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Tapes

  • Front of BoardD5Front of BoardFront of BoardTaper unknownNak 700's > Sony D5 recorded from FOB left center about 40 feet from stage
    Taper
    Steve Rolfe
    Discs
    0
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownCD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC
  • SBDCassetteTaper unknownSBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source
    Discs
    0
    SHN discs
    2
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownMAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Barry Glassberg
  • AUDMaster CassetteTaper unknownmaster cassette>DAT(3)>dat(3)@48k>pcm r300>za2@44.1k>sound forge/cd architect>cd masters>EAC>SHN
    Taper
    Frank Venezia
  • MatrixDATTaper unknown2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
  • SBDStream OnlyTaper unknownSHN (12259) -> wav (CE Pro) -> flac (Trader's Little Helper)
  • Source unknownD5Taper unknownMaster played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
    Taper
    Steve Rolfe
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownMAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
    Taper
    Barry Glassberg
  • SBDTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged.
    Taper
    Tim Friend
  • SBDDATTaper unknownDAT->CDR->EAC->SHN
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
    Taper
    Bob Morris
  • SBDTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.
    Taper
    Tim Friend
  • AUDDAT (Reel)Front of BoardFront of BoardTaper unknown(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris.
    Taper
    Bob Morris
  • Front of BoardD5Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
    Taper
    Bob Wagner
  • Front of BoardD5Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
    Taper
    Bob Wagner
  • Source unknownD5Taper unknownAnalog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    David Prescott
  • Source unknownD5Taper unknownAnalog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    David Prescott

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1980-05-11-cumberland-county-civic-center-portland

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identifier
gd80-05-11.rolfe.pujol-vernon.19266.sbeok.shnf
source_type
Audience Recording: Nak 700's
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Nak 700's > Sony D5 recorded from FOB left center about 40 feet from stage
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Nak 700's > Sony D5 recorded from FOB left center about 40 feet from stage
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etree_url
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1980-05-11.sbd.miller.89577.sbeok.flac16
identifier
gd1980-05-11.sbd.miller.89577.sbeok.flac16
source_type
SBD -> Cassette Master -> Cassette -> Dat -> CD
lineage
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lineage_chain
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relisten_url
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etree_url
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content_url
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Full served wire node (JSON)

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      "notes": "(FOB) Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=19266) supplies:\nAlabama Getaway (0:00 - 0:11)\nIt's All Over Now (7:25 - end of track)\nEasy To Love You (0:00 - 0:05) (3:20 - 4:23)\nSet Break Announcement At End Of Set 1\nScarlet Begonias (0:00 - 0:10)\nTerrapin Station (11:44 - end of track)\nPlaying In The Band (8:29 - end of track)\nDrums (0:00 - 2:25)\nCrowd Noise At End Of 2nd Set Before Encore\nBrokedown Palace (complete track)\n\nNotes:\n-- Set 2 is seamless\n-- I am pretty sure that the SBD has one more Cassette gen in it\n-- Channels were swapped which is now fixed\n-- Patch source recorded by Steve Rolfe\n-- This is a repatch and remaster of shnid=13087\n-- Thanks to Joe B. Jones for his help with the pitch correction (+1.2%)",
      "runtime": "156",
      "transferer": "Charlie Miller"
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  },
  "contentUrl": "https://archive.org/details/gd1980-05-11.sbd.miller.89577.sbeok.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd80-05-11.sbd.nawrocki.13087.sbeok.shnf
identifier
gd80-05-11.sbd.nawrocki.13087.sbeok.shnf
source_type
Soundboard
lineage
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lineage_chain
SBD > C (Dick's master) > C (Dick copied for Patrick) > DAT > CDR > EAC > SHN V.3 except for Brokedown, which is from an unknown AUD source
capture_position
soundboard
lineage_media_token
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compendium_quality_grade
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download_count
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review_count
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mean_rating
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shnid
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relisten_url
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etree_url
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content_url
https://archive.org/details/gd80-05-11.sbd.nawrocki.13087.sbeok.shnf

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1980-05-11.fob.glassberg.motb-0052.97522.flac16
identifier
gd1980-05-11.fob.glassberg.motb-0052.97522.flac16
source_type
FOB: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC
lineage
MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
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MAC > > Nakamichi DR-1 > Grace Design Lunatec V3 > > Korg MR-1000 > > DSF [1-bit 5.6448 MHz Stereo] > > Korg MR-1000 > Korg AudioGate > > WAV [24/96]
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etree_url
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      "description": "Set 1\n\nAlabama Getaway  ->\nThe Promised Land  \nThey Love Each Other  \nCassidy  \nLoser  \nIt's All Over Now  \nEasy To Love You  \nBig Railroad Blues  \nLooks Like Rain  \nDon't Ease Me In  ->\nThe Music Never Stopped  \n\nSet 2\n\nScarlet Begonias  ->\nFire On The Mountain  \nFeel Like A Stranger  ->\nTerrapin Station  ->\nPlaying In The Band  ->\nDrums  ->\nSpace  ->\nBlack Peter  ->\nGoin' Down The Road Feeling Bad  ->\nAround And Around  ->\nJohnny B. Goode  \n\nEncore\nBrokedown Palace",
      "notes": "Notes: \n1) From middle of Looks Like Rain through Middle of Music Never stopped the left channel \nhas a slightly muted sound. It is as if  thwe left microphone was slightly obstructed. \nPan was used to reduce this but it is still apparent.\n\n2) The end of Drums into the beginning of Space is patched with ShnId: 7539",
      "runtime": "162:29.53",
      "transferer": "Adam Egert",
      "taperText": "Barry Glassberg"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1980-05-11.aud.willy.7539.sbeok.shnf
identifier
gd1980-05-11.aud.willy.7539.sbeok.shnf
source_type
Nak 300's>Sony D5>master cassette
lineage
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master cassette > DAT(3) > dat(3)@48k > pcm r300 > za2@44.1k > sound forge/cd architect > cd masters > EAC > SHN
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audience
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7539
relisten_url
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Recording gd1980-05-11.mtx.dusborne.126880.flac16
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Recording gd1980-05-11.sbd.terrapinstation.tetzeli.fix-12259.33501.reflac.flac16
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      "notes": "Patched version of shnid 12259\n\nThe following patches were made in CE Pro using the rolfe.pujol-vernon AUD source (Nak 700's>Sony D5) downloaded from archive.org (shnid 19266):  \n\n- opening tuning and first notes of Alabama Getaway (I discarded the SBD d1t01, 12 secs of unremarkable tuning)\n- the ends of It's All Over Now and Easy to Love You, as well as tuning following both songs\n- cuts between Terrapin and Playin', Playin' and Drums, Space and Black Peter\n\nAll shn files were decoded to .wav and reencoded as FLAC.  Sector boundaries fixed and verified using shntool.  If there are any other cuts that I missed please let me know and I'll do my best to fix them.\n\nBill Tetzeli (btet@adelphia.net)\n3/28/2006\n\n=====\n\nThis was inadvertently FLAC encoded with replaygain. If you're playing the FLACs in Winamp you should reFLAC the files without replaygain option. If you're burning extracted .wavs to CD, these are unaffected and no reFLACing is necessary. I apologize for the error.",
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Archive.org metadata (on the wire)

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Recording gd1980-05-11.nak700.rolfe.minches.98929.flac16
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gd1980-05-11.nak700.rolfe.minches.98929.flac16
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Archive.org metadata (on the wire)

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Recording gd1980-05-11.fob.glassberg.motb-0052.97523.flac24
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gd1980-05-11.fob.glassberg.motb-0052.97523.flac24
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      "description": "Set 1\n\nAlabama Getaway  ->\nThe Promised Land  \nThey Love Each Other  \nCassidy  \nLoser  \nIt's All Over Now  \nEasy To Love You  \nBig Railroad Blues  \nLooks Like Rain  \nDon't Ease Me In  ->\nThe Music Never Stopped  \n\nSet 2\n\nScarlet Begonias  ->\nFire On The Mountain  \nFeel Like A Stranger  ->\nTerrapin Station  ->\nPlaying In The Band  ->\nDrums  ->\nSpace  ->\nBlack Peter  ->\nGoin' Down The Road Feeling Bad  ->\nAround And Around  ->\nJohnny B. Goode  \n\nEncore\nBrokedown Palace",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.