Grateful Dead
Aug 1, 1973 at Roosevelt Stadium
Jersey City, NJ
Setlist via JerryBase
Set 1
Promised Land, Sugaree, The Race Is On, You Ain't Woman Enough, Bird Song, Mexicali Blues, They Love Each Other, Jack Straw, Stella Blue, Big River, Casey Jones
Set 2
Around And Around, Mississippi Half Step, Me And My Uncle, Row Jimmy, Dark Star > El Paso > Eyes Of The World > Morning Dew, Sugar Magnolia
Additional Notes
- Jerry Garcia's 31st birthday
Writeups
- Eyes of the World: A Field Guide (Guest Post)
EYES OF THE WORLD: A FIELD GUIDE Guest Post by Kell C. Mercer “Eyes of the World,” with lyrics by Robert Hunter and music by Jerry Garc... - Roosevelt Stadium, Danforth Ave and NJ Rte 1 [NJ440], Jersey City, NJ 1972-76 (Jersey City Story)
The Grateful Dead first came to fame or infamy in the city of San Francisco. The band's second big stronghold was the Borough and island ...
Related videos
None available yet
Tapes
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- SBDPCMBetty BoardStream OnlyTaper unknownBetty Cantor reels > PCM > DAT > DIO 2448 > SHNListenArchive.orgRelistenetree2522
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- SBDStream OnlyTaper unknownSee NotesListenArchive.orgRelistenetree92478TransferSIRMick
- SBDMaster ReelStream OnlyTaper unknownSoundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDRListenArchive.orgRelistenTransferEAC and encoding by Manfred Jungeblut
- SBDMaster ReelStream OnlyTaper unknownSBD>MSR>R2>D>CD and SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDRListenArchive.orgRelistenetree11813TransferExtraction and.shn encoding by Seth Kaplan via EAC and MKW.
- AUDTaper unknownaud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob BergerListenArchive.orgRelistenetree112572TransferRob Berger
- MatrixTaper unknownmatrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012ListenArchive.orgRelistenetree123128TransferMonte Barry
- AUDDATTaper unknownAudMR > R > DAT > WAV > SHNListenArchive.orgRelistenetree8724TransferA > D transfer by Noah Weiner
- AUDFront of BoardFront of BoardTaper unknowntransferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD TagListenArchive.orgRelistenetree121129TransferMatt Smith
- AUDFront of BoardFront of BoardTaper unknowntransferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD TagListenArchive.orgRelistenetree121127TransferMatt Smith
- Source unknownDATBetty BoardTaper unknownBetty> BCM> DAT> DAT> DIO 2448> SHNListenArchive.orgRelistenetree113751
- SBDMaster ReelBetty BoardTaper unknownSource: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16edited and mastered SIRMick February 2018ListenArchive.orgRelistenetree140895TransferCharlie Miller and SIRMick
- AUDMaster ReelFront of BoardFront of BoardTaper unknownMR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag -- Taped, transferred, and remastered by Monte Barry -- track changes are seamless -- EQ is flat (unchanged)ListenArchive.orgRelistenetree119371TransferMonte Barry
- AUDTaper unknownsource: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob BergerListenArchive.orgRelistenetree135887TransferRob Berger
- AUDTaper unknownsource: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob BergerListenArchive.orgRelistenetree135886TransferRob Berger
- SBDPCMStream OnlyTaper unknownSony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little HelperListenArchive.orgRelistenetree148528TransferJoe Beacon
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1973-08-01-roosevelt-stadium-jersey-city
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Recording gd1973-08-01.sbd.kaplan.11813.shnf
- identifier
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- relisten_url
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- etree_url
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- content_url
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"notes": "** - CD Mastering by David Gans\n* - Possible source change @ OMSN\n*** - Not in circulation per Deadlists\n\nComplete SBD except for The Promised Land*** Sugaree*** The Race Is On\nand You Ain't Woman Enough*** opening set one. Three disc SBD compilation \nof most of set one and all of set two including the additional available\nSBD segments from sets I & II (discs one and two) beyond the previously\ncirculating one disc jam segment of the show seeded by D. Gans containing \nDark Star > El Paso > Eyes of the World > Morning Dew (disc three). For \nsource quality consistency and space considerations, the end of set two\nsegment containing Sugar Magnolia and the encores is at the end of disc \ntwo. To maintain the original playing order, an alternate disc layout \nplaces Set II part one from disc two at the end of disc one, the disc \nthree jam segment on disc two and the end of set two segment containing \nSugar Magnolia and the encores on a short disc three. \n\nSeth Kaplan - August 30, 2002",
"runtime": "62",
"transferer": "Extraction and.shn encoding by Seth Kaplan via EAC and MKW.",
"taperText": "** - CD Mastering by David Gans"
}
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Recording gd1973-08-01.112572.aud-moore.berger.flac16
- identifier
- gd1973-08-01.112572.aud-moore.berger.flac16
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- aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
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- aud cassette master, akg d1000e > sony tc-110, taped by Jerry Moore, transfer by Rob Berger
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- 1
- mean_rating
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- shnid
- 112572
- relisten_url
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- etree_url
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- content_url
- https://archive.org/details/gd1973-08-01.112572.aud-moore.berger.flac16
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"notes": "notes: ***tape two was destroyed.",
"runtime": "125:13.06",
"transferer": "Rob Berger",
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"contentUrl": "https://archive.org/details/gd1973-08-01.112572.aud-moore.berger.flac16"
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1973-08-01.123128.mtx.barry.flac
- identifier
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- etree_url
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- content_url
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"runtime": "180:25.53",
"transferer": "Monte Barry"
}
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"contentUrl": "https://archive.org/details/gd1973-08-01.123128.mtx.barry.flac"
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Recording gd1973-08-01.aud.weiner.8724.sbeok.shnf
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- mean_rating
- 4.33
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- etree_url
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"description": "set one:\n01 crowd 0:35\n02 Promised Land 3:50\n03 Sugaree 7:30\n04 The Race Is On* 2:54\n05 You Ain't Woman Enough 3:03\n06 Bird Song* 10:51\n07 Mexicali Blues 3:20\n08 They Love Each Other 5:19\n09 Jack Straw 4:37\n10 Stella Blue 7:28\n11 Big River 4:43\n12 Casey Jones* 6:28\n\nset two\n13 //Around And Around* 5:03\n14 Mississippi Half Step Uptown Toodeloo 8:33\n15 Me And My Uncle 3:01\n01 Row Jimmy 8:40\n02 Dark Star* > 24:37\n03 El Paso > 4:20\n04 Eyes Of The World > 20:29\n05 Morning Dew 13:09\n01 Sugar Magnolia 9:03\nencore:\n02 //Goin' Down The Road Feelin' Bad > 8:20\n03 One More Saturay Night* 4:43",
"notes": "*The Race Is On - mic cable drop out cross faded at 0:37 \n*Bird Song - mic cable drop out cross faded at 1:28 \n*Casey Jones - mic cable drop out cross faded at 2:31 \n*Around And Around - mic cable drop out cross faded at 3:08\n*Dark Star - first 1:06 supplied by alternate AUD/? and cross\n faded at that point into the start of the main source recording.\n This alternate source was on the 7\" reel that Jeff Siniawsky\n supplied for the transfer. He used it to fill the portion of\n the start of Dark Star missing from his 5\" reel master when he\n created the 7\" reel we have here.\n*One More Saturday Night - mic cable drop out cross faded at 0:27",
"transferer": "A > D transfer by Noah Weiner",
"taperText": "Uher mic > Uher 4000 Report L 5\" reels > MacIntosh pre-amp > TEAC 1230 7\" reel."
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
- identifier
- gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
- source_type
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- lineage
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- lineage_chain
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- 4.5
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- etree_url
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- content_url
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Recording gd1973-08-01.121127.barry.smith.AUD-fob.flac2496
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Recording gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644
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Recording gd1973-08-01.119371.aud.barry.flac
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"notes": "AUD patches provided by shnid 9145:\n-- taped by Jeffrey Siniawsky, Neil Merin, and Joel Smith\n-- Uher mic > Uher 4000 reel-to-reel\n-- transferred and remastered by Noah Weiner\n\nPrep work done to AUD patch source shnid 9145:\n-- L and R channel levels matched\n-- highend EQ rolled back\n-- patch levels matched to source levels\n-- no pitch correction required for Stella Blue patch - both tape speeds matched perfectly\n\nAUD Patch List:\n-- Track 01 - Phil announcements inserted\n-- Track 02 - \"happy birthday\" inserted at start of Promised Land\n-- Track 10 - Stella Blue - 1st note is patched; reel flips at 4:28 and recording stops; patch crossfades in until ending\n\n-- Eyes of The World reel-flip and patch:\n-- source tape gets reel-flipped at the 15:46 point\n-- source crossfades out at 15:46, source crossfades back in at 16:32\n\nSound System and Taper notes - by taper Monte Barry:\nI taped both shows at Roosevelt Stadium. The Dead's PA system sounded crappy both nights (July 31 and Aug 1). It should have sounded perfect since it was outdoors. The Dead's PA system for June 9 and 10 at RFK Stadium sounded incredible by comparison. I taped both RFK shows with inferior taping gear, yet my RFK tapes sound way, way better.\n\nIt is probably correct to say that this Jerry birthday show was the first GD show ever taped with a Nakamichi 550 cassette recorder. This was the first portable stereo cassette recorder model to feature Dolby NR and Chromium Tape bias. I believe I had the first one available on the East Coast. My recording of this show should have been incredibly high fidelity sounding. Instead, it sounds a bit crappy due numerous sound system issues. The sound fidelity at Roosevelt Stadium fell way short of what I expected when I went to this show. Perhaps my mic's location was on the R side (guessing), but I was definitely FOB. Of course, I was heavily dosed when I went there both nights with my GD friends.\n\nI taped FOB the night before on July 31. My mic was mounted on a 10-foot pole that night. A huge Hell's Angel security dude was dispatched by GD from backstage to go into the audience and confiscate my tapes during the last song. He was gigantic - approx 6' 6\" / 250 pounds and ripped body, wearing Hell's Angels colors, long hair and beard. I was an itty-bitty 5' 7\" / 130-pound hippie, and I was caught red-handed taping. He politely asked me for my tape. I ejected the cassette from my tape deck and I surrendered just this one tape to him. He said \"thank you\" to me. Then he departed and headed backstage. My friend Jimmy Watson followed him backstage. Jimmy was back 5 minutes later with my tape!\n\nBoth nights at Roosevel Stadium the Dead's PA system suffers from: feedback problems, tinny sounding, ringing-sounding, muddy-sounding, weak vocals, poor mixing, not the best sounding overall tone. These problems tended to come and go. The sound tends to get better as the show goes on. I apologize for not getting an incredible sounding tape recording! My taping gear was state-of-the-art! Some thing(s) had to have been wrong with their PA system!\n\nWhat my recording perfectly captures are very clean and high fidelity audience sounds. The questionable-sounding prototype wall of sound mix is captured in high fidelity. Jer's guitar sounds fine. Phil is low in the mix. Keith is high in the mix. Drums sound dull, yet at times they are more crispy - for example, during Dark Star. My recording is pefect and smooth. Vocals start out low, and get better as show progresses. This recording is still worth having! The sound system and dynamic range for Dark Star are \"totally locked in\"! Some things I just can't explain.\n\n-- peace from Monte Barry\n-- release date is March 6, 2012",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Here Comes Sunshine<br />\nHere Comes Sunshine Take 2<br />\nLet Me Sing Your Blues Away<br />\nLet It Grow<br />\nRow Jimmy<br />\nEyes of the World<br />\nWRS Prelude-> WRS Part 1<br />\nWRS Prelude Take 2<br />\nWRS Prelude-> WRS Part 1 Take 3<br />\nStella Blue<br />\nStella Blue Take 2<br />\nHere Comes Sunshine Take 3<br />\nHere Comes Sunshine Take 4<br />\nLet Me Sing Your Blues Away Take 2</span>\n </div>\n</div><div class=\"b1 set\"><div class=\"set_info\">\n <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Wake of the Flood Outtakes; <a href=\"http://web.archive.org/web/*/http://www.bettyboards.deadhead.com/73-08-wake\" rel=\"nofollow\">more info</a></span>\n </div>\n</div>\n\n</div>",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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