Setlist via JerryBase

Notes

  1. With Hamza el-Din on percussion
  2. Released on Road Trips Volume 1 Number 4 1234
  3. Released on Road Trips Volume 1 Number 4 1234
  4. Released on Road Trips Volume 1 Number 4 Bonus Disc 1234
  5. With Lee Oskar on harmonica 1234
  6. with Drummers
  7. Last known performance (by GD) 1977-04-22 (112 events ago) and final time played by any act
  8. Released on Road Trips Volume 1 Number 4

Additional Notes

  • From Egypt With Love

Writeups

None available yet

Related videos

None available yet

Tapes

  • SBDMaster ReelTaper unknownsbd> mr> dats> wav> shn
    SHN discs
    2
    Official release
    This show is available commercially on "Road Trips: Vol 1, Number 4: Winterland 1978"
  • SBDDATStream OnlyTaper unknownDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
    Official release
    This show is available commercially on "Road Trips: Vol 1, Number 4: Winterland 1978"
  • AUDMaster CassetteTaper unknownMaster Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Reinhart Hohlwein
  • SBDMaster ReelStream OnlyTaper unknownSBD>Master Reel>Cassette>DAT>WAV
    Official release
    This show is available commercially on "Road Trips: Vol 1, Number 4: Winterland 1978"
  • AUDMaster CassetteTaper unknownMaster Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Reinhart Hohlwein
  • Source unknownTaper unknownNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
    Taper
    Mike Martin;Mark Bunton
  • MatrixStream OnlyTaper unknownMatrix mix (SBD/AUD)
    Taper
    Reinhart Hohlwein
    Official release
    This show has been commercially released as "Road Trips: Vol 1, Number 4: Winterland 1978"
  • Source unknownTaper unknownNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
    Taper
    Mike Martin and Mark Bunton
  • Source unknownTaper unknown1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Source unknownTaper unknown1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • AUDTaper unknownNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) ============================ Thanks to the taper and the MOTB people and all who bring this stuff to share. And the people who shared shn #102074. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-21
    Taper
    Reinhart Hohlwein
  • Source unknownTaper unknownSBD

Tape diagnostics

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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Ollin Arrageed > *<br />\nPromised Land<br />\nSugaree<br />\nPassenger<br />\nRamble On Rose<br />\nLooks Like Rain<br />\nStagger Lee<br />\nI Need A Miracle</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Bertha ><br />\nGood Lovin'<br />\nIt Must Have Been The Roses<br />\nEstimated Prophet ><br />\nHe's Gone ><br />\nDrums > #<br />\nSpace > #<br />\nI Got My Mojo Working > #<br />\nThe Other One ><br />\nStella Blue ><br />\nSugar Magnolia #<br /><br />\nU.S. Blues</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n        <span title=\"Click to edit\"> </span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nKeith Godchaux - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums<br />\nDonna Jean Godchaux - Vocals<br />\nHamza El Din - Vocals, Percussion *<br />\nLee Oskar - Harmonica #</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Notes:\n- Thanks to Mark Severson for the 1st generation cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the MOTB folks for the shnid94600 (FOB) AKG S224E source which supplies a 0:09 patch in \"Looks Like Rain\", a 0:23 patch in \"He's Gone\", as well as a 0:14 patch in \"Stella Blue\"\n- \"Space\" & \"Got My Mojo Workin'\" with Lee Oskar on harmonica\n- Pitch corrected\n- Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's \"car copy\" he made which comprises highlights from the 1st set and the 2nd set in its entirety\n\nMastered by Scott Clugston\nNovember 2019",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1978-10-21.166112.aud.remaster.acetboy.flac1644
identifier
gd1978-10-21.166112.aud.remaster.acetboy.flac1644
source_type
This is a remaster of the Reinhart Hohlwein shn #94600 by acetboy
lineage
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) ============================ Thanks to the taper and the MOTB people and all who bring this stuff to share. And the people who shared shn #102074. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-21
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https://archive.org/details/gd1978-10-21.166112.aud.remaster.acetboy.flac1644

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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Ollin Arrageed &gt; *<br />Promised Land<br />Sugaree<br />Passenger<br />Ramble On Rose<br />Looks Like Rain<br />Stagger Lee<br />I Need A Miracle</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Bertha &gt;<br />Good Lovin'<br />It Must Have Been The Roses<br />Estimated Prophet &gt;<br />He's Gone &gt;<br />Drums &gt; #<br />Space &gt; #<br />I Got My Mojo Working &gt; #<br />The Other One &gt;<br />Stella Blue &gt;<br />Sugar Magnolia #<br /><br />U.S. Blues</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Keith Godchaux - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums<br />Donna Jean Godchaux - Vocals<br />Hamza El Din - Vocals, Percussion *<br />Lee Oskar - Harmonica #</span></div></div>",
      "notes": "This is a remaster of shn #94600.\nWhen 94600 was created there was no other audience source for patching.\nSo they used the soundboard.  There is an alternative audience recording now.\nSo I have used shn #102074 for the 3 patches. This is the info for that share:\n============================\nRecorded by:\nMike Martin and Mark Bunton.\nOur location was on the floor under the mirrored ball about 20-25 feet from the stage dead center.\n\nEquipment:\n2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape\n\nTransfer:\nNakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave  > Flac (level 8)\n============================\n\nThanks to the taper and the MOTB people and all who bring this stuff to share.\nAnd the people who shared shn #102074.\n\nAll of the work I do is in ocenaudio and Harrison Mixbus.\nEverything I do is basically about levels.  Keeping them the same in both channels\nthroughout the frequency range.  When I speak of levels I mean RMS levels.  Average levels.\nI also tighten up phase issues when needed. Clear up any gaps that may be found.\nIf original files are high res, I have done most of the work at the higher sample frequency\nand bit depths.  Then towards the end I've converted to 44.1 16 bit.\n\nAbout the screen grabs:\n\nOne can not see everything I do in these images but it shows something about\nhow the audio has changed between before and after.\n\nIf I'm working from high res files the before FFT and Spectral images look\nquite a bit different inherently.  But you can still see how they differ otherwise.\n\nacetboy 2023-10-21",
      "runtime": "197:05.67",
      "transferer": "acetboy",
      "taperText": "Reinhart Hohlwein"
    }
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  "contentUrl": "https://archive.org/details/gd1978-10-21.166112.aud.remaster.acetboy.flac1644"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording playdead:1978-10-21:47954
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playdead:1978-10-21:47954
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https://vault.playdead.app/release/47954

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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