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Tapes

  • Front of BoardD5MFront of BoardFront of BoardTaper unknownNAK-700's > SONY TC-D5M Dolby On, FOB
    Taper
    Barry Glassberg
    Discs
    0
    SHN discs
    2
  • MatrixStream OnlyTaper unknownFinal Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
    Taper
    Barry Glassberg and Jim Wise
  • Front of BoardD5Front of BoardFront of BoardTaper unknownFOB Senn 421's> Sony D5> MC> DAT> CDR
    Taper
    Jim Wise
    Discs
    0
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownDat(Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
  • SBDMaster CassetteFront of BoardFront of BoardStream OnlyTaper unknownSBD> Master Cassette> Dat (44.1k); Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source;
    Discs
    0
    SHN discs
    2
  • AUDD5Taper unknownCassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
    Taper
    Jim Wise
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownSource Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
    Taper
    Frank Streeter
  • AUDD5Taper unknownsource: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
    Taper
    Doug Lamarre
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownSource Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
    Taper
    Frank Streeter
  • AUDD5Front of BoardFront of BoardTaper unknownTransfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2017
    Taper
    Brian Schley
  • AUDD5Taper unknownsource: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
    Taper
    Doug Lamarre
  • AUDD5Front of BoardFront of BoardTaper unknownTransfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2017
    Taper
    Brian Schley
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Jim Vita
  • SBDDATStream OnlyTaper unknownTransfer Info: DAT (Sony PCM-R500) > SEK'D Prodif Plus > Samplitude Pro v7.02 > FLAC Remastering Info: FLAC > iZotope RX11 Advanced > Samplitude Pro X6 Suite > FLAC/16
    etreedb source
    https://db.etreedb.org/shn/175118

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1981-05-08-nassau-veterans-memorial-coliseum-uniondale

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identifier
gd81-05-08.glassberg.vernon.17698.sbeok.shnf
source_type
Audience Recording: Nak 700's
lineage
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lineage_chain
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review_count
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mean_rating
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etree_url
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content_url
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      "notes": "NAK-700's > SONY TC-D5M  Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1981-05-08.mtx.seamons.92002.sbeok.flac16
identifier
gd1981-05-08.mtx.seamons.92002.sbeok.flac16
source_type
MATRIX MIX: SBD/2 AUD (About 60%/40%)
lineage
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lineage_chain
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capture_position
matrix
lineage_media_token
compendium_quality_grade
tape_culture_tags
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review_count
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mean_rating
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shnid
92002
relisten_url
https://relisten.net/grateful-dead/1981/05/08?source=3879708
etree_url
https://etreedb.org/shn/92002
content_url
https://archive.org/details/gd1981-05-08.mtx.seamons.92002.sbeok.flac16
legs
soundboard / SBD -> Master Cassette -> Dat (44.1k)

Full served wire node (JSON)

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          "note": "FLAC)"
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    "engagement": {
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    "sourceType": "MATRIX MIX: SBD/2 AUD (About 60%/40%)",
    "lineage": "Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)",
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    "shnid": "92002",
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      "description": "Set 1\n\nJack Straw  \nPeggy-O  \nMe And My Uncle  ->\nBig River  \nLoser  \nC C Rider  \nAlthea  ->\nLet It Grow ->\nDon't Ease Me In  \n\nSet 2\n\nShakedown Street  ->\nSamson And Delilah  \nTerrapin Station ->\nPlaying In The Band  ->\nDrums  ->\nSpace**  ->\nNot Fade Away  ->\nStella Blue  ->\nSugar Magnolia  \n\nEncore\nU.S. Blues**",
      "notes": "Show Notes:\n-- **with Ken Kesey on harmonica\n-- Seamless transition between discs 2 and 3.\n-- This second set is incredible!!!\n\nMATRIX MIX: SBD/2 AUD (About 60%/40%)\n\n---------------------------------------------------------------\nSBD:\n\nRecording Info:\nSBD -> Master Cassette -> Dat (44.1k)\n\nTransfer Info:\nDat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN\n(3 Discs Audio / 2 Discs SHN)\n\nTransfered and Patched By Charlie Miller\ncharliemiller87@earthlink.net\n4/7/04\n\n---------------------------------------------------------------\nAUD 1: \n\nSource: NAK-700's > SONY TC-D5M  Dolby On taped by Barry Glassberg FOB\nLineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen\nDAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) >\nSoundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD\nCD > EAC(secure) > mkwact > SHN(seekable) by mvernon54@attbi.com\n\nRecorded by Barry Glassberg\n\nAUD 2:\n\nFOB Senn 421's>Sony D5>MC>DAT>CDR\n\nRecorded by Jim Wise\n\n----------------------------------------------------------------\n\nMatrix Notes:\n\n1)The the right channel of the Glassberg AUD was increased 4 dB. The audio channels were uneven.\n\n2)The Glassberg source (the preferred source for this matrix) appears to contain 2 AUD sources in it. Towards the end of Drums there is a cut in the AUD; after the cut, a strikingly different sounding AUD is patched into the source. The quality of this “other” source was pretty bad, with some bass overload. Very luckily, Jim Wise's AUD was available and sounds just as good as Glassberg's, so I used it from that section in Drums onward to the end of the show. The audience happens to be a little more “defined” in Wise's source, but I ultimately prefer Glassberg's AUD for its richer tonal quality. So, there is a “complementary” shift in sound during Drums, but it sounds pretty much the same and is all good.\n\n3)There were cuts in the AUD and SBD. Significantly, there were cuts in the SBD during Jack Straw (first few seconds), Shakedown Street (first 2:08 of track), Playing in the Band (8:33-9:41), and Sugar Magnolia (last few seconds of song).\n\n4)There were some wacky fluctuations in the SBD mix during the earlier portion of Set 1. There will be moments of extra hiss, changes in vocal and guitar sound, sounds levels, etc. Some of it may be some exciting pedal work by Garcia, but this has not been verified.\n\n5)Enjoy at high volume.",
      "runtime": "165:58.37",
      "transferer": "Hunter Seamons",
      "taperText": "Barry Glassberg and Jim Wise"
    }
  },
  "contentUrl": "https://archive.org/details/gd1981-05-08.mtx.seamons.92002.sbeok.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd81-05-08.wise.munder.7912.sbeok.shnf
identifier
gd81-05-08.wise.munder.7912.sbeok.shnf
source_type
Audience Recording: Sennheiser 421's
lineage
FOB Senn 421's> Sony D5> MC> DAT> CDR
lineage_chain
FOB Senn 421's > Sony D5 > MC > DAT > CDR
capture_position
front_of_board
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d5
compendium_quality_grade
tape_culture_tags
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download_count
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review_count
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mean_rating
4
shnid
7912
relisten_url
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etree_url
https://etreedb.org/shn/7912
content_url
https://archive.org/details/gd81-05-08.wise.munder.7912.sbeok.shnf

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1981-05-08.sbd.miller.95764.sbeok.flac16
identifier
gd1981-05-08.sbd.miller.95764.sbeok.flac16
source_type
SBD -> Master Cassette -> Dat (44.1k)
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Dat(Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
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Dat(Sony R500) > SEK'D Prodif Plus > Samplitude Professional v7.02 > FLAC
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https://archive.org/details/gd1981-05-08.sbd.miller.95764.sbeok.flac16

Full served wire node (JSON)

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      "description": "Set 1\n\nJack Straw  \nPeggy-O  \nMe And My Uncle  ->\nBig River  \nLoser  \nC C Rider  \nAlthea  ->\nLet It Grow ->\nDon't Ease Me In  \n\nSet 2\n\nShakedown Street  ->\nSamson And Delilah  \nTerrapin Station ->\nPlaying In The Band  ->\nDrums  ->\nSpace**  ->\nNot Fade Away  ->\nStella Blue  ->\nSugar Magnolia  \n\nEncore\nU.S. Blues**",
      "notes": "Patch Info:\n(FOB) Nakamichi 700 -> Cassetter Master -> Dat -> CD (shnid=17698) supplies:\nJack Straw (0:00 - 0:44)\nShakedown Street (0:00 - 1:56)\nPlaying In The Band (8:33 - 9:43)\nSugar Magnolia (8:37 - end of track)\n\nNotes:\n-- Set 2 is seamless\n-- Drums and U.S. Blues with Ken Kesey on harmonica \n-- This is a re-mastering of shnid=28299\n-- I fixed the patches and swapped the channels\n-- Thanks to Joe B. Jones for his help pitch correcting the patch source",
      "runtime": "161:51.37",
      "transferer": "Charlie Miller"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd81-05-08.sbd.miller.28300.sbeok.shnf
identifier
gd81-05-08.sbd.miller.28300.sbeok.shnf
source_type
Soundboard
lineage
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lineage_chain
SBD > Master Cassette > Dat (44.1k); Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source;
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relisten_url
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gd1981-05-08.139413.set2.aud.schley.flac2448
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AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley.
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