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Tapes

  • SBDDATStream OnlyTaper unknownSBD > ? > DAT> CDR
    Discs
    3
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
  • MatrixTaper unknownSBD> [?]> DAT>CDR
    Taper
    Timothy Knight
  • Front of BoardDAT (Reel)Taper unknownMAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Timothy Knight
  • SBDDATStream OnlyTaper unknownSBD> [?]> DAT>CDR
  • MatrixDAT (Reel)Front of BoardFront of BoardTaper unknownUnknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight; matrix by Roger Eichorn
  • MatrixDAT (Reel)Front of BoardFront of BoardTaper unknownUnknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight
  • SBDStream OnlyTaper unknownEAC (in secure mode w/proper offsets) -> FLAC
  • SBDTaper unknownPatched sbd
  • SBDStream OnlyTaper unknownEAC (in secure mode w/proper offsets) -> FLAC
  • SBDStream OnlyTaper unknownSBD (shnid=294) + Audience (shnid=91766)
    Official release
    This is a DTS source and cannot be streamed.
  • AUDTaper unknownMaxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged
    Taper
    concert recording by John Hicks & Dennis Fong
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1978-07-08-red-rocks-amphitheatre-morrison

Recording gd78-07-08.sbd.unknown.294.sbeok.shnf
identifier
gd78-07-08.sbd.unknown.294.sbeok.shnf
source_type
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lineage
SBD > ? > DAT> CDR
lineage_chain
SBD > ? > DAT > CDR
capture_position
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lineage_media_token
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compendium_quality_grade
tape_culture_tags
source_family_tags
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false
download_count
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review_count
73
mean_rating
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shnid
relisten_url
https://relisten.net/grateful-dead/1978/07/08?source=3878278
etree_url
content_url
https://archive.org/details/gd78-07-08.sbd.unknown.294.sbeok.shnf

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identifier
gd1978-07-08.sbd.miller.106070.flac16
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capture_position
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.mtx.tobin.91777.flac16
identifier
gd1978-07-08.mtx.tobin.91777.flac16
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content_url
https://archive.org/details/gd1978-07-08.mtx.tobin.91777.flac16
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      "notes": "Audio Source Information\nSBD (shnid=294)\n\nSource: SBD> [?]> DAT>CDR\nNotes: No known flaws.\n\nAUD (shnid=91766)\nMOTB Release: 0068 16/44.1\nRelease Date: 2008-05-03\nBand: Grateful Dead\nDate: 1978-07-08 (Saturday)\nVenue: Red Rocks Amphitheatre\nLocation: Morrison, CO\nAnalog Audience Source: FOB Master Cassettes (MAC)\nMedium Stock Brands: MAC = 3 x Maxell UD XL II C90\nAnalog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC\nAnalog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]\nTaped By: Timothy Knight\nTransfer By: Adam Egert\nMastering By: Kevin Tobin\n---------------------------------------------------------\n- Mixed by kevtobin@yahoo.com\n- FLAC conversion 10-APR-2008  \n---------------------------------------------------------\nMultitrack Mixdown Settings\n\nSET ONE\n\nStereo Matrix\nSBD -1\nAUD -0\n\nSET TWO\n\nStereo Matrix\nSBD -1\nAUD -0\n---------------------------------------------------------\nAudio Patches:\n\n1) At the beginning of soundboard, 11 minutes and 56.291 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes a Bobby joke while they waited to get Phil's bass started.\n\n2) Between Good Lovin' and Dire Wolf, 13.013 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n3) Between Dire Wolf and El Paso, 1 minute and 01.201 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n4) Between El Paso and It Must Have Been The Roses, 06.233 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n5) Between It Must Have Been The Roses and Minglewood Blues, 16.811 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n6) Between Minglewood Blues and Ramble On Rose, 44.768 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n7) Between Ramble On Rose and Promised Land, 3 minutes and 01.306 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n8) At the beginning of the second set soundboard, 06.010 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n9) Between Samson And Delilah and Ship Of Fools, 42.181 seconds were missing from the audience source and was filled in with audio from the soundboard source. This includes the first 20 seconds of Ship Of Fools.\n\n10) Between Ship Of Fools and Estimated Prophet, 14.755 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n11) 11 minutes and 40 seconds into Estimated Prophet, 09.855 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n12) 09 minutes and 54 seconds into Eyes Of The World, 44.700 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n13) 04 minutes and 13 seconds into Drums, 25.765 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n14) At the start of Wharf Rat, 05.332 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n15) 07 minutes and 13 seconds into Franklin's Tower, 12.374 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n16) Between Sugar Magnolia and Terripan Station, 1 minutes and 30.000 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n17) Between One More Saturday Night and Werewolves Of London, 28.646 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n18) Matrix\\DTS were synced using the audience as the reference due to\nbeing more consisent and better known lineage. \n\nBrokedown House Production",
      "runtime": "192",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.fob.knight.motb-0068.91766.flac16
identifier
gd1978-07-08.fob.knight.motb-0068.91766.flac16
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      "runtime": "192",
      "transferer": "Adan Egert and Kevin Tobin",
      "taperText": "Timothy Knight"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.sbd.hoelter.tetzeli.fix-294.33818.shnf
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gd1978-07-08.sbd.hoelter.tetzeli.fix-294.33818.shnf
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}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.125797.mtx.eichorn.sbeok.t-flac16
identifier
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      "notes": "General Notes:\n\n\n- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.\n\n\n- For my money, 07/08/78 is a top-ten all-time show, perhaps even a top-five.  Whereas a show like Cornell '77 showcases the Dead at a peak of cool, polished professionalism (one they wouldn't approach again until Fall '89-Spring '90), the final show of their Summer '78 tour reveals a group who has traded in cool polish for raw power.  They stomp and tear and growl their way through a setlist that is quietly but pleasantly unusual, down to the triple encore, which ends with a rare version of \"Werewolves of London.\"\n\nThe night kicks off with a breakneck \"Bertha.\"  The high energy established in the opener is kept up throughout the first set and into the second, which starts with a shimmering \"Samson & Delilah.\"  But the show catapults to the next level with Bobby's enigmatic pronouncement, \"I'm moving to Australia.\"  What follows is an extraordinary song-cycle that wends from a blistering \"Estimated Prophet > Other One > Eyes of the World,\" through a novel early \"Drums/Space,\" to a tour-de-force combination of \"Wharf Rat > Franklin's Tower > Sugar Magnolia.\"\n\nThen, as though wanting to launch into a whole new set, the boys proceed to trot out a \"Terrapin Station\" encore.  It may not be the best \"Terrapin\" they ever played, but even so, it's quite an encore!  And as though it weren't enough, they segue (literally without missing a beat) from \"Terrapin\" into \"One More Saturday Night.\"  Despite having already played a complete show (and then some!), they stay on for a thumping, guttural \"Werewolves of London.\"  They were obviously enjoying themselves and were in no hurry to leave the stage.\n\nTruly, 07/08/78 is an epic night by any measure.\n\n- Pre-show hilarity.  \"The bass isn't working because Phil Lesh is so stoned...\"  \"Were you yelling 'China Cat' all last night?  Somebody was.  That was you!  I heard you last night, yelling 'China Cat.' Down there.\"\n\nSource Notes:\n\n- The AUD copy of the second set is missing several chunks of music, as detailed in the source info.  The AUD source was patched with the SBD; naturally, I cut those patches.  The missing chunks are: (1) the first 20 seconds of \"Ship of Fools,\" (2) 10 seconds of \"Estimated Prophet,\" (3) 26 seconds of \"Drums,\" and (4) 12 seconds of \"Franklin's Tower.\"\n\n- The SBD copy is missing about 49 seconds at the end of \"Eyes.\"\n\n- I only retained the empty space between songs that appears on the AUD copy.\n\nTechnical Notes:\n\n- The sources were remastered and mixed in Logic Pro 9.  Clean-up (mostly of clicks and pops in the AUD) was done using iZotope RX 3 Advanced.  The sets were split in WaveLab LE 7.  SBE's were fixed using Trader's Little Helper.  Conversions to and from .flac, .shn, and .wav were done using dbPowerAmp.\n\n- I speed- and pitch-corrected the AUD source using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.\n\n- I ran the AUD source through iZotope RX's Declip function subsequent to speed-correcting it.\n\n- The SBD source is kind of 'hot,' especially the second set.  I considered trying to cool it down in iZotope RX (with Declip), but in the end I decided that anything I might do to that end would result in a net loss of sound quality.  So the 'hotness' remains.\n\n\nRoger Eichorn\nwww.facebook.com/freshdeadlegs/\nSeptember 30, 2013",
      "runtime": "187:14.40",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.126239.mtx-redo.eichorn.sbeok.t-flac16
identifier
gd1978-07-08.126239.mtx-redo.eichorn.sbeok.t-flac16
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lineage
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lineage_chain
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etree_url
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content_url
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      "description": "Set 1\n\nBertha-> Good Lovin', Dire Wolf, El Paso, It Must Have Been The Roses, Minglewood Blues, Ramble On Rose, Promised Land, Deal\n\nSet 2\n\nSamson & Delilah, Ship of Fools, Estimated Prophet-> The Other One-> Eyes Of The World-> Drums-> Wharf Rat-> Franklin's Tower-> Sugar Magnolia, E:Terrapin Station-> E: One More Saturday Night, E: Werewolves of London",
      "notes": "I released a version of this show on September 30, 2013.  I'm released a new version now.  Why?  Because I decided that at least some of my matrixes have too much AUD in the mix.  It's an easy trap to fall into.  So here's a new, less AUD-heavy version of my earlier matrix.  (I've also done some remastering.)\n\nFRESH LEGS, VOL. 5  (Matrix)\n\nwww.facebook.com/freshdeadlegs/\n\nGeneral Notes:\n\n- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.\n\n- For my money, 07/08/78 is a top-ten all-time show, perhaps even a top-five.  Whereas a show like Cornell '77 showcases the Dead at a peak of cool, polished professionalism (one they wouldn't approach again until Fall '89-Spring '90), the final show of their Summer '78 tour reveals a group who has traded in cool polish for raw power.  They stomp and tear and growl their way through a setlist that is quietly but pleasantly unusual, down to the double encore, which includes three songs and ends with a rare version of  \"Werewolves of London.\"\n\nThe night kicks off with a breakneck \"Bertha.\"  The high energy established in the opener is kept up throughout the first set and into the second, which starts with a shimmering \"Samson & Delilah.\"  But the show catapults to the next level with Bobby's enigmatic pronouncement, \"I'm moving to Australia.\"  What follows is an extraordinary song-cycle that wends from a blistering \"Estimated Prophet > Other One > Eyes of the World,\" through a novel early \"Drums/Space,\" to a tour-de-force combination of \"Wharf Rat > Franklin's Tower > Sugar Magnolia.\"\n\nThen, as though wanting to launch into a whole new set, the boys proceed to trot out a \"Terrapin Station\" encore.  It may not be the best \"Terrapin\" they ever played, but even so, it's quite an encore!  And as though it weren't enough, they segue (literally without missing a beat) from \"Terrapin\" into \"One More Saturday Night.\"  Despite having already played a complete show (and then some!), they stay on for a thumping, guttural \"Werewolves of London.\"  They were obviously enjoying themselves and were in no hurry to leave the stage.\n\nTruly, 07/08/78 is an epic night by any measure.\n\n- Pre-show hilarity.  \"The bass isn't working because Phil Lesh is so stoned...\"  \"Were you yelling 'China Cat' all last night?  Somebody was.  That was you!  I heard you last night, yelling 'China Cat.' Down there.\"\n\nSource Notes:\n- The AUD copy of the second set is missing several chunks of music, as detailed in the source info.  The AUD source was patched with the SBD; naturally, I cut those patches.  The missing chunks are: (1) the first 20 seconds of \"Ship of Fools,\" (2) 10 seconds of \"Estimated Prophet,\" (3) 26 seconds of \"Drums,\" and (4) 12 seconds of \"Franklin's Tower.\"\n- The SBD copy is missing about 49 seconds at the end of \"Eyes.\"\n- I only retained the empty space between songs that appears on the AUD copy.\n\nTechnical Notes\n- The sources were remastered and mixed in Logic Pro 9.  Clean-up (mostly of clicks and pops in the AUD) was done using iZotope RX 3 Advanced.  The sets were split in WaveLab LE 7.  SBE's were fixed using Trader's Little Helper.  Conversions to and from .flac, .shn, and .wav were done using dbPowerAmp.\n- I speed- and pitch-corrected the AUD source using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.\n- I ran the AUD source through iZotope RX's Declip function subsequent to speed-correcting it.\n- The SBD source is kind of 'hot,' especially the second set.  I considered trying to cool it down in iZotope RX (with Declip), but in the end I decided that anything I might do to that end would result in a net loss of sound quality.  So the 'hotness' remains.\n\nRoger Eichorn\nwww.facebook.com/freshdeadlegs/\nNovember 27, 2013",
      "runtime": "187:15.29",
      "transferer": "Roger Eichorn"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.sbd.carney.fix-88551.88656.sbeok.flac16
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gd1978-07-08.sbd.carney.fix-88551.88656.sbeok.flac16
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https://archive.org/details/gd1978-07-08.sbd.carney.fix-88551.88656.sbeok.flac16

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      "notes": "THIS IS THE FIXED VERSION. Please do not circulate the previous seed (shn id# 88551). I removed the gap between Space and Wharf Rat as well as the long silences at the end of Sugar Mags and OMSN. I also moved the break between disc 2 and 3 to the beginning of Space because I feel this is a more appropriate spot than the transition between Space and Wharf Rat. Finally, I cleaned up the resulting sbe's and generated new checksums.\n\nI bought this about 15 years ago in a head shop in Burlington, VT, when I was in college there. It came complete with the typical misspelled song titles and pictures that have nothing to do with the actual show, such as shots of Jerry from the 90's, and photos of Brent who obviously wasn't yet with the band. The tracking was really screwy as well. It has absolutely no identifying information such as name of the label or date of release. However, it does sound pretty darn good, in my opinion. \n\nAll I did was rip it, reassemble the tracks into one long .wav file with Wavmerge, and retrack it with Audacity so that the tracks made sense. I think it sounds much better than the only other source available at this time - shnid #294. I don't hear any of the EQ, compression, or noise reduction which is suspected to have been used on that source. I'm not an expert so your mileage may vary. If I knew how to do it properly I would fix the levels, which seem kind of low. Hopefully someone with the skills to do it right will remaster this and make it sound just exactly perfect - or maybe this seed will prompt someone to release an even better source for this spectacular show.\n\nI've compared the two and as far as I can tell this has the same cuts/reel flips as shnid #294. It also sounds like one of the tracks is still missing for the entire encore, with Keith and one of the drummers AWOL.\n\nSeeded by Matt Carney on 11/20/07",
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Archive.org metadata (on the wire)

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      "notes": "---------------------------------------------------------\n- Mixed by kevtobin@yahoo.com\n- FLAC conversion 10-MAY-2008  \n---------------------------------------------------------\nAudio Patches:\n\n1) At the beginning of soundboard, 11 minutes and 56.291 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes a Bobby joke while they waited to get Phil's bass started.\n\n2) Between Good Lovin' and Dire Wolf, 13.013 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n3) Between Dire Wolf and El Paso, 1 minute and 01.201 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n4) Between El Paso and It Must Have Been The Roses, 06.233 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n5) Between It Must Have Been The Roses and Minglewood Blues, 16.811 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n6) Between Minglewood Blues and Ramble On Rose, 44.768 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n7) Between Ramble On Rose and Promised Land, 3 minutes and 01.306 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n8) At the beginning of the second set soundboard, 06.010 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n9) Between Ship Of Fools and Estimated Prophet, 14.755 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n10) 11 minutes and 40 seconds into Estimated Prophet, 09.855 seconds were missing from the audience source and was filled in with audio from the soundboard source.\n\n11) 09 minutes and 54 seconds into Eyes Of The World, 44.700 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n12) At the start of Wharf Rat, 05.332 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n13) Between Sugar Magnolia and Terripan Station, 1 minutes and 30.000 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n14) Between One More Saturday Night and Werewolves Of London, 28.646 seconds were missing from the soundboard source and was filled in with audio from the audience source.\n\n15) Soundboard was synced using the audience as the reference due to being more consisent and better known lineage. \n\nBrokedown House Production",
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Archive.org metadata (on the wire)

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etree_url
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Full served wire node (JSON)

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      "notes": "Notes: \n\nI bought this about 15 years ago in a head shop in Burlington, VT, when I was in college there. It came complete with the typical misspelled song titles and pictures that have nothing to do with the actual show, such as shots of Jerry from the 90's, and photos of Brent who obviously wasn't yet with the band. The tracking was really screwy as well. It has absolutely no identifying information such as name of the label or date of release. However, it does sound pretty darn good, in my opinion. \n\nAll I did was rip it, reassemble the tracks into one long .wav file with Wavmerge, and retrack it with Audacity so that the tracks made sense. I think it sounds much better than the only other source available at this time - shnid #294. I don't hear any of the EQ, compression, or noise reduction which is suspected to have been used on that source. I'm not an expert so your mileage may vary. If I knew how to do it properly I would fix the levels, which seem kind of low. Hopefully someone with the skills to do it right will remaster this and make it sound just exactly perfect - or maybe this seed will prompt someone to release an even better source for this spectacular show.\n\nI've compared the two and as far as I can tell this has the same cuts/reel flips as shnid #294. It also sounds like one of the tracks is still missing for the entire encore, with Keith and one of the drummers AWOL.\n\nSeeded by Matt Carney on 11/17/07",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-07-08.158405.aud.hicks-fong.flac2448
identifier
gd1978-07-08.158405.aud.hicks-fong.flac2448
source_type
Unknown mics & deck > MAC > 1st-Gen back-up tapes
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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Bertha &gt;<br />Good Lovin'<br />Dire Wolf<br />El Paso<br />It Must Have Been The Roses<br />New Minglewood Blues<br />Ramble On Rose<br />Promised Land<br />Deal</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Samson &amp; Delilah<br />Ship Of Fools<br />Estimated Prophet &gt;<br />The Other One &gt;<br />Eyes Of The World &gt;<br />Drums &gt;<br />Space &gt;<br />Wharf Rat &gt;<br />Franklin's Tower &gt;<br />Sugar Magnolia<br /><br />Encore:<br />Terrapin Station &gt;<br />One More Saturday Night<br />Werewolves Of London</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Keith Godchaux - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums<br />Donna Jean Godchaux - Vocals</span></div></div>",
      "notes": "Notes:\n- Tight edits, most stand-alone songs clip in & out abruptly.\n- Bertha>Good Lovin' was added to the cassette from an alternate (inferior) AUD.\n- ID-91766 patches: Eyes 9:16 > 9:25; Space 0:00 > 0:13, 5:35 > 5:43, 5:55 > 5:59; and OMSN 0:02 > 0:05.\n- Wind-noise rumbling audible during Werewolves.",
      "runtime": "167:02.660",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording playdead:1978-07-08:47547
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playdead:1978-07-08:47547
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https://vault.playdead.app/release/47547

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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