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Tapes

  • Front of BoardD5Front of BoardFront of BoardTaper unknownFOB - Senn 421's> Sony TC-D5 (at mouth of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR
    Taper
    Jim Wise
    Discs
    0
    SHN discs
    0
  • SBDStream OnlyTaper unknownSoundboard of unknown lineage > ? > Cassette.
    Taper
    Cassettes provided by Joey Browning and Jake Feinberg
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
    Taper
    Jim Wise
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/24
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/16
    Taper
    Frank Streeter
  • Source unknownTaper unknownRecorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
    Taper
    Mason B. Taylor
  • Front of BoardPCMFront of BoardFront of BoardTaper unknownPCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
    Taper
    Marc Severson & Anonymous
  • AUDD5MFront of BoardFront of BoardTaper unknownsource: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
    Taper
    Doug Lamarre
  • Front of BoardFront of BoardFront of BoardTaper unknownflac24 48khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
    Taper
    Executive Crew: Kyle Holbrook & Olvy Johnson
  • AUDD5MFront of BoardFront of BoardTaper unknownsource: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
    Taper
    Doug Lamarre
  • Front of BoardFront of BoardFront of BoardTaper unknownflac16 44.1khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
    Taper
    Executive Crew: Kyle Holbrook & Olvy Johnson
  • Source unknownMaster CassetteTaper unknownMaster Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
    Taper
    Scott Wiseman
  • Source unknownMaster CassetteTaper unknownMaster Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
    Taper
    Scott Wiseman
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
    etreedb source
    https://db.etreedb.org/shn/172641
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
    etreedb source
    https://db.etreedb.org/shn/172642

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1982-07-28-red-rocks-amphitheatre-morrison

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gd82-07-28.fob-senn421.wise.4980.sbefail.shnf
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Audience Recording: Sennheiser 421's
lineage
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mean_rating
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etree_url
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content_url
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      "notes": "nearly same info as <a href=\"http://db.etree.org/shninfo_detail.php?shnid=4980\" rel=\"ugc nofollow\">previous</a> shn set, but checksums differ for d1t1, d2t1, d3t1,6; unspecified editing or reDAE?; hosted by Mike Lai",
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      "taperText": "Jim Wise",
      "discs": "0",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16
identifier
gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16
source_type
Soundboard of unknown lineage > ? > Cassette.
lineage
lineage_chain
Soundboard of unknown lineage > ? > Cassette.
capture_position
soundboard
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
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download_count
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review_count
13
mean_rating
4.1
shnid
32707
relisten_url
https://relisten.net/grateful-dead/1982/07/28?source=3880596
etree_url
https://etreedb.org/shn/32707
content_url
https://archive.org/details/gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16

Full served wire node (JSON)

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      "description": "Disc One (61:20)\n\n01 Shakedown Street\n02 Beat It On Down The Line >\n03 Greatest Story Ever Told\n04 They Love Eachother\n05 Mama Tried >\n06 Mexicali Blues\n07 Big Railroad Blues\n08 Lazy Lightnin' >\n09 Supplication\n10 Deal\n-- set break --\n\nDisc Two (54:34)\n\n01 Women Are Smarter\n02 Althea\n03 Let it Grow >\n04 He's Gone >\n05 Truckin' >\n06 Jam without Jerry >\n07 Drums//\n\nDisc Three (48:33)\n\n01 Drums continued >\n02 Space > Spanish Jam >\n03 Jam > Not Fade Away >\n04 Black Peter >\n05 Sugar Magnolia\n-- encore --\n06 It's All Over Now Baby Blue",
      "notes": "Soundforge was used to make fades, and to patch-in the first\nfive seconds of Shakedown from the AUD source taken from LMA.\nThe missing segment of drums could not be patched-in since the\nsame segment was missing from the AUD source.\n\nThere was a rain storm during this show, which seems to have\ncaused some sound problems in the mix. Both Jerry and Bob's\nguitars drop in and out of the mix during the first set, and\nare almost gone at times. These moments occur in spots between\nTLEO and Women Are Smarter. There's also light static in the\nright channel at a few spots, and a few brief moments where the\nvocals go out, and the bass pops. All of these are likely due\nto the rain storm, and not a problem with the transfer or your\ndownload. Still, it's a great source, so don't let that scare\nyou away. There's minimal cuts and hiss, so I'm guessing this\nis a low-gen source, or possibly a reel source. Big thanks to\nJoey Browning and Jake Feinberg for the cassettes. ENJOY!",
      "runtime": "164",
      "taperText": "Cassettes provided by Joey Browning and Jake Feinberg"
    }
  },
  "contentUrl": "https://archive.org/details/gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-07-28.fob.senn421.wise.miller.102571.flac16
identifier
gd1982-07-28.fob.senn421.wise.miller.102571.flac16
source_type
(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
lineage
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
lineage_chain
Cassette Master (Nakamichi DR-1/Dolby B) > Sound Devices 744T (24bit/96k) > Adobe Audition v1.5 > Samplitude Professional v10.22 > FLAC/16
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dr
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tape_culture_tags
front_of_board
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download_count
26518
review_count
10
mean_rating
4.89
shnid
102571
relisten_url
https://relisten.net/grateful-dead/1982/07/28?source=3880504
etree_url
https://etreedb.org/shn/102571
content_url
https://archive.org/details/gd1982-07-28.fob.senn421.wise.miller.102571.flac16

Full served wire node (JSON)

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      "description": "Set 1\n\nShakedown Street, Beat It On Down The Line-> Greatest Story Ever Told, They Love Each Other, Mama Tried-> Mexicali Blues, Big Railroad Blues, Lazy Lightning-> Supplication-> Deal\n\nSet 2\n\nWomen Are Smarter, Althea, Let It Grow-> He's Gone-> Truckin'-> Drums-> Spanish Jam-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: It's All Over Now Baby Blue",
      "notes": "Notes:\n-- Set 2 disc change is seamless\n-- Recorded By Jim Wise\n-- Thanks to Jim Wise for lending me his master cassettes\n-- Thanks to Joe B. Jones for his help with the pitch correction",
      "runtime": "162:44.49",
      "transferer": "Charlie Miller",
      "taperText": "Jim Wise"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-07-28.134511.nak700.streeter.miller.flac24
identifier
gd1982-07-28.134511.nak700.streeter.miller.flac24
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      "description": "Set 1\n\nShakedown Street, Beat It On Down The Line-> Greatest Story Ever Told, They Love Each Other, Mama Tried-> Mexicali Blues, Big Railroad Blues, Lazy Lightning-> Supplication-> Deal\n\nSet 2\n\nWomen Are Smarter, Althea, Let It Grow-> He's Gone-> Truckin'-> Drums-> Spanish Jam-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: It's All Over Now Baby Blue",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-07-28.134510.nak700.streeter.miller.flac16
identifier
gd1982-07-28.134510.nak700.streeter.miller.flac16
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      "notes": "Notes:\nRained most of set 1; stopped at start of set 2\nSet 1 flip, missed ~15 seconds of Big RR Blues\n## before TLEO Bob says \"Don't be surprised if you see us go up in sparks\"\n* flipped at end of Truckin- missed end of Truckin' jam & Drums,\nstarts again with space as Jerry, Bob, Phil, and Brent take stage.\n/ Our practice at the time was to stop the recorder after\nevery time the band stopped. The theory was saving\nbatteries and tape space. We would learn to record the\nentire show by Spring 83! I cut dead space or faded down/up at those cuts\nbut there are a few harsh stops/starts-apologies from my 21 year old self!\n\n// Tape Flip\n# before starting Bob says they are experiencing technical difficulties\n&- St. Stephen tease at 7:00 (53:50)\n% missed start\n\n\nRed Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982\nmic location- 50 feet from stage dead center\nThis day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS!\n\nIt rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.",
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Recording gd1982-07-28.135514.aud.lamarre.berger.flac16
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gd1982-07-28.135514.aud.lamarre.berger.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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gd1982-07-28.172642.senn421.clugston.flac2496
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

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