Grateful Dead
Sep 23, 1976 at Cameron Indoor Stadium, Duke University
Durham, NCFall 1976
Setlist via JerryBase
Set 1
Mississippi Half Step, Minglewood Blues, Ramble On Rose, Cassidy, Brown Eyed Women, Lazy Lightning > Supplication, Crazy Fingers1 > El Paso, It Must Have Been The Roses, The Music Never Stopped
Writeups
None available yet
Related videos
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Tapes
- SBDCassetteStream OnlyTaper unknownPrimary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDRListenArchive.orgRelistenetree14687
- Source unknownStream OnlyTaper unknownThis is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).ListenArchive.orgRelistenetree117651TransferDan McDonald
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1976-09-23-cameron-indoor-stadium-duke-university-durham
Recording gd76-09-23.sbd.backus.14687.sbeok.shnf
- identifier
- gd76-09-23.sbd.backus.14687.sbeok.shnf
- source_type
- Soundboard
- lineage
- Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR
- lineage_chain
- Primary source - SBD: Cm > C > Cx2 > DAT > CDR > EAC > SHN Aud patch sources: AUD: Cm > ? > C > DAT > CDR
- capture_position
- soundboard
- lineage_media_token
- c
- compendium_quality_grade
- —
- tape_culture_tags
- —
- source_family_tags
- —
- is_listable
- false
- download_count
- 43121
- review_count
- 12
- mean_rating
- 3.67
- shnid
- 14687
- relisten_url
- https://relisten.net/grateful-dead/1976/09/23?source=3852983
- etree_url
- https://etreedb.org/shn/14687
- content_url
- https://archive.org/details/gd76-09-23.sbd.backus.14687.sbeok.shnf
Full served wire node (JSON)
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"identifier": "gd76-09-23.sbd.backus.14687.sbeok.shnf",
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"legs": [],
"relistenUrl": "https://relisten.net/grateful-dead/1976/09/23?source=3852983",
"etreeUrl": "https://etreedb.org/shn/14687",
"capturePosition": "soundboard",
"lineageMediaToken": "c",
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"generationCount": 10,
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"note": "Primary source - SBD: Cm"
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"note": "CDR"
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"sourceType": "Soundboard",
"lineage": "Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR",
"lineageChain": "Primary source - SBD: Cm > C > Cx2 > DAT > CDR > EAC > SHN Aud patch sources: AUD: Cm > ? > C > DAT > CDR",
"shnid": "14687",
"sourceMeta": {
"description": "Mississippi Half Step, Minglewood Blues, Ramble On Rose, Cassidy, Brown Eyed Women, Lazy Lightning-> Supplication, Crazy Fingers-> El Paso, It Must Have Been The Roses, The Music Never Stopped Help On The Way-> Slipknot!-> Franklin's Tower-> Looks Like Rain, Eyes Of The World-> Samson & Delilah, High Time, Dancin' In The Streets-> Wharf Rat-> Drums-> The Other One-> Morning Dew",
"notes": "Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN\nAud patch sources: AUD: Cm->?-> C-> DAT-> CDR.\n\nDAE and shn encoding done by D.Backus",
"shnDiscs": "2"
}
},
"contentUrl": "https://archive.org/details/gd76-09-23.sbd.backus.14687.sbeok.shnf"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1976-09-23.117651.pa-restoration.dan.flac16
- identifier
- gd1976-09-23.117651.pa-restoration.dan.flac16
- source_type
- This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
- lineage
- —
- lineage_chain
- This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
- capture_position
- —
- lineage_media_token
- —
- compendium_quality_grade
- —
- tape_culture_tags
- —
- source_family_tags
- —
- is_listable
- false
- download_count
- 18636
- review_count
- 7
- mean_rating
- 4.29
- shnid
- 117651
- relisten_url
- https://relisten.net/grateful-dead/1976/09/23?source=3877654
- etree_url
- https://etreedb.org/shn/117651
- content_url
- https://archive.org/details/gd1976-09-23.117651.pa-restoration.dan.flac16
- legs
- soundboard / Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN->TLH->Flac
Full served wire node (JSON)
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"@id": "https://longstrangeclick.com/id/recording/gd1976-09-23.117651.pa-restoration.dan.flac16",
"contributor": [],
"lsc": {
"entityType": "archive_recording",
"identifier": "gd1976-09-23.117651.pa-restoration.dan.flac16",
"people": [],
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{
"kind": "soundboard",
"lineage": "Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN->TLH->Flac",
"qualityNote": null,
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}
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"relistenUrl": "https://relisten.net/grateful-dead/1976/09/23?source=3877654",
"etreeUrl": "https://etreedb.org/shn/117651",
"circulation": {
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"observedSourceFamilies": [],
"mostRecentEventType": "transfer",
"generationCount": 1,
"events": [
{
"eventType": "seed",
"atUtc": null,
"note": "This is a restored version of shnid=14687. It did not involve an upgrade in the source material. <br"
},
{
"eventType": "transfer",
"atUtc": null,
"note": "A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations)."
}
]
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"engagement": {
"ratingCount": 7,
"meanRating": 4.29,
"bayesianRating": 4.3
},
"downloadCount": 18636,
"reviewCount": 7,
"isListable": false,
"sourceType": "This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).",
"lineageChain": "This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).",
"shnid": "117651",
"sourceMeta": {
"description": "Set 1\n\nMississippi Half Step, Minglewood Blues, Ramble On Rose, Cassidy, Brown Eyed Women, Lazy Lightning-> Supplication, Crazy Fingers-> El Paso, It Must Have Been The Roses, The Music Never Stopped\n\nSet 2\n\nHelp On The Way-> Slipknot!-> Franklin's Tower-> Looks Like Rain, Eyes Of The World-> Samson & Delilah, High Time, Dancin' In The Streets-> Wharf Rat-> Drums-> The Other One-> Morning Dew",
"notes": "________________________________________________________________________________________________________________\n\nNotes to the above (by Dan McDonald (droncit@yahoo.com), December, 2011):\n\nAlong the way I found that this was apparently a mono tape, with all the occasional stereo-sounding deviations \nbeing problems in azimuth alignment or other issues from different recorders used in making the different \nanalog generations.\n\nDavid Lemieux wrote in an email on 12/7/2011:\n\"Alas, there is no tape of that show in the vault in any format. We have everything on that starting the next \nnight at W&M, but no Duke.\" He also indicated that this is not a soundboard tape, but most likely some sort of \nfeed from the PA system, hence the mono nature of the material. I use pa as the designation. \n\nSome portions of the orginal source are of higher generation than others (and clearly different from what is \nindicated in the original info file), most likely due to analog editing back in 1976 or 1977, so hiss and muddy \nsound will vary a bit. There is still hiss and noise, but I think this should be a better listening experience \nthan the original. \n---------------------------------------------------------------------------------------------------------\n\nEdits, Modifications:\n\nd1t01: cut opening dead space (several seconds; added a 2-second fade-in to the audience\nd1t04: trimmed dead space during audience portion (about 6 seconds)\nd1t05: gain change on left channel to match right channel\nd1t07: cut about 4 seconds of dead space, short (1 second) fade out added.\nd1t08: left blank space in because of the cut in Crazy Fingers\nd1t09: muted tape recorder start/stops, left blank spot in (5 seconds) at end of track\nd1t10: muted tape recorder squeak and short (1 second) fade out\nd1t11: faded out the audience at end (2 second fade)\nd2t01: increased gain for left channel, first 17.5 seconds.Linear change from 7.37dB to 0dB over the period.\n interpolated digi-snit at \nd2t05-06: changed the entire sequenece (Eyes-> Samson) from the shn version to my tape transfer because \nthe tape had audience and unmangled soundboard instead of the mangled/missing part referred to above. \nI did a cross-fade from the soundboard to the audience, but a butt cut from audience to soundboard because \nthere was not overlap. These portions of my tape sounded too slow so I increased the speed of my transferred \ntape by 2%, and increased Sampson by 1.5%.\nd2t06: eliminated tape startup sound at beginning of soundboard portion of Sampson & Delilah\nd3t01: eliminated a small section of silence, and faded out High Time\nd3t04-05: left the original shnid version of the audience because I thought it sounded better, but edited \nslightly because of repeated notes and because of the restoration process performed on the soundboard.\nThere were also multiple gain changes to balance out left and right channels.\n\n--------------------------------------------------------------------------------------------------------\nRestoration using Diamond Cut 8 Forensics 8.1:\n\nAll pa portions from original shn source:\nUsed a Multifilter to minimize artifacts and quantization errors:\n30-band Graphic EQ with emphasis on the high notes, Virtual Valve in high noise mode generating sweet spectrum \nharmonics, one subharmonic generator set at 60 Hz and sub level 6,\nEZ enhancer set to boost midrange and treble, exciter set at 31, one continuous noise filter in normal mode, \nwith attach at 125 and release at 198, attenuation at 18 (sampled from tape noise sections), and one continuous\nnoise filter in normal mode artifact suppression with artifacts at 386 and attenuation at 58 (also sampled from \ntape noise).\n\nAll audience portions were given a multifilter with two paragraphic equalizers; one to reduce the overall bassy \nsound (set to lower 60 hz by 10 dB) and one to increase overall upper frequencies, then a channel blender set \nto 'blend to mono' below125 Hz to reduce any handheld mic noise.\n\nSome portions also received additional treble boost or noise reduction because of several generation differences\nbetween the opening songs and the last portion as well as the Sampson & Delilah editing. Boosting the highs of \nthe pa portions also revealed a great deal of background noise (machine noise, buzz and a number of other sounds)\nat about 3700-6500 Hz, so I tried to remove the noise while leaving the music as intact as possible. \nUnfortunately,this is also the range where what was left of the high end also remained.\n\nFor these areas, the noise levels were sometimes louder than the signal levels, a continuous noise filter in \nspectral subtraction mode was applied wherever the noise made the music unlistenable (notably, \"High Time\"). \nWhenever treble boost was needed to bring out cymbals or other aspects, I used the 30-band equalizer.\n\nThe noise filters were necessary because of the hiss present, which was increased tremendously by boosting \nthe highs. \n\n\n\nThis is a restored version of shnid=14687. It did not involve an upgrade in the source material. \nA short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations). \n\nThanks to Germain for access to the shn set and for patience in this 18-month project.\n--------------------------------------------------------------------------------------------\n\nOriginal notes from shnid 14687:\nSBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN->TLH->Flac\nAud patch sources: AUD: Cm->?-> C-> DAT-> CDR\n\nThis show is not in the greatest aural shape, but is a worthy listen nonetheless. \nA fair amount of tape hiss is present. Higher frequencies are somewhat attenuated. \nYou've been warned.\n\nd1t08: Cut at the beginning\nd2t01: missing beginning notes, 1 sec tape stretch at 1:59 \nd2t05: Aud starts at the end of Eyes (at 11:12)\nd2t06: portion from beginning til about 1:28 is badly mangled/missing\nd3t04: AUD starts at about 6:41 and continues through the rest of the show\nd3t05: 1 sec dropout at 12:03\nDAE and shn encoding done by D.Backus\nContact info: marthanjerry@prexar.com\n\nAnother Porky Prime Cut from Terrapin Satation!!\n________________________________________________________________________________________________________________",
"runtime": "183:17.36",
"transferer": "Dan McDonald"
}
},
"contentUrl": "https://archive.org/details/gd1976-09-23.117651.pa-restoration.dan.flac16"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Official releases
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Data for developers
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