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Tapes

  • SBDMaster ReelStream OnlyTaper unknownSBD > MR (10'' reels) > DAT > CD > EAC > SHN
    Discs
    4
    SHN discs
    3
  • SBDMaster ReelStream OnlyTaper unknownCD -> Samplitude Professional v10.01 -> FLAC
  • SBDMaster ReelStream OnlyTaper unknownCD -> Samplitude Professional v10.01 -> FLAC
  • SBDMaster ReelStream OnlyTaper unknownCD -> Samplitude Professional v10.01 -> FLAC
  • MatrixMaster ReelFront of BoardFront of BoardStream OnlyTaper unknowntransferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
  • Front of BoardFront of BoardFront of BoardTaper unknownMAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC
    Taper
    Monte Barry
  • AUDTaper unknownSee info file
    Taper
    See info file
  • MatrixStream OnlyTaper unknownSBD (89730) + AUD (90351) + AUD (89681)
  • AUDFront of BoardFront of BoardTaper unknowntransferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
    Taper
    Monte Barry
  • AUDFront of BoardFront of BoardTaper unknowntransferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
    Taper
    Monte Barry
  • Front of BoardMaster ReelFront of BoardFront of BoardTaper unknownReel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
    Taper
    Bill Gadsden
  • AUDTaper unknownPartial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
    Taper
    Jimmy & Laurie Cooper, & Arti
  • AUDTaper unknownPartial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
    Taper
    Jimmy & Laurie Cooper, & Arti
  • SBDTaper unknownSBD (89730) + AUD (90351) + AUD (89681)
    Official release
    This source is available in DTS 5.1 format (not streamable)
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1973-06-10-robert-f-kennedy-stadium-washington

Recording gd73-06-10.sbd.hollister.174.sbeok.shnf
identifier
gd73-06-10.sbd.hollister.174.sbeok.shnf
source_type
Soundboard
lineage
SBD > MR (10'' reels) > DAT > CD > EAC > SHN
lineage_chain
SBD > MR (10'' reels) > DAT > CD > EAC > SHN
capture_position
soundboard
lineage_media_token
mr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
false
download_count
1272617
review_count
217
mean_rating
4.62
shnid
relisten_url
https://relisten.net/grateful-dead/1973/06/10?source=3877053
etree_url
content_url
https://archive.org/details/gd73-06-10.sbd.hollister.174.sbeok.shnf

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      "notes": "d1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing)\nd1t09 (The Race Is On) several anomalies at the \n 1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing)\nD2t01 (Bird Song): very brief tape waver @ 2:44\nD2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 \nD4t06 (GDTRFB): reel flip/splice @ 6:42",
      "transferer": "David Hollister and G.S. Hamilton",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.sbd.miller.89640.sbeok.flac16
identifier
gd1973-06-10.sbd.miller.89640.sbeok.flac16
source_type
SBD -> Master Reel -> Dat -> CD
lineage
CD -> Samplitude Professional v10.01 -> FLAC
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capture_position
soundboard
lineage_media_token
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compendium_quality_grade
tape_culture_tags
source_family_tags
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review_count
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mean_rating
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89640
relisten_url
https://relisten.net/grateful-dead/1973/06/10?source=2173449
etree_url
https://etreedb.org/shn/89640
content_url
https://archive.org/details/gd1973-06-10.sbd.miller.89640.sbeok.flac16

Full served wire node (JSON)

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      "notes": "Patch Info:\n(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:\nEyes Of The World (6:54 - 6:56)\n\nNotes:\n-- All disc changes are seamless\n-- Cleaned up many flaws and fixed the levels\n-- It may not be perfect, but it's a lot better\n-- Patch source recorded by Bill Gadsden\n-- Patch source transferred by Charlie Miller and Neil Sturtevant\n-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks\n-- Beginning of Beat It On Down The Line is cut\n-- There are some flaws in The Race Is On that still remain\n-- Reel flip in GDTRFB cleaned up with crossfade",
      "runtime": "274",
      "transferer": "Charlie Miller"
    }
  },
  "contentUrl": "https://archive.org/details/gd1973-06-10.sbd.miller.89640.sbeok.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.sbd.miller.fix-89640.89730.flac16
identifier
gd1973-06-10.sbd.miller.fix-89640.89730.flac16
source_type
SBD -> Master Reel -> Dat -> CD D
lineage
CD -> Samplitude Professional v10.01 -> FLAC
lineage_chain
CD > Samplitude Professional v10.01 > FLAC
capture_position
soundboard
lineage_media_token
mr
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
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download_count
42261
review_count
12
mean_rating
4.92
shnid
89730
relisten_url
https://relisten.net/grateful-dead/1973/06/10?source=3877129
etree_url
https://etreedb.org/shn/89730
content_url
https://archive.org/details/gd1973-06-10.sbd.miller.fix-89640.89730.flac16

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      "notes": "Patch Info:\n(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:\nEyes Of The World (6:54 - 6:56)\n\nNotes:\n-- All disc changes are seamless\n-- This is a fixed version of shnid=89640\n-- Cleaned up many flaws and fixed the levels\n-- It may not be perfect, but it's a lot better\n-- Patch source recorded by Bill Gadsden\n-- Patch source transferred by Charlie Miller and Neil Sturtevant",
      "runtime": "275",
      "transferer": "Charlie Miller"
    }
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
identifier
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
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compendium_quality_grade
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.131065.mtx.dusborne.flac16
identifier
gd1973-06-10.131065.mtx.dusborne.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "runtime": "280",
      "transferer": "Kevin Tobin",
      "taperText": "See info file"
    }
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.mtx.tobin.90771.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
identifier
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
source_type
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lineage
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
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etree_url
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      "notes": "Notes:\n-- this is a major upgrade in sound quality\n-- replaces Monte's shnid 90351\n-- these transfers are fixed up pretty good\n\npatch list:\n-- Morning Dew has SBD patch from 07:02.5 until 07:14.2, due to accidental pause/unpause by taper\n-- PITB has AUD patch from 05:30.8 until 06:10, due to reel change\n-- PITB set-ending announcement has SBD patch\n-- Eyes Of The World has AUD patch at start until 14:52.5, due to taper getting stoned during break\n-- Big River has AUD patch at start until 00:02.6\n-- Around And Around has SBD patch at end from 05:13.9 to 05:41, \"We're gonna tune up real good\"\n-- He's Gone has SBD patch from 14:30.2 to 14:48.2 (ending), due to reel flip\n-- Wharf Rat has SBD patch from the start to 00:12.5, due to reel flip\n-- That's Alright Mama has SBD patch from 06:11.2 to 08:59.5, due to tape damage\n-- GDTRFB has SBD patch from 04:42.3 to 5:05.3, due to reel flip\n-- I cleaned up most of the glitches, and I tagged the files\n\nSBD patch Source and Lineage: shnid 90979\ntransferred by David Hollister and G.S. Hamilton\nMR > PCM > cassette > DAT > CD > EAC > SHN\n\nAUD patch Source and Lineage: shnid 89681\ntaped by Bill Gadsden\n(FOB) Unknown Mics > Cassette Master > Reel (1/4 Track - 7.5 ips)\ntransferred and mastered by Charlie Miller\nReel (Sony TC-366) > Korg MR-1000 > Samplitude Pro 10.02 > FLAC\n\nThis AUD recording epitomizes the very best of the Grateful Dead \"live sound\" for the time. The  prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. June 9 was my first time taping. June 10 was a Modal Spectacle. These shows at RFK Stadium were by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound.\n\nMatt Smith did a great job transferring these tapes of mine! Thank you!",
      "runtime": "281:37.077",
      "transferer": "Matt Smith",
      "taperText": "Monte Barry"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.121030.barry.smith.AUD-fob.flac16
identifier
gd1973-06-10.121030.barry.smith.AUD-fob.flac16
source_type
taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
lineage
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      "notes": "notes:* as per Jim Cooper, the story of why\nthis is an offering of only part of this epic\nday:\n\nThis is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before.\n(the database needs to be changed regarding the mics)\nWe were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there.  Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat.\nAt the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive.\nLaurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles.\nThe opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to.\nWe were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided.\nAs the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. \nThe stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially.\nWe recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched.\nTHEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC,\nWE did not want to go, they left us there.\nShow was over and we went out and started hitchhiking, with all our gear and the cooler.\nNO Rides\nWe walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while.\nWe said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride.\nWe were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van.\nWe slept off & on to NYC, it was almost 7am as we hit the GWB.\nI went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few \"box of rain\" and other gems.\nWe checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one.\nWe cried once we heard how  good the sound of the tape was, and we all knew all knew just what a great show it was.",
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      "notes": "notes:* as per Jim Cooper, the story of why\nthis is an offering of only part of this epic\nday:\n\nThis is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before.\n(the database needs to be changed regarding the mics)\nWe were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there.  Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat.\nAt the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive.\nLaurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles.\nThe opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to.\nWe were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided.\nAs the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. \nThe stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially.\nWe recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched.\nTHEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC,\nWE did not want to go, they left us there.\nShow was over and we went out and started hitchhiking, with all our gear and the cooler.\nNO Rides\nWe walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while.\nWe said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride.\nWe were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van.\nWe slept off & on to NYC, it was almost 7am as we hit the GWB.\nI went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few \"box of rain\" and other gems.\nWe checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one.\nWe cried once we heard how  good the sound of the tape was, and we all knew all knew just what a great show it was.",
      "runtime": "89:21.977",
      "transferer": "Rob Berger",
      "taperText": "Jimmy & Laurie Cooper, & Arti"
    }
  },
  "contentUrl": "https://archive.org/details/gd1973-06-10.136252.aud.cooper.berger.flac24"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1973-06-10.dts.tobin.90794.flac
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      "description": "Set 1\n\nMorning Dew  \nBeat It On Down The Line  \nRamble On Rose  \nJack Straw  \nWave That Flag  \nLooks Like Rain  \nBox Of Rain  \nThey Love Each Other  \nThe Race Is On  \nRow Jimmy  \nEl Paso  \nBird Song  \nPlaying In The Band  \n\nSet 2\n\nEyes Of The World  ->\nStella Blue  \nBig River  \nHere Comes Sunshine  \nAround And Around  \nDark Star  ->\nHe's Gone  ->\nWharf Rat  ->\nTruckin'  \nSugar Magnolia  \n\nSet 3\n\n\nIt Takes A Lot To Laugh It Takes A Train To Cry  \nThat's All Right, Mama  \nThe Promised Land  \nNot Fade Away  ->\nGoin' Down The Road Feeling Bad  ->\nDrums  ->\nNot Fade Away  \nJohnny B. Goode",
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Archive.org metadata (on the wire)

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Recording playdead:1973-06-10:47662
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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