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Tapes

  • Source unknownTaper unknownSennheiser 421 mics > Sony TC D-5
    Taper
    Jim Wise
    Discs
    0
    SHN discs
    2
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
    Taper
    Joani Walker and Paul Scotton
  • Source unknownDATTaper unknownMAC>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact)
  • Source unknownD5Taper unknownMAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
    Taper
    anonymous taper, Jamie Poris, Mark Severson
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Front of BoardCassetteFront of BoardFront of BoardTaper unknownRecorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Mark Severson
  • Front of BoardCassetteFront of BoardFront of BoardTaper unknownRecorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
    Taper
    n hoey

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1981-09-11-william-randolph-hearst-greek-theatre-uc-berkeley-berkeley

Recording gd81-09-11.wise.munder.7090.sbeok.shnf
identifier
gd81-09-11.wise.munder.7090.sbeok.shnf
source_type
Audience Recording: Sennheiser 421's
lineage
Sennheiser 421 mics > Sony TC D-5
lineage_chain
Sennheiser 421 mics > Sony TC D-5
capture_position
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
22733
review_count
8
mean_rating
4.63
shnid
7090
relisten_url
https://relisten.net/grateful-dead/1981/09/11?source=3879920
etree_url
https://etreedb.org/shn/7090
content_url
https://archive.org/details/gd81-09-11.wise.munder.7090.sbeok.shnf

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      "notes": "Sennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy",
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Archive.org metadata (on the wire)

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lineage
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etree_url
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content_url
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Full served wire node (JSON)

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      "notes": "Patch Info:\n(FOB) Sennheiser 421 -> Cassette Master -> CD (shnid=7090) supplies:\nSpace (4:11 - 4:20)\n\nNotes:\n-- Set 2 is seamless\n-- Recorded by Joani Walker\n-- Thanks to Paul Scotton and Joani Walker for the tapes\n-- Thanks to Joe B. Jones for his help with the pitch correction",
      "runtime": "180:06.20",
      "transferer": "Charlie Miller",
      "taperText": "Joani Walker and Paul Scotton"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1981-09-11.nak300.unknown.31791.sbeok.flac16
identifier
gd1981-09-11.nak300.unknown.31791.sbeok.flac16
source_type
2 nak 300 mics>Sony TC-5m(Dolby B)>MAC
lineage
MAC>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact)
lineage_chain
MAC > Nak Dragon(dolby decoded) > Panasonic 3800 DAT (A-D) > Soundforge-CD Architect > cdr > roxio toast > Apple G4(Xact)
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lineage_media_token
dat
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4
shnid
31791
relisten_url
https://relisten.net/grateful-dead/1981/09/11?source=2178538
etree_url
https://etreedb.org/shn/31791
content_url
https://archive.org/details/gd1981-09-11.nak300.unknown.31791.sbeok.flac16

Full served wire node (JSON)

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    }
  },
  "contentUrl": "https://archive.org/details/gd1981-09-11.nak300.unknown.31791.sbeok.flac16"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16
identifier
gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16
source_type
3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B)
lineage
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
lineage_chain
MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
capture_position
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5
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relisten_url
https://relisten.net/grateful-dead/1981/09/11?source=3854262
etree_url
https://etreedb.org/shn/95290
content_url
https://archive.org/details/gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16

Full served wire node (JSON)

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      "description": "Set 1\n\nNew Minglewood Blues  \nThey Love Each Other  \nMama Tried  ->\nMexicali Blues  \nCandyman  ->\nLittle Red Rooster \nCumberland Blues  ->\nBeat It On Down The Line  \nAlthea \nLost Sailor  ->\nSaint Of Circumstance  ->\nDeal  \n\nSet 2\n\nFeel Like A Stranger  ->\nFranklin's Tower  \nMan Smart (Woman Smarter)  \nHe's Gone  ->\nTruckin'   ->\nDrums  ->\nSpace  ->\nThe Other One  ->\nMorning Dew  ->\nJohnny B. Goode  \n\nEncore\nDon't Ease Me In",
      "notes": "Notes:\n\n- After the Egypt sources, the anonymous taper contacted me to talk about transferring and editing some more masters from his collection. These Greek Theater shows were a tapers choice, a run he holds near and dear. These tapes were made by a group of friends. The taper explained how he had spent the majority of the weekend waiting in line just to get to the sweet spot inside the venue where he knew the sound would be at its best. He didn't want to see these tapes (and many others) that represent wonderful moments in music history, deteriorate without ever being circulated. For him, these tapes represent really great times, where friendships were made by individuals from different backgrounds and talents with a common goal of trying to capture the sense of being there.\n\nYou'll notice a special mention of two names as below: Jamie Poris and Mark Severson. From what I've been told, these three worked as team, along with many others, to get these great pulls. Thanks to them and their friends for putting in the effort to make these tapes! The three Nak 700 mix gives a very full sound. This source and the circulating sources all have there pros and con's. I'll let you as a listener decide which suits your ear. Take what you want and leave the rest. Hopefully many more to follow.\n\n- Between song banter patched in between new Minglewood and They Love Each other from shnID31791\n\n- Drums/space patched from shnID3179\n\n- All tape flips and non invasive pauses between songs are cross faded\n\n- There is a slight blemish in the vocals in a few spots of candyman and althea, Very minimal.\n\n- Slight blemishes in  Women Are Smarter and He's Gone. very minor, left as is.\n\n- This is a very nice recording. Very full. An absolute pleasure to work on. Happy b-day and minglewood are a little muffled compared to the rest of the source so stay tuned through these to get a real feel for the show.\n\n\n\n- Thanks to MOTB for the use of the HD-p2",
      "runtime": "173:35.37",
      "transferer": "Brian Green and  Evan K.",
      "taperText": "anonymous taper, Jamie Poris, Mark Severson"
    }
  },
  "contentUrl": "https://archive.org/details/gd1981-09-11.nak700.anon-poris-severson.LMPP.95290.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
gd1981-09-11.148624.fob.nak700.severson.miller.clugston.flac2496
source_type
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lineage
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
lineage_chain
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
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Archive.org metadata (on the wire)

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.