Grateful Dead
May 3, 1977 at The Palladium
New York, NYSpring 1977
Setlist via JerryBase
Set 1
Promised Land, Bertha, Me And My Uncle, Peggy-O, Jack Straw1, Row Jimmy, Lazy Lightning > Supplication, Deal, Good Lovin', Ship Of Fools, The Music Never Stopped
Set 2
Might As Well, Estimated Prophet, Sugaree, Samson And Delilah, Friend Of The Devil, Eyes Of The World > Space > Wharf Rat > Drums > Not Fade Away > Around And Around
Encore
Writeups
None available yet
Related videos
None available yet
Tapes
- AUDDAT (Reel)Taper unknownMAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAVListenArchive.orgRelistenetree0042TransferA. Egert and D. McCabe
- Source unknownTaper unknownSony ECM-33Ps>Sony TC-152 MAC > WAV > SHNListenArchive.orgRelistenetree17954TransferDavid Minches
- SBDTaper unknownSBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHNListenArchive.orgRelistenetree21646TransferCharlie Miller
- AUDMaster ReelTaper unknownAUD>MR>DAT>CDR > EAC (secure mode, test and copy) > SHNListenArchive.orgRelistenetree6710TransferG. Gorinsky and Ron Spear
- Source unknownPCMTaper unknownJerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCMListenArchive.orgRelistenetree141831TransferScott Clugston and Charlie Miller
- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1977-05-03-the-palladium-new-york
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"notes": "Mastering Notes:\n\nThis Glassberg source does not circulate... until now.\n\nBut the Glassberg master cassettes have speed issues and run slow. The two other sources for this show do not run at the same speed either. The Glassberg show runs 2.6% slower than the Moore source [gd77-05-03.moore.minches.17954.sbeok.shnf]. And the first set only soundboard [gd77-05-03.set1-sbd.miller.21646.sbeok.shnf] runs faster than the Moore source. We chose to use the Moore source for patches because it sounded the right \"A\" pitch compared to a guitar tuned, and since the Moore source was also recorded up in the front row balcony right next to Glassberg, it was a better patch source in overall sound. \n\nWe matched the pitch by adjusting the Nakamichi playback speed - literally opening up the deck and adjusting the internal playback screws. We initially tried to alter the speed of the original 24-bit transfer with various software plugins, and found the digital spped/pitch change was not acceptable. We tried three different \"high-end\" plugins that will go nameless because they all sounded horrible and added swirling artifacts. By changing the playback speed BEFORE the A/D sounded the best. Yes... many hours were spent on this comparing. This show deserves it. Enjoy!\n\n1: The very end of Peggy-o is clipped and missing. \n2: End of Row Jimmy [10:31 to end] patched with gd77-05-03.moore.minches.17954.sbeok.shnf\n3. Tape change during crowd between Estimated and Sugaree was fixed with crossfade \n4. Tape change during crowd between Sugaree and Samson was fixed with crossfade \n5: Tape change during crowd between FOTD and Eyes was fixed with crossfade \n6: 6 secs of Around & Around [3:34 - 3:50] patched with gd77-05-03.moore.minches.17954.sbeok.shnf [which was slightly eq'd to best match Glassberg source, but you can still hear the transition].\n\nMastering Software Info:\nBias Peak Pro 5.2 / Audiofile Engineering Wave Editor 1.3 / Izotope Ozone 3.0 / xACT 1.59\nAudiofile Engineering Sample Manager 3.0.8 for +mbit dithering",
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Recording playdead:1977-05-03:47598
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Official releases
Fan discussion
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Data for developers
This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.
- View [opens in new window]
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