May 8, 1977 at Barton Hall

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      "notes": "SBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)\n\n---------------------------------------------------------\n\nSource Info\n\nSBD\nSBD (Betty Board) > Master 7\" Nagra reels 1/2 track @\n7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital\nTransfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on\nPanasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22\nCards > DB 124 A/D > Neve Capricorn (Digital mixing console) >\nDB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam\nCD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)\n\nAUD1\nJerry Moore's MAC > Reel > CD\nSony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,\ncopied via Teac AN-180 Dolby box onto Sony TC 755, Scotch\nClassic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob\nBerger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit\nmapper > Tascam CD-Rw4U > SHN\n\nAUD2\nSteve Maizner > Sony ECM-990 > Sony TC-152 aud master >\nFirst Gen Reel > Played directly to hard drive > CDR > SHN\n\n---------------------------------------------------------\n\nTech Notes\n\nSHNs were decoded to wave and SF 6.0 was used to reassemble\nthe tracks back to 1 long wave.  CEP2.0 was used to align &\nsynch the SBD & both AUD sources.   CEP2.0 used to adjust the\nvolume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,\n20% AUD2 mix.  \n- Mixed by dan@am-dig.com\n- FLAC conversion 08-MAY-2005  \n- Artwork by dan@am-dig.com 300dpi - For best results\nprint at the highest resolution onto glossy photo paper.\nDesign for use with a clear slim double jewel case.\n---------------------------------------------------------\n\nNotes\n\nI looked at the 4 pages of notes I had on this project and\nit made me sick to think about typing them up.  So, although\nnot complete, you will get a good idea of what was done to\nbring these recordings to this point.\n\nALLOT of editing was done to keep the flow btwn songs.  Both\nAUD recordings suffered from btwn song pauses that not only\ncut the crowd cheer out but clipped the beginning of many\nsongs. The 2 AUD source coverage allowed my to patch 1 with\nthe other in some situations.  A couple spots I created a\nfake AUD recording by mixing crowd cheer with the SBD. This\nwas effective at creating patches for the rear channels in\nthe 5.1 presentation but also maintained a smooth quality in\nthe stereo matrix mix as well.  These patches are numerous\nand I think completely smooth and most likely undetectable.\n\nThe SBD+AUD matrix details.  The stereo matrix it is approx\n60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.\nThe matrix mix on the center channel is a 50/50 with just\nthe SBD and Steve Maizner's AUD.  I also D'EQ'd both sources\nto pull up the vocals and give the center channel a unique\nsound as not to detract from the front stereo imaging or the\nrear surround effect. You will also note that the rear channels\nare just Jerry's AUD and not a matrix of the 2 AUD sources.  I\ndid give that configuration a listen but opted for the single\nrear source.  It was clearer and had more definition on its own.\n\nd1t01 The first 16.041 seconds of Minglewood blues was cut on\nthe SBD.  Starting this monster project with an unrecoverable\nflaw was unacceptable to me.  I decided to patch that opening\nportion with a SBD and AUD recording from 5-7-77.  As this\npatch ends you will hear some slight phasing as the stereo\nfield moves.  The result, although not perfect, I think\nprovides the listener with a more enjoyable and natural\nlistening experience.  Maybe you disagree.  For those of you\nwho would rather have a patch using a matrix mix of the 2 AUD\nsources please feel free to do it yourself :^)\n\nd1t07-08 The SBD is missing approx 34.361 from 42:47.001 -\n43:16.362.  This was patched using a matrix mix of the 2 AUD\nsources and then EQ'ed to best match the sound spectrum of\nthe SBD.  I also tried to match the volume on the SBD.  A\nswitch in sources is obvious to the listener but this is\nstill pretty good.  The switch back to SBD is actually\nreally good as there are no vocals at that point.\n\nd2t02 A tiny right channel digital sizzle at 12:18.418.\nThis was fixed using a quick channel swap.   This is smooth\nand most likely undetectable.\n\nIf you play this DTS-Audio-CD and hear static it is b/c you\ndidn't really read the text file, did you?",
      "transferer": "Matrixing by Dan Haugh",
      "taperText": "See info file"
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Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274

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soundboard / Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); audience; matrix / SHN & FLAC>AIFF>Final Cut>WAV>FLAC / Final Cut Pro

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      "notes": "----------------------------------------------------\nSBD (shnid=4982):\n\nBetty Board -- Master 7\" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)\n\n----------------------------------------------------\nAUD (shnid=29303):\n\nHandheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC\nMC>CDR>EAC>WAV>FLAC\n\nNotes: 10 Feet From Stage = Great Instrument Pickup,\nVocals A Bit Lower Than Moore's Copy.\nA Few Pauses But Not Many, Tape Filp After Supplication,\nFlip During NFA Crossfaded And Is Barely Noticeable,\nProbably Lost 3-4 Sec's,\nMinimal Crowd Chatter, But With Handheld Mic's, Up Front,\nThere Are A Few Spots Where In An Ideal World, A Few People\nWould Have Been Standing Somewhere Else.\nIf Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!\n\nRecording And Transfer: Jeff Stevenson\n\n---------------------------------------------------\nThank you to Rob Eaton for the SBD transfer,\nand to Jeff Stevenson for recording this all-time great show.\n\nMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)",
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identifier

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source_type

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

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identifier

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source_type

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      "description": "Set 1\n\nNew Minglewood Blues  \nLoser  \nEl Paso  \nThey Love Each Other  \nJack Straw  \nDeal  \nLazy Lightnin'  ->\nSupplication  \nBrown Eyed Women  \nMama Tried  \nRow Jimmy  \nDancing In The Street  \n\nSet 2\n\nScarlet Begonias  ->\nFire On The Mountain  \nEstimated Prophet  \nSaint Stephen  ->\nNot Fade Away  ->\nSaint Stephen  ->\nMorning Dew  \n\nEncore\nOne More Saturday Night",
      "notes": "---------------------------------------------------------\n\nSource Info\n\nSBD\nSBD (Betty Board) > Master 7\" Nagra reels 1/2 track @ \n7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital \nTransfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on \nPanasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 \nCards > DB 124 A/D > Neve Capricorn (Digital mixing console) > \nDB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam \nCD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) \n\nAUD1 \nJerry Moore's MAC > Reel > CD\nSony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, \ncopied via Teac AN-180 Dolby box onto Sony TC 755, Scotch \nClassic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob \nBerger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit \nmapper > Tascam CD-Rw4U > SHN\n\nAUD2\nSteve Maizner > Sony ECM-990 > Sony TC-152 aud master > \nFirst Gen Reel > Played directly to hard drive > CDR > SHN \n\n---------------------------------------------------------\n\nTech Notes\n\nSHNs were decoded to wave and SF 6.0 was used to reassemble \nthe tracks back to 1 long wave.  CEP2.0 was used to align & \nsynch the SBD & both AUD sources.   CEP2.0 used to adjust \nthe volume for the SBD & both AUDs. CEP was used to do the \nmultitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,\n20% AUD2 mix.  DiscWelder was used to author and create the \nDVD-Audio in 24/96.  DVD Decryptor read and created the ISO \nimage file.  This incorporates 2 channels of 24/96 wave files.     \n- Mixed by dan@am-dig.com\n- FLAC conversion 08-MAY-2005  \n- Artwork by dan@am-dig.com 300dpi - For best results\nprint at the highest resolution onto glossy photo paper.\nDesign for use with a clear slim double DVD case.\n\n---------------------------------------------------------\n\nNotes\n\nI looked at the 4 pages of notes I had on this project and\nit made me sick to think about typing them up.  So, although\nnot complete, you will get a good idea of what was done to\nbring these recordings to this point.\n\nThis represents the 24 bit files that are the result of all \nmy editing and the multitrack mixdown. It is unclear exactly \nwhat we have in the way of high resolution. However it seems \nthere is agreement that what we have cannot be represented \naccurately in 16/44. What you are getting is the full result \nof the matrix mix process. How much different does this sound? \nis this better? A little and yes. This is more accurate and \nhas more dynamic range.  24/96 resolution versus a 16/44 of \nthe same material will usually result in very subtle but \nimportant differences.  Most of it relying on the quality of\nthe DVD-A player and the D to A conversion.  With that in \nmind, this 24 bit copy is no different.  Small but important \ngains over the same material in 16/44.  This is just one \nman's take.  Take it or leave it.\n\nALLOT of editing was done to keep the flow btwn songs.  Both\nAUD recordings suffered from btwn song pauses that not only\ncut the crowd cheer out but clipped the beginning of many\nsongs. The 2 AUD source coverage allowed my to patch 1 with\nthe other in some situations.  A couple spots I created a \nfake AUD recording by mixing crowd cheer with the SBD. This \nwas effective at creating patches for the rear channels in \nthe 5.1 presentation but also maintained a smooth quality in \nthe stereo matrix mix as well.  These patches are numerous \nand I think completely smooth and most likely undetectable.\n\nThe SBD+AUD matrix details.  The stereo matrix it is approx\n60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.\nThe matrix mix on the center channel is a 50/50 with just \nthe SBD and Steve Maizner's AUD.  I also D'EQ'd both sources \nto pull up the vocals and give the center channel a unique \nsound as not to detract from the front stereo imaging or the\nrear surround effect. You will also note that the rear channels\nare just Jerry's AUD and not a matrix of the 2 AUD sources.  I\ndid give that configuration a listen but opted for the single \nrear source.  It was clearer and had more definition on its own.\n\nd1t01 The first 16.041 seconds of Minglewood blues was cut on\nthe SBD.  Starting this monster project with an unrecoverable\nflaw was unacceptable to me.  I decided to patch that opening\nportion with a SBD and AUD recording from 5-7-77.  As this\npatch ends you will hear some slight phasing as the stereo \nfield moves.  The result, although not perfect, I think \nprovides the listener with a more enjoyable and natural \nlistening experience.  Maybe you disagree.  For those of you \nwho would rather have a patch using a matrix mix of the 2 AUD \nsources please feel free to do it yourself :^)\n\nd1t07-08 The SBD is missing approx 34.361 from 42:47.001 - \n43:16.362.  This was patched using a matrix mix of the 2 AUD \nsources and then EQ'ed to best match the sound spectrum of\nthe SBD.  I also tried to match the volume on the SBD.  A\nswitch in sources is obvious to the listener but this is \nstill pretty good.  The switch back to SBD is actually \nreally good as there are no vocals at that point.\n\nd2t02 A tiny right channel digital sizzle at 12:18.418.\nThis was fixed using a quick channel swap.   This is smooth \nand most likely undetectable.\n\n---------------------------------------------------------\n\nBurning Instructions A & B\n\nA. Use DVD Decryptor or similar program to burn as an image \nfile (ISO) onto a DVDR.  Enjoy.\n\nB. This may also circulate as 2 channel FLAC files and will\nrequire assembly.  Included is the discwelder file. If you \nuse that program, decode all the FLAC file and stick them in \na folder. Click on the DiscWelder file (which will open \nDiscWelder) and point it towards that folder with the wave \nfiles and VIOLA! DVD-A pre-assembled and ready to author.\n\n---------------------------------------------------------",
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source_type

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      "notes": "patch info:\n- shnid 137569 supplies\n- s1t01; start - 01:00\n- s1t08; 03:18 - end\n- s1t09; start - 00:25\n- s2t10; 04:36 - end\n\nNotes:\n- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area\n- Thanks to dusborne for his work on the matrix",
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gd1977-05-08.aud.moore.cribbs.28301.shnf

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identifier

gd1977-05-08.137570.mtx.dusborne.flac16

source_type

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

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source_type

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identifier

gd1977-05-08.sbd.cube.87486.flac16

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identifier

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

source_type

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

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identifier

gd1977-05-08.137569.mtx.dusborne.flac24

source_type

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

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source_type

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          "note": "technics rs-1506 open reel"
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        {
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          "note": "teac an-180 dolby b unit"
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        {
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          "note": "tascam hd-p2 24/96"
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          "eventType": "transfer",
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          "note": "flac encore: nak dragon"
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          "eventType": "transfer",
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          "note": "pc"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shni"
        },
        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "TC152"
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          "eventType": "transfer",
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          "note": "MC MC"
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          "note": "CDR"
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          "note": "EAC"
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          "note": "FLAC,Recording And Transfer:Jeff Stevenson"
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    "isListable": true,
    "sourceType": "2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5\" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5\" reels",
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    "lineageChain": "technics rs-1506 open reel > teac an-180 dolby b unit > tascam hd-p2 24/96 > flac encore: nak dragon > tascam hd-p2 24/96 > pc > flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC > TC152 > MC MC > CDR > EAC > WAV > FLAC,Recording And Transfer:Jeff Stevenson",
    "shnid": "137572",
    "sourceMeta": {
      "description": "Set 1<br /><br />\nMinglewood Blues, Loser, El Paso, They Love Each Other, Jack Straw, Deal, Lazy Lightning > Supplication, Brown Eyed Women, Mama Tried, Row Jimmy, Dancin' In The Streets<br /><br />\nSet 2<br /><br />\nScarlet Begonias > Fire On The Mountain, Estimated Prophet, Saint Stephen > Not Fade Away > Saint Stephen > Morning Dew <br /><br />\nE: One More Saturday Night<br /><br />\nCornell University",
      "runtime": "176:33.73",
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}

identifier

gd1977-05-08.152379.aud.petrunis.flac2448

source_type

Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias).

lineage

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

lineage_chain

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

capture_position

audience

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—

compendium_quality_grade

—

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true

download_count

4630

review_count

1

mean_rating

4

shnid

152379

relisten_url

https://relisten.net/grateful-dead/1977/05/08?source=3877998

etree_url

https://etreedb.org/shn/152379

content_url

https://archive.org/details/gd1977-05-08.152379.aud.petrunis.flac2448

Full served wire node (JSON)

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  "contributor": [],
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    "people": [],
    "legs": [],
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          "note": "Nakamichi CR-5A"
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          "note": "Edirol FA-66"
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          "note": "Wavelab 2448"
        },
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          "eventType": "transfer",
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          "note": "CD-Wave (24bit output)"
        },
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          "note": "TLH"
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          "eventType": "reseed",
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          "note": "FLAC 2448 tagged."
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      ]
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      "meanRating": 4,
      "bayesianRating": 4.26
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    "sourceType": "Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias).",
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    "sourceMeta": {
      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">New Minglewood Blues<br />\nLoser<br />\nEl Paso<br />\nThey Love Each Other<br />\nJack Straw<br />\nDeal<br />\nLazy Lightning ><br />\nSupplication<br />\nBrown Eyed Women<br />\nMama Tried<br />\nRow Jimmy<br />\nDancing In The Street</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Scarlet Begonias ><br />\nFire On The Mountain<br />\nEstimated Prophet<br />\nSaint Stephen ><br />\nNot Fade Away ><br />\nSaint Stephen ><br />\nMorning Dew <br />\n<br />\nEncore:<br />\nOne More Saturday Night</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n    <div class=\"set_info\">\n        <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nKeith Godchaux - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums<br />\nDonna Jean Godchaux - Vocals</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Note: Most of the stand-alone tracks clip-in abruptly with small\namounts missing. Noted flaws: The tape broke, causing drop-outs\nat Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication\ncuts-out near the end. Taper got disrupted or lowered the mic in\nRow Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended\ntogether at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.\nWith thanks to John and Rich Petrunis for sharing their tapes!",
      "runtime": "153:23.410",
      "transferer": "Transferred by Andrew F. 04/2021",
      "taperText": "Recording by Rich Petrunis."
    }
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  "contentUrl": "https://archive.org/details/gd1977-05-08.152379.aud.petrunis.flac2448"
}

identifier

playdead:1977-05-08:47594

source_type

SBD

lineage

—

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—

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—

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—

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—

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—

shnid

—

relisten_url

—

etree_url

—

content_url

https://vault.playdead.app/release/47594

Full served wire node (JSON)

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