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Tapes

  • SBDStream OnlyTaper unknownSoundboard
    SHN discs
    2
  • SBDPCMStream OnlyTaper unknownAIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
  • MatrixMaster ReelStream OnlyTaper unknown2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe
  • Source unknownTaper unknownNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
    Taper
    Mike Martin;Mark Bunton;Chuck
  • Front of BoardMaster ReelTaper unknownMAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Reinhart Holwein
  • Front of BoardMaster ReelTaper unknownMAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1]
    Taper
    Reinhart Holwein
  • SBDMaster ReelTaper unknownSBD>Master Reel>Cassette>DAT>WAV
  • Source unknownTaper unknownNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave
    Taper
    Mike Martin and Mark Bunton
  • Source unknownTaper unknown1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Source unknownTaper unknown1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Source unknownTaper unknownCassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
    Taper
    Dennis Koda
  • Source unknownTaper unknownCassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
    Taper
    Dennis Koda
  • AUDTaper unknownMOTB Release: 0021 24/96
    Taper
    Reinhart Hohlwein

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1978-10-20-winterland-san-francisco

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Archive.org metadata (on the wire)

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source_type
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etree_url
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      "notes": "-- Set 2 is seamless\n-- Patch material supplied by Pat Lee and transferred by Matt Smith\n-- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck",
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Archive.org metadata (on the wire)

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identifier
gd1978-10-20.135505.mtx.dusborne.flac16
source_type
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-10-20.sonyecm280.martin-bunton.102072.flac16
identifier
gd1978-10-20.sonyecm280.martin-bunton.102072.flac16
source_type
Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape.
lineage
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Archive.org metadata (on the wire)

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Recording gd1978-10-20.fob.akgd224e.holwein.motb.100700.flac24
identifier
gd1978-10-20.fob.akgd224e.holwein.motb.100700.flac24
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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content_url
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-10-20.150755.s1.s2p.akg-c12a.miller.flac16
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gd1978-10-20.150755.s1.s2p.akg-c12a.miller.flac16
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content_url
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Full served wire node (JSON)

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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">New Minglewood Blues<br />\nThey Love Each Other<br />\nCassidy<br />\nDire Wolf<br />\nEl Paso<br />\nTennessee Jed<br />\nIt's All Over Now<br />\nLoser<br />\nLazy Lightning ><br />\nSupplication</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\" style=\"background-image:none;\">Mississippi Half-Step Uptown Toodeloo ><br />\nFranklin's Tower<br />\nDancing In The Street ><br />\nDrums ><br />\nSpace ><br />\nNot Fade Away ><br />\nBlack Peter ><br />\nAround & Around <br /><br />\nJohnny B. Goode <br />\nShakedown Street</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n        <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nKeith Godchaux - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums<br />\nDonna Jean Godchaux - Vocals</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Patch Info:\nSony ECM-270 > Cassette Master (shnid=148357) supplies:\nFranklin's Tower (8:20 - end of track)\n\n\n\nNotes:\n-- Thanks to Dennis Koda for the cassette\n-- Thanks to Mark Severson and Scott Clugston for the patch source\n-- This file set is 16 bit @ 44.1",
      "runtime": "92:36.17",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-10-20.166111.aud.remaster.acetboy.flac1644
identifier
gd1978-10-20.166111.aud.remaster.acetboy.flac1644
source_type
2 x AKG D224e => Sony TC-158 >> MAC
lineage
MOTB Release: 0021 24/96
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MOTB Release: 0021 24/96
capture_position
audience
lineage_media_token
compendium_quality_grade
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download_count
796
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shnid
166111
relisten_url
https://relisten.net/grateful-dead/1978/10/20?source=3878452
etree_url
https://etreedb.org/shn/166111
content_url
https://archive.org/details/gd1978-10-20.166111.aud.remaster.acetboy.flac1644

Full served wire node (JSON)

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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">New Minglewood Blues<br />They Love Each Other<br />Cassidy<br />Dire Wolf<br />El Paso<br />Tennessee Jed<br />It's All Over Now<br />Loser<br />Lazy Lightning &gt;<br />Supplication</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Mississippi Half-Step Uptown Toodeloo &gt;<br />Franklin's Tower<br />Dancing In The Street &gt;<br />Drums &gt;<br />Space &gt;<br />Not Fade Away &gt;<br />Black Peter &gt;<br />Around &amp; Around<br /><br />Johnny B. Goode<br />Shakedown Street</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Keith Godchaux - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums<br />Donna Jean Godchaux - Vocals</span></div></div>",
      "notes": "This is a remaster of shn #100700.\n\nThere are small patch's in FT and NFA from the soundboard not mentioned in the original notes.\nI have smoothed them out and disguised them a bit more here.\n\nThanks to the taper and the MOTB people and all who bring this stuff to share.\nAll of the work I do is in ocenaudio and Harrison Mixbus.\nEverything I do is basically about levels.  Keeping them the same in both channels\nthroughout the frequency range.  When I speak of levels I mean RMS levels.  Average levels.\nI also tighten up phase issues when needed. Clear up any gaps that may be found.\nIf original files are high res, I have done most of the work at the higher sample frequency\nand bit depths.  Then towards the end I've converted to 44.1 16 bit.\n\nAbout the screen grabs:\n\nOne can not see everything I do in these images but it shows something about\nhow the audio has changed between before and after.\n\nIf I'm working from high res files the before FFT and Spectral images look\nquite a bit different inherently.  But you can still see how they differ otherwise.\n\nacetboy 2023-10-20",
      "runtime": "161:22.37",
      "transferer": "acetboy",
      "taperText": "Reinhart Hohlwein"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.