > shn > wav > flac\n\n\nnotes:\n\n- as Zeb mentions in his notes below, there was some distortion.  I have reduced or removed it with some degree of success.  The result is very pleasing.\n- I have patched Playin' at approx 0:08 (for approximately 1.5 seconds) and Truckin at 12:36 (for approximately 5 seconds) with the sbd source\n- I have repaired a considerable number of small drop-outs and partial drop-outs.\n- I have cleaned up the transitions and cross-faded, I also added back the sections that Zeb had faded out, just a personal preference!\n- I decided to include Stella Blue and Saturday Night, from the sbd source, so that the show is complete.  Before doing so, I eq'd these tracks so that the sound was more in keeping with the rest of show.  I also eq'd the patch in Truckin'\n- remastering was done with iZotope Ozone and Waves.  Hiss reduction with Steinberg Clean\n~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\n\nZeb's notes 10-20-05:\n\nI downloaded this show from the Lossless Legs site (www.shnflac.net) a few months ago...when I gave it a first listen for sonic quality, I found that it was pitched too slow...so, after testing it numerous times to get the sound right (I don't claim to have perfect pitch, and I'm not a musician - but I have been listening to the Dead for nearly 25 years and feel I have a decent ear for their voices), I did the following:\n- I merged the wavs for disc 1 into a big file using WavMerge, and corrected the pitch (to my ears) using GoldWave, then I did the same for discs 2 & 3...\nEach of the 3 big files needed to be pitched up 1 semitone, and then they needed these additional tweaks (GoldWave calls it fine-tuning): disc 1 by -1 cent, disc 2 by -2 cents, and disc 3 by +8 cents...additional tweaks were made per the recommendation of a musician friend of mine (thanks Dr. Dave!), who knew upon first listen that a song wasn't pitched correctly by the song's key (guitar sounded sharp, piano notes were flat, etc.) - those adjustments were for d1t02,03 & 08 all of which needed a +1 cent speed change........now it's about as good as it's gonna get!\n\nI added fades at the end of the 3 discs (after Deal, He's Gone and Sugar Magnolia), and needed to do some pitch correction to the lion's share of Playin' (there was a cut)...the same was true of Truckin', where the tape flip occurred...\n\nI left the reel pauses intact, and located my track splits so that the reel pauses were at the beginning of the tracks - that seemed to be the most logical place for them...\n\nI gotta say - this show is great!  The crowd enthusiastically claps along with the beat during several numbers, and it spurs the Dead on to great heights of ensemble playing!\n\nThis is indeed an awesome recording, especially for 1972 - it does need some work, though...many times, the microphone(s?) and tape deck just couldn't handle the sheer intensity and volume of what was being played, and so there is some distortion present...but it doesn't diminish the enjoyment I get from listening to this wonderful slice of history!\n~~~~~~~~~~~~~~~~~~~~~~\n\nSIRMick\nJanuary 2006",
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      "notes": "Notes:\n- Part of the \"Debbie stash\"\n- Thanks to Matt Smith for the fresh DSD transfer\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to Bruce Harvie and Rob Bertrando for the Sony ECM-22P source which supplies some crowd and beginning of \"China Cat Sunflower\" (0:36 total), as well as a 0:44 patch in the beginning of \"Stella Blue\"\n- Alternate soundboard source supplies an additional 0:22 patch in \"China Cat Sunflower\", as well as a 0:39 patch in \"Truckin'\"\n- Thanks to Joe B. Jones for his assistance with the pitch correction\n\nMastered by Scott Clugston\nMarch 2020",
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Archive.org metadata (on the wire)

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Archive.org metadata (on the wire)

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