Grateful Dead
May 10, 1980 at Hartford Civic Center
Hartford, CTSpring 1980 East Coast
Setlist via JerryBase
Set 1
Minglewood Blues, Peggy-O, Mexicali Blues > El Paso, Althea, Passenger, Far From Me, Lost Sailor > Saint Of Circumstance > Deal
Writeups
None available yet
Related videos
None available yet
Tapes
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- SBDDATStream OnlyTaper unknownWAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLACListenArchive.orgRelistenetree91938TransferCharlie Miller
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- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16ListenArchive.orgRelistenetree100402TransferCharlie Miller
- AUDCD-RTaper unknownMAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLACListenArchive.orgRelistenetree83063TransferAndrew F.
- Front of BoardD5MTaper unknown2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry GlassbergListenArchive.orgRelistenetree110832
- AUDD5Taper unknownNak 300's > Sony D5ListenArchive.orgRelistenetree7559TransferWilly
- AUDMaster ReelTaper unknownflac16/48kHz ; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim WiseListenArchive.orgRelistenetree132518TransferJim Wise
- SBDD5Taper unknownMaster played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encodingListenArchive.orgRelistenetree98724TransferDavid Minches
- Source unknownTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010ListenArchive.orgRelistenetree107543TransferAndrew F.
- Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)ListenArchive.orgRelistenetree100248
- AUDMaster ReelTaper unknownCassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim WiseListenArchive.orgRelistenetree132517
- Source unknownTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010ListenArchive.orgRelistenetree107544TransferAndrew F.
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496ListenArchive.orgRelistenetree152806TransferMastered by Scott Clugston April 2021
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496ListenArchive.orgRelistenetree152805TransferMastered by Scott Clugston April 2021
- MatrixStream OnlyTaper unknown2 Source Matrix by Brock ChapinListenArchive.orgRelistenetree169891
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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"notes": "Notes:\n\nMics on a stand, next to the soundboard.\n\nThis is from the same MAC that became ShnID-7559, but is an upgrade to\nthat file-set as follows:\n- One of the transfers in the lineage of 7559 was run way too hot, and\nall the wav's ended up clipped and distorted. This seed is an excellent\ntransfer from the MAC and a major improvement in sound quality.\n- This source does not have the drop-outs in He's Gone that are on 7559.\n- The two tape flips in the second set have been patched with material\nfrom Steve Rolfe's tape (ShnID-18158), so the second set is seamless.\n\nRolfe reports he was set up \"right beside the soundboard on the left\nside\". As the same people can be heard yelling on both sources, it's\npresumed that the tapers were set up very near to each other.\n\nPatches from ShnID-18158 are located in: Passenger (crowd noise at end)\n5:09 > 5:23, Estimated Prophet 9:12 > 9:21, Drums 8:39 > 8:47. WavMerge\nand CD-Wave were used to combine and retrack the file set. Soundforge\nwas used to make fades, and to insert the patches. TLH was used for SBE\nfix, lossless compression, and checksums. There are numerous fireworks\nand loud explosions during the show. THANKS to Jim for the discs!",
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"notes": "Notes-\n\nSuccesion of dropouts between 11:26 & 11:31 d2t06 (He's Gone)\n\nCut between end of d2t07 & start of d3t01 (UJB & Drums). It is between discs and as such unnoticable. At least until longer media.\n\nSeveral loud 'bangs' during the show (careful if you're driving ;^). This was my first show and I remember (vaguely) these noises as being firecrackers of some sort. You can hear the crowd 'boo' the noises.\n\nI really tried not to put 'drums' at the start of d3, but this was a headache show to track because the pre drums run of songs was so long. If you have any alternate tracking ideas feel free to let me know or just post it in the etree 'comments' area.",
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"description": "Set 1\n\nNew Minglewood Blues \nPeggy-O \nMexicali Blues ->\nEl Paso \nAlthea \nPassenger \nFar From Me \nLost Sailor ->\nSaint Of Circumstance ->\nDeal \n\nSet 2\n\nChina Cat Sunflower ->\nI Know You Rider \nFeel Like A Stranger ->\nComes A Time \nEstimated Prophet ->\nHe's Gone ->\nUncle John's Band ->\nSpace ->\nDrums ->\nSpace ->\nNot Fade Away ->\nSugar Magnolia \n\nEncore\nAlabama Getaway ->\nOne More Saturday Night",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">New Minglewood Blues<br />\nPeggy-O<br />\nMexicali Blues ><br />\nEl Paso<br />\nAlthea<br />\nPassenger<br />\nFar From Me<br />\nLost Sailor ><br />\nSaint Of Circumstance ><br />\nDeal</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">China Cat Sunflower ><br />\nI Know You Rider<br />\nFeel Like A Stranger ><br />\nComes A Time ><br />\nEstimated Prophet ><br />\nHe's Gone ><br />\nUncle John's Band ><br />\nDrums ><br />\nSpace ><br />\nNot Fade Away ><br />\nSugar Magnolia<br />\nAlabama Getaway ><br />\nOne More Saturday Night</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-color:rgba(0,0,0,0);background-image:none;\"><br />\n</span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "Notes:\n- Thanks to Rob Eaton for the master recording, as well as the transfer and harddrive\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to Barry Glassberg and the MOTB folks for the Nakamichi 700 source which supplies a 0:22 patch in Jam out of \"Estimated Prophet\", a 0:32 patch in \"Drums\", as well as an 0:11 patch in \"Alabama Getaway\"\n- Pitch corrected",
"runtime": "175:08.490",
"transferer": "Mastered by Scott Clugston April 2021",
"taperText": "Recorded, Transferred and Mastered by Rob Eaton"
}
},
"contentUrl": "https://archive.org/details/gd1980-05-10.152805.senn.blend.eaton.miller.clugston.flac1648"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1980-05-10.169891.mtx.chapin.flac2496
- identifier
- gd1980-05-10.169891.mtx.chapin.flac2496
- source_type
- 2 Source Matrix by Brock Chapin
- lineage
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- matrix
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- is_listable
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- download_count
- 770
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- —
- shnid
- 169891
- relisten_url
- https://relisten.net/grateful-dead/1980/05/10?source=3879032
- etree_url
- https://etreedb.org/shn/169891
- content_url
- https://archive.org/details/gd1980-05-10.169891.mtx.chapin.flac2496
Full served wire node (JSON)
{
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"identifier": "gd1980-05-10.169891.mtx.chapin.flac2496",
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"description": "<div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">China Cat Sunflower ><br />I Know You Rider<br />Feel Like A Stranger ><br />Comes A Time ><br />Estimated Prophet ><br />He's Gone ><br />Uncle John's Band ><br />Drums ><br />Space ><br />Not Fade Away ><br /></span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Matrix Notes:\nSoundboard source contains only the first 8 songs of the second set and only that material is included in this release. That source ends at 07:38 of \"Not Fade Away\" but I include the entire track so the last ~1 minute is the audience source only. This is my first attempt at a matrix mix. My approach was to focus on the wonderful Barry Glassberg audience recording. Their tape is clear, uncolored, and captures the wild room energy of a Saturday night on the East Coast Spring 1980 tour. I didn't apply any EQ or changes of any kind to the audience source. I kept the same track numbers, track length, and names.\n\nThe 16bit soundboard source is crisp and dry with minimal ambience. The stereo spread is very wide with the individual drummers panned to either side giving it that clunky feel that is common on early 80s soundboards. Both sources include a cassette generation so there is some pitch/speed variation, but more so on the soundboard source. I made many small manual edits and pitch/speed adjustments to the sbd to keep them in sync. I applied a 6db EQ boost at 80hz. I reduced the stereo spread to %23 to closely match the audience. I blended the soundboard level by ear (near 50/50) to enhance the audience and not dominate.\n\nBoth sources converted to 32bit float at 96khz and then exported to 24bit 96khz\nsoftware: Audacity 3.7.1 + Melda MUtility Plugin.",
"runtime": "89:06.648",
"etreedbUrl": "https://db.etreedb.org/shn/169891"
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},
"contentUrl": "https://archive.org/details/gd1980-05-10.169891.mtx.chapin.flac2496"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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