Grateful Dead
Dec 1, 1973 at Music Hall
Boston, MAFall 1973 East Coast
Setlist via JerryBase
Writeups
None available yet
Related videos
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Tapes
- SBDPCMStream OnlyTaper unknownMaster Soundboard Reels > PCM > DAT> CDRListenArchive.orgRelistenetree6648TransferScott Clugston
- SBDDATStream OnlyTaper unknownDat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLACListenArchive.orgRelistenetree112205TransferCharlie Miller
- AUDCassetteTaper unknownAUDMC(unknown mics) > ? > C > DATListenArchive.orgRelistenetree18094TransferMatt Vernon and Marc Pujol
- MatrixMaster ReelFront of BoardFront of BoardStream OnlyTaper unknownMaxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.ListenArchive.orgRelistenetree124132TransferMatrix by dusborne
- SBDDATStream OnlyTaper unknownMaster Soundboard Reel > DAT > CDRListenArchive.orgRelistenetree4972TransferScott Clugston
- AUDCD-RTaper unknownCDR>EAC>FLAC;ListenArchive.orgRelistenetree98049
- AUDFront of BoardFront of BoardTaper unknownMaxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.ListenArchive.orgRelistenetree110781TransferTransfer by Andrew F.
- SBDTaper unknownLineage unknownListenArchive.orgRelistenetree4337
- AUDMaster CassetteTaper unknownAUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)ListenArchive.orgRelistenetree158194TransferKRW_co
- AUDMaster CassetteTaper unknownAUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)ListenArchive.orgRelistenetree158193TransferKRW_co
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1973-12-01-music-hall-boston
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"notes": "Special thanks to Joe Maloney for making this recording available.\n\nPlease do not \"Remaster\" and then re-post this recording.",
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"notes": "Tim's comment: \"It's Bill Degen's tape, I sat about four seats from \nhim. I know we were in front of the board, maybe 12th row or so.\" \nDegen's masters have apparently been lost in a fire, so this might \nbe the best surviving copy at this time.\n\nThe recording does not match either of the Auds currently in the \ndatabase (18094 & 98049). It's mono, but due to the good orchestra \nlocation, the sound is clear and without much distortion or crowd \ninterference. Some tape damage audible in Around & Around. Patches \nwere inserted from ID-98049 as follows: \n- Tennessee Jed 3:34 > 3:42\n- Looks Like Rain 0:00 > 0:09\n- Let it Grow 4:37 > 4:44\n- \"human rattlesnake\" 0:00 > 0:17\n- \"this lame trip\" 0:00 > 0:06\n- Playin' in the Band 12:40 > 12:56\n- Row Jimmy (all of it) 0:00 > 10:11\n- Not Fade Away 0:00 > 0:05\n\nSuggested CDR burning: D1 s1t01 > s1t12, D2 s1t13 > s2t12, and \nD3 s2t13 > s2t17 plus the partial 12-02-1973 s1t01 > s1t07.\n\nTHANKS to Bill Degen for taping, and Tim Friend for saving tapes!",
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Promised Land<br />Sugaree<br />Mexicali Blues<br />Tennessee Jed<br />Looks Like Rain<br />China Cat Sunflower ><br />I Know You Rider<br />Big River<br />Brokedown Palace<br />Weather Report Suite ><br />Let It Grow<br />Casey Jones</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Around & Around<br />They Love Each Other<br />Me & My Uncle<br />Don't Ease Me In<br />Me & Bobby McGee<br />Mississippi Half-Step Uptown Toodleloo ><br />Playing In The Band ><br />Uncle John's Band ><br />Playing In The Band<br />Row Jimmy<br />Greatest Story Ever Told<br />Not Fade Away ><br />Goin' Down The Road Feeling Bad ><br />One More Saturday Night</span></div></div><div class=\"b1 set\"><span>Set III</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Soundcheck:<br /><br />Jam<br />Blue Suede Shoes<br />Workingman's Blues</span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Keith Godchaux - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Donna Jean Godchaux - Vocals</span></div></div>",
"notes": "JOE'S MEMORIES:\nThis was the show where I realized that I was a Grateful Dead \"fan\" and not a true \"Deadhead\".\nI had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience.\nThe people who were at that show were there to see the band and listen to the music,\nAfter the release of the \"Europe '72\" album and reading about the \"Wall Of Sound\" stage,\nI was looking forward to a great show. Unfortunately, it turned out to be a whole different experience.\nAs we entered the Music Hall, we were amazed by the size of the \"Wall Of Sound\" and we were looking forward\nto a unique and exciting show. The two sets featured a great selection of songs,\nbut the audience proved to be a challenge for those of us who were there to sit in our seats to listen and\nenjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles\nto get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep\nthe aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block\nthe view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision,\nthere were the ones who were under the influences of various \"substances\",shouting and making a general nuisance of themselves.\nI had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it.\nThe audiences for certain British and Southern Rock bands were always a little more \"boisterous\" in Boston,\nbut they usually listened to the music. Unfortunately, this was a whole different scene.\nAlthough the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while,\nit just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed,\nso I couldn't even get any good photos of them. Needless to say, this was my last live Dead show.\nI still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, \"twirl\" and yell.\nEventually, the \"tapers\" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart\nfrom the noise and confusion.\n\nMany Many Thanks To Joe",
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Promised Land<br />Sugaree<br />Mexicali Blues<br />Tennessee Jed<br />Looks Like Rain<br />China Cat Sunflower ><br />I Know You Rider<br />Big River<br />Brokedown Palace<br />Weather Report Suite ><br />Let It Grow<br />Casey Jones</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Around & Around<br />They Love Each Other<br />Me & My Uncle<br />Don't Ease Me In<br />Me & Bobby McGee<br />Mississippi Half-Step Uptown Toodleloo ><br />Playing In The Band ><br />Uncle John's Band ><br />Playing In The Band<br />Row Jimmy<br />Greatest Story Ever Told<br />Not Fade Away ><br />Goin' Down The Road Feeling Bad ><br />One More Saturday Night</span></div></div><div class=\"b1 set\"><span>Set III</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Soundcheck:<br /><br />Jam<br />Blue Suede Shoes<br />Workingman's Blues</span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Keith Godchaux - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Donna Jean Godchaux - Vocals</span></div></div>",
"notes": "JOE'S MEMORIES:\nThis was the show where I realized that I was a Grateful Dead \"fan\" and not a true \"Deadhead\".\nI had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience.\nThe people who were at that show were there to see the band and listen to the music,\nAfter the release of the \"Europe '72\" album and reading about the \"Wall Of Sound\" stage,\nI was looking forward to a great show. Unfortunately, it turned out to be a whole different experience.\nAs we entered the Music Hall, we were amazed by the size of the \"Wall Of Sound\" and we were looking forward\nto a unique and exciting show. The two sets featured a great selection of songs,\nbut the audience proved to be a challenge for those of us who were there to sit in our seats to listen and\nenjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles\nto get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep\nthe aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block\nthe view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision,\nthere were the ones who were under the influences of various \"substances\",shouting and making a general nuisance of themselves.\nI had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it.\nThe audiences for certain British and Southern Rock bands were always a little more \"boisterous\" in Boston,\nbut they usually listened to the music. Unfortunately, this was a whole different scene.\nAlthough the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while,\nit just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed,\nso I couldn't even get any good photos of them. Needless to say, this was my last live Dead show.\nI still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, \"twirl\" and yell.\nEventually, the \"tapers\" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart\nfrom the noise and confusion.\n\nMany Many Thanks To Joe",
"transferer": "KRW_co",
"taperText": "Joe Maloney"
}
},
"contentUrl": "https://archive.org/details/gd1973-12-01.158193.aud.maloney.flac2496"
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