Grateful Dead
Oct 17, 1974 at Winterland
San Francisco, CA
Setlist via JerryBase
Set 1
Promised Land, Mississippi Half Step, Black Throated Wind, Friend Of The Devil, Jack Straw, Loser, El Paso, China Cat Sunflower12 > I Know You Rider12, Me And My Uncle, It Must Have Been The Roses3, Weather Report Suite Prelude4 > Weather Report Suite Part 14 > Let It Grow4
Set 2
Seastones7, Scarlet Begonias, Big River, Ramble On Rose, Mexicali Blues, He's Gone56 > The Other One56 > Spanish Jam56 > Mind Left Body Jam56 > The Other One56 > Stella Blue56, Sugar Magnolia56
Encore
Notes
Writeups
None available yet
Related videos
- Pro-shot
- Pro-shot
Tapes
- SBDMaster ReelStream OnlyTaper unknownMultiTrack Master Reel > DAT > Sonic Solutions > CDListenArchive.orgRelistenetree16189
- SBDSixteen-TrackStream OnlyTaper unknownBlack Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8ListenArchive.orgRelistenetree99032TransferMatt Smith and Jamie Waddell
- SBDDATStream OnlyTaper unknownDat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACTListenArchive.orgRelistenetree140588TransferCharlie Miller and Joe Noel
- SBDCD-RTaper unknownCDR>EAC>HD>MKW>SHN>CDRListenArchive.orgRelistenetree10360TransferCarl Royer
- SBDSixteen-TrackStream OnlyTaper unknownBlack Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8ListenArchive.orgRelistenetree99031TransferMatt Smith and Jamie Waddell
- AUDTaper unknownReel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMickListenArchive.orgRelistenetree137630TransferMatt Smith and SIRMick
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496ListenArchive.orgRelistenetree176621TransferBob Menke, Charlie Miller, Scott Clugston
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496ListenArchive.orgRelistenetree176620TransferBob Menke, Charlie Miller, Scott Clugston
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1974-10-17-winterland-san-francisco
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"notes": "Edit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w.\n\nMatt said... \"I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the \"GD Movie\". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a \"being there\" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry \"left\" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house..\"\n\na **GEMS** Production www.shnflac.net May 2009\n\n-Complete Seastones\n-listen for a fan scream for mexicali before they play a note of it\n-Last two minutes of rider patched with alternate aud\n-Huge Thanks to Matt Smith for the Transfer work and Deadication.\n-big Thanks To Todd Evans for Project GEMS...",
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"notes": "***Special Note*** If you want this to match up the the cover file included, then you will have to burn Disc 2, Track 7 - 9 onto Disc 3. It fits, and will match up to the cover file enclosed. If you really don't care or make your own covers, then go ahead and burn as presented below. CER",
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"notes": "Edit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w.\n\nMatt said... \"I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the \"GD Movie\". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a \"being there\" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry \"left\" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house..\"\n\na **GEMS** Production www.shnflac.net May 2009\n\n-Complete Seastones\n-listen for a fan scream for mexicali before they play a note of it\n-Last two minutes of rider patched with alternate aud\n-Huge Thanks to Matt Smith for the Transfer work and Deadication.\n-big Thanks To Todd Evans for Project GEMS...",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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