Grateful Dead
Feb 27, 1981 at Uptown Theatre
Chicago, ILWinter 1981
Setlist via JerryBase
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Tapes
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- SBDDATStream OnlyTaper unknownSBD > Cassette master > DAT(0)ListenArchive.orgRelistenetree4598TransferDick Latvala
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- BalconyTaper unknownRecorded 1st row balcony Sony TCD-5M> Beyer M-160; MAC>Sony TCKA3ES>USBPre-2ListenArchive.orgRelistenetree127511TransferRichie Stankiewicz
- Front of BoardD5MFront of BoardFront of BoardTaper unknownSource Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott ClugstonListenArchive.orgRelistenetree139732TransferCharlie Miller and Scott Clugston
- Source unknownTaper unknownRecorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphonesListenArchive.orgRelistenetree128712
- Front of BoardD5MFront of BoardFront of BoardTaper unknownSource Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott ClugstonListenArchive.orgRelistenetree139731TransferCharlie Miller, Scott Clugston
- SBDDATStream OnlyTaper unknownDAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2026 > TLH flac16 > iZotope RX11 Advanced (vocal phase repair) > Adobe Audition 2026 > flac16ListenArchive.orgRelistenetree176326TransferVocal Phase Repair by Charlie Miller December 2025 Mastered by Scott Clugston January 2026
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 32-bit/96k) > Adobe Audition CC2026 (DDi codec) > TLH flac2496ListenArchive.orgRelistenetree176366TransferBob Menke, Charlie Miller, Scott Clugston
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 32-bit/96k) > Adobe Audition CC2026 (DDi codec) > TLH flac2496ListenArchive.orgRelistenetree176367TransferBob Menke, Charlie Miller, Scott Clugston
Tape diagnostics
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"notes": "When I first started listening to matrixes in 2006, it was specifically with volume two of Chris Chappell's masterwork Sick Bits series, which was the entire three-night stand at the Uptown Theatre in 1981. As a long-time Chicagoan, and because these were incidentally the first concerts the Dead played after I was born in January, I was naturally drawn to listening to these recordings. Not surprisingly, I have read different reviews of these shows where each performance has been lauded as the \"best night\" of the run, which speaks to the high praise of this Uptown trifecta as a whole and why Chris decided to include them all in one volume to begin with, and so early in the series. The Dead were obviously on fire right out of the gates in 1981, and the very impressive spring '81 tour is where this incendiary new energy was headed. This was the last time the Dead would play at the Uptown due to it becoming heavily flooded later that winter from water pipes bursting during a deep freeze, making it beyond immediate repair. The venue still exists today in a dilapidated state, with hopes of it one day being restored - after 33 years. \n\nI lived within walking distance from the Uptown. It has always been a kind of mythical place in the Dead's concert history for me, particularly because of the consistently amazing shows that were played there and the very ornate architecture of the theatre, which was built in 1925 as the largest movie palace in America with \"an acre of seats\" - 4,381 (imagine seeing the latest Chaplin film with that many people). Also true among Dead lore is that it was a great sounding venue, and the audience tapes consistently convey this. The Uptown always seems to exude a sonorous and intimate sonic energy that pulls the audience in for an especially magical evening. \n\nOf course I thought it would be awesome to matrix these shows, but I never considered it worthwhile since Chris's matrixes were already of such fantastic quality. Then, until only recently, new tapes of this run emerged out of the woodwork by prolific Chicago taper, Mason B. Taylor (a great photo of him just so happens to appear on page one of \"The Official Book of the Dead Heads\"), which provide a new aural landscape of these historic concerts when compared to Barry Glassberg's tapes that Chris used. While perhaps not as clear and defined as Barry's recordings, Mason's cassettes more so capture an airy spaciousness and raw, electrified energy that works well with the crispy yet flat soundboard tapes. Jerry's guitar also resounds more prominently in Mason's pull, which always seems to makes things sound nicer. \n\nWith some excellent new sources in the trading pool, there was no resisting giving at least one of these Uptown shows a shot. This matrix of the 27th is my first foray into this run, seeing that it's the best sounding audience tape of the three nights Mason captured. The 28th is the second best sounding recording, while the 26th is more muffled and boomy sounding due to a different microphone placement. So here is the cream of the crop from the '81 Uptown run, Mason Taylor style (and Dan Healy style, of course). I hope matrix listeners will find this to be a pleasurable new experience of a very fine night in Grateful Dead history, which features a Scarlet Fire of blinding brilliance amidst a non-stop second set. If you've been searching for the sound, you might find some of it here. \n\n\nHunter\n\n\nSet 1 was matrixed in Chicago, Illinois, one mile west of the Uptown Theatre.\nSet 2 was matrixed in Santa Fe, New Mexico.",
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Recording gd1981-02-27.naks.mason.128712.flac16
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"notes": "\"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.\n\nMason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.\n\nAs the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.\n\nThanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…\"",
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Recording gd1981-02-27.139731.fob.beyer.m160.streeter.miller.clugston.flac1644
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Recording gd1981-02-27.176326.sbd.phase.repaired.mcgee.chief.miller.clugston.flac1644
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Alabama Getaway ><br />Promised Land<br />Friend Of The Devil<br />Cassidy<br />Loser<br />C.C. Rider<br />It Must Have Been The Roses<br />New Minglewood Blues</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Scarlet Begonias ><br />Fire On The Mountain ><br />Estimated Prophet ><br />Eyes Of The World ><br />Drums ><br />Space ><br />Not Fade Away ><br />Wharf Rat ><br />Sugar Magnolia<br />Don't Ease Me In</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n- Thanks to David McGee and Chief for the source DAT\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Jamie Lutch for the soundboard which supplies 0:28 of tuning/noodling into \"Scarlet Begonias\"\n- Thanks to Barry Glassberg and Bob Menke for the Nakamichi 700 source which supplies an 0:18 patch in \"Eyes Of The World\", a 0:16 patch in the \"Eyes Of the World > Drums\" transition, as well as a 0:16 patch in the \"Wharf Rat > Sugar Magnolia\" transition\n- This source includes the \"Don't Ease Me In\" encore\n- There is no digital noise reduction\n- Thanks to Joe B. Jones for his assistance with the pitch correction",
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Alabama Getaway ><br />Promised Land<br />Friend Of The Devil<br />Cassidy<br />Loser<br />C.C. Rider<br />It Must Have Been The Roses<br />New Minglewood Blues</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Scarlet Begonias ><br />Fire On The Mountain ><br />Estimated Prophet ><br />Eyes Of The World ><br />Drums ><br />Space ><br />Not Fade Away ><br />Wharf Rat ><br />Sugar Magnolia<br />Don't Ease Me In</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n- Thanks to Barry Glassberg for the master cassettes\n- Thanks to Bob Menke for the fresh transfer\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to Rip Thompkins and Richie Stankiewicz for the Beyer M160 source which supplies some crowd and beginning of \"CC Rider (0:46 total), a 0:14 patch in \"Eyes Of The World\", as well as a 2:39 patch in \"Drums\"\n- Thanks to Joe B. Jones for his assistance with the pitch correction\n\nMastered by Scott Clugston\nJanuary 2026",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1981-02-27.176367.nak700.glassberg.menke.miller.clugston.flac2496
- identifier
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- lineage
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- lineage_chain
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- capture_position
- —
- lineage_media_token
- mc
- compendium_quality_grade
- —
- tape_culture_tags
- —
- source_family_tags
- —
- is_listable
- true
- download_count
- 115
- review_count
- —
- mean_rating
- —
- shnid
- 176367
- relisten_url
- https://relisten.net/grateful-dead/1981/02/27?source=3880013
- etree_url
- https://etreedb.org/shn/176367
- content_url
- https://archive.org/details/gd1981-02-27.176367.nak700.glassberg.menke.miller.clugston.flac2496
Full served wire node (JSON)
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Alabama Getaway ><br />Promised Land<br />Friend Of The Devil<br />Cassidy<br />Loser<br />C.C. Rider<br />It Must Have Been The Roses<br />New Minglewood Blues</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Scarlet Begonias ><br />Fire On The Mountain ><br />Estimated Prophet ><br />Eyes Of The World ><br />Drums ><br />Space ><br />Not Fade Away ><br />Wharf Rat ><br />Sugar Magnolia<br />Don't Ease Me In</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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