Grateful Dead — 1980-12-12 — Swing Auditorium, San Bernardino

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AUDD5MTaper unknownNakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave36,356 Downloads4.82/5 Stars18 Reviews2h 50m
ListenArchive.orgRelistenetree124542
TransferMike Martin
Taper
Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)
Front of BoardDAT (Reel)Taper unknownMAC >> Nakamichi DR-1 => Grace Design Lunatec V3[Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]]19,245 Downloads4.83/5 Stars6 Reviews2h 47m
ListenArchive.orgRelistenetree89347
TransferA. Egert and SIRMick
Taper
Barry Glassberg
SBDDATStream OnlyTaper unknownSBD > Cassette Master > ? > Cassette > Nak CR7A > Sony R500 DAT (SBM "on") > Sony TCD-D8 > Sharp MV10 > Samplitude Professional v8.01 > FLAC1617,546 Downloads4/5 Stars10 Reviews
ListenArchive.orgRelistenetree31509
TransferNeil Sturtevant and Charlie Miller
SHN discs
2
Front of BoardDAT (Reel)Taper unknownMAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]16,435 Downloads4.75/5 Stars4 Reviews2h 47m
ListenArchive.orgRelistenetree89134
TransferA. Egert and SIRMick
Taper
Ron Ellner
MatrixD5MStream OnlyTaper unknown2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor14,448 Downloads5/5 Stars3 Reviews2h 57m
ListenArchive.orgRelistenetree136722
TransferMatrix by Dave Usborne
AUDMaster CassetteTaper unknownAUD>MC>DAT>CDR7,963 Downloads4.43/5 Stars7 Reviews
ListenArchive.orgRelistenetree13192
Discs
0
SHN discs
1
AUDTaper unknownset 1; aud (unknown mics)6,928 Downloads4.6/5 Stars5 Reviews
ListenArchive.orgRelistenetree16906
Discs
0
SHN discs
1
SBDDATFront of BoardFront of BoardStream OnlyTaper unknownTransfer Info: DAT (Sony TC-D8) > Sharp MV10 > Samplitude Pro v8.01 -> FLAC/16 Patch Info: (FOB) Nakamichi CM700 supplies: Little Red Rooster (7:53 - end of track) Peggy-O (0:00 - 0:52) China Cat Sunflower (0:00 - 0:13) Truckin' (2:17 - 2:43) Don't Ease Me In (0:00 - 0:05) Remastering Info: FLAC/16 > Adobe Audition 2025 > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16468 Downloads4/5 Stars1 Review2h 53m
ListenArchive.orgRelistenetree175120
TransferTransfer and Remastering by Charlie Miller charliemiller87@earthlink.net November 14, 2025
etreedb source
https://db.etreedb.org/shn/175120
Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496194 Downloads
ListenArchive.orgRelistenetree175907
TransferBob Menke, Charlie Miller, Scott Clugston
Taper
Ron Ellner
etreedb source
https://db.etreedb.org/shn/175907
Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition CC 2025 (24-bit/96k .wav)(DDi codec) > TLH flac2496 1st generation reel (Technincs RS-1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6 MHz) > KORG AudioGate (32-bit/96k) > Adobe Audition 2025 > (24-bit/96k .wav)(DDi codec) > TLH flac2496151 Downloads
ListenArchive.orgRelistenetree175906
TransferBob Menke, Charlie Miller, Scott Clugston
Taper
Ron Ellner
etreedb source
https://db.etreedb.org/shn/175906

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1980-12-12-swing-auditorium-san-bernardino

Recording gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16

identifier: gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16
source_type: Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes);
lineage: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
lineage_chain: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
capture_position: audience
lineage_media_token: d5m
compendium_quality_grade: —
tape_culture_tags: —
source_family_tags: —
is_listable: true
download_count: 36356
review_count: 18
mean_rating: 4.82
shnid: 124542
relisten_url: https://relisten.net/grateful-dead/1980/12/12?source=3853920
etree_url: https://etreedb.org/shn/124542
content_url: https://archive.org/details/gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16

Full served wire node (JSON)

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  "@id": "https://longstrangeclick.com/id/recording/gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16",
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    "identifier": "gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16",
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          "note": "Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us)"
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          "note": "Korg MN-2000S 1 Bit DFF @ 2.822 MHz"
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          "note": "Audacity (clean up)"
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          "note": "CD wav"
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      "meanRating": 4.82,
      "bayesianRating": 4.71
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    "reviewCount": 18,
    "isListable": true,
    "sourceType": "Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes);",
    "lineage": "Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave",
    "lineageChain": "Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave",
    "shnid": "124542",
    "sourceMeta": {
      "description": "Set 1\n\nAlabama Getaway-> Greatest Story Ever Told, Friend Of The Devil, Mama Tried-> Mexicali Blues, Althea-> Little Red Rooster, Peggy-O-> Looks Like Rain-> Tennessee Jed-> Promised Land\n\nSet 2\n\nChina Cat Sunflower-> I Know You Rider-> Estimated Prophet-> He's Gone-> Eyes Of The World-> Drums-> Truckin'-> Wharf Rat-> Around & Around-> Good Lovin', E: Don't Ease Me In",
      "notes": "Memories:\nThe San Bernardino Swing Auditorium was about 1-½ hours east of Los Angeles.\nIt was a somber drive as John Lennon had been murdered only 4 days earlier and everyone was still in shock.\n\nThe San Bernardino Swing Auditorium was a real sweatbox and some of my favorite concerts were seen here.\nA narrow rectangle, with the stage in the middle of one of the longer sides.\nWe were sitting dead center and about 5 rows into the risers (distance might have been around 75-100 feet from the stage?)\nTonight we were using 2 ten foot microphone stands.\nFor the first time I wouldn’t have to hold my hand above my head for the 3+ hour show.\nOur equipment included the new Sony D-5M portable cassette recorder along with two new Sennheiser MKH-406-TUD microphones.\nWe were ready!\n\nThe band took off roaring.\nJerry’s voice was in great shape, his guitar leading the way for Bobby and Brent.\nPhil’s bass was weaving in and out, while the two drummers in the back were holding it all together.\nThe first set was almost a continuous medley, peaking in a truly spectacular “Tennessee Jed”, and ending up in a rocking out version of Chuck Berry’s “the Promised Land”.\nWe could almost see the energy pouring out at us, and we all wondered what the second set would bring.\n\nAfter the required hour break the Band came back out and opened up with the beautiful pairing of “China Cat Sunflower” and “I Know You Rider”,\nwhich then slipped right into “Estimated Prophet”, “He’s Gone”, and then “Eyes Of The World”.\nThe audience was in awe and one couldn't help but associate some of these lyrics with John Lennon.\nIt has been reported that Jerry had tears running down his cheeks during \"He's Gone\" (I think I did too)\n\nAt this point the Rhythm Devils took over, the rest of the band exiting the stage for the next 15 minutes, then slowly returning to perform the magic “Space Jam”.\n“Trucking” was the center piece moving into “Warf Rat” and another Chuck Berry original “Around And Around” then finishing off with \"Good Loving\".\nThe encore was the newly reborn “Don’t Ease Me In”.\n\n\nFor historical reference only and not intended for resale or any commercial use.\nEnjoy\n-M-\nFlying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder)",
      "runtime": "170:18.55",
      "transferer": "Mike Martin",
      "taperText": "Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)"
    }
  },
  "contentUrl": "https://archive.org/details/gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16"
}