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Tapes

  • MatrixMaster CassetteFront of BoardFront of BoardStream OnlyTaper unknown[SBD > MC > PCM > DAT > CDR] + [Senn 441's (FOB) > Sony TC-D5 > DAT > CD] > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16
    Taper
    Paul Hogan
    SHN discs
    2
  • SBDPCMStream OnlyTaper unknownCD -> Samplitude Professional v7.02 -> FLAC
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownAUD : MC (FOB, 27th Row, Senn 441's > Sony TC-D5) > DAT > CD
    Taper
    Paul Hogan
    SHN discs
    2
  • SBDMaster CassetteStream OnlyTaper unknownSBD>MC>PCM>DAT>CDR with Aud patch assumed from widely circulated audience source
    SHN discs
    2
  • SBDMaster CassetteStream OnlyTaper unknownSBD>MC>PCM>DAT>CDR>EAC>SHN
  • Source unknownTaper unknownunknown cassette > ? > CD; CD > FLAC
    Taper
    Unknown
  • AUDTaper unknownAud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only.
    Taper
    Jimi
  • Front of BoardD5Front of BoardFront of BoardTaper unknownTDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
    Taper
    Brian Schley
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownSource: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
    Taper
    Frank Streeter
  • Source unknownTaper unknownPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
    Taper
    Executive Crew: Kyle Holbrook & Olvy Johnson
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownTransfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
    Taper
    Frank Streeter
  • Source unknownTaper unknownPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
    Taper
    Executive Crew: Kyle Holbrook & Olvy Johnson
  • Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
    Taper
    Rodney Michael
  • AUDMaster CassetteTaper unknownMaster Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
    Taper
    Jon Bernstein
    etreedb source
    https://db.etreedb.org/shn/176351

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1982-08-03-starlight-theatre-kansas-city

Recording gd82-08-03.matrix.chappell.30705.sbeok.flacf
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gd82-08-03.matrix.chappell.30705.sbeok.flacf
source_type
Matrix
lineage
[SBD > MC > PCM > DAT > CDR] + [Senn 441's (FOB) > Sony TC-D5 > DAT > CD] > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16
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lineage_media_token
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compendium_quality_grade
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source_family_tags
front_of_board
is_listable
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download_count
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review_count
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mean_rating
4.75
shnid
30705
relisten_url
https://relisten.net/grateful-dead/1982/08/03?source=2179705
etree_url
https://etreedb.org/shn/30705
content_url
https://archive.org/details/gd82-08-03.matrix.chappell.30705.sbeok.flacf

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      "notes": "See info file for detailed lineage info.",
      "transferer": "Chris Chappell",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-08-03.sbd.miller.77196.sbeok.flac16
identifier
gd1982-08-03.sbd.miller.77196.sbeok.flac16
source_type
SBD -> Cassette Master -> PCM -> Dat -> CD
lineage
CD -> Samplitude Professional v7.02 -> FLAC
lineage_chain
CD > Samplitude Professional v7.02 > FLAC
capture_position
soundboard
lineage_media_token
pcm
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
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download_count
59302
review_count
27
mean_rating
4.24
shnid
77196
relisten_url
https://relisten.net/grateful-dead/1982/08/03?source=2607369
etree_url
https://etreedb.org/shn/77196
content_url
https://archive.org/details/gd1982-08-03.sbd.miller.77196.sbeok.flac16

Full served wire node (JSON)

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    "shnid": "77196",
    "sourceMeta": {
      "description": "Set 1:\nd1t01 - Mississippi Half-Step Uptown Toodeloo ->\nd1t02 - Franklin's Tower ->\nd1t03 - New Minglewood Blues\nd1t04 - Peggy-O\nd1t05 - El Paso ->\nd1t06 - Cumberland Blues\nd1t07 - Althea\nd1t08 - Cassidy\nd1t09 - Big Railroad Blues ->\nd1t10 - Man Smart (Woman Smarter)\nd1t11 - Might As Well\n\nSet 2:\nd2t01 - Shakedown Street ->\nd2t02 - Samson And Delilah\nd2t03 - To Lay Me Down\nd3t01 - Let It Grow ->\nd3t02 - Drums ->\nd3t03 - Space ->\nd3t04 - He's Gone ->\nd3t05 - The Other One ->\nd3t06 - Stella Blue ->\nd3t07 - Sugar Magnolia\n\nEncore\nd3t08 - Casey Jones",
      "notes": "Patch Info:\n(FOB/27th Row) Senn 441 -> Cassette Master -> Dat -> CD supplies\nMississippi Half Step (0:00 - 0:29)\nPeggy-O (0:00 - 0:27)\nBig Railroad Blues (0:00 - 0:02)\nLet It Grow (10:39 - 10:52)\nThe Other One (6:00 - 6:15)\nStella Blue (6:06 - End Of Show)\n\nNotes:\n-- Can not confirm lineage...I have my doubts\n-- 2nd Set disc change is seamless",
      "runtime": "188",
      "transferer": "Charlie Miller"
    }
  },
  "contentUrl": "https://archive.org/details/gd1982-08-03.sbd.miller.77196.sbeok.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd82-08-03.senn-hogan.fink.5984.sbeok.shnf
identifier
gd82-08-03.senn-hogan.fink.5984.sbeok.shnf
source_type
Audience Recording: Sennheiser 441's
lineage
AUD : MC (FOB, 27th Row, Senn 441's > Sony TC-D5) > DAT > CD
lineage_chain
AUD : MC (FOB, 27th Row, Senn 441's > Sony TC-D5) > DAT > CD
capture_position
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tape_culture_tags
front_of_board
source_family_tags
front_of_board
is_listable
true
download_count
22941
review_count
12
mean_rating
4.42
shnid
5984
relisten_url
https://relisten.net/grateful-dead/1982/08/03?source=3880432
etree_url
https://etreedb.org/shn/5984
content_url
https://archive.org/details/gd82-08-03.senn-hogan.fink.5984.sbeok.shnf

Full served wire node (JSON)

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      "notes": "complete; AUD : MC (FOB, 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul Bottiglio; note md5s for unpatched d1t5,6 are also included for reference",
      "taperText": "Paul Hogan",
      "shnDiscs": "2"
    }
  },
  "contentUrl": "https://archive.org/details/gd82-08-03.senn-hogan.fink.5984.sbeok.shnf"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
gd82-08-03.sbd.unk.19228.sbeok.shnf
source_type
Soundboard
lineage
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compendium_quality_grade
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https://archive.org/details/gd82-08-03.sbd.unk.19228.sbeok.shnf

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-08-03.sbd.unknown.tetzeli.fix-19228.33614.reflac.flac16
identifier
gd1982-08-03.sbd.unknown.tetzeli.fix-19228.33614.reflac.flac16
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lineage_media_token
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download_count
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relisten_url
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Recording gd1982-08-03.aud.uherarchives.partial.121973.flac24
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Recording gd1982-08-03.140037.beyer-m160.streeter.miller.sirmick.flac24
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1982-08-03.138618.nak300.holbrook.flac1644
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      "notes": "Notes:\n\n- Patches\n\n\"Mississippi Half-Step Uptown Toodeloo\" - first 26 seconds\n\"Cumberland Blues\" - 5:43-5:47\n\"Big Railroad Blues\" - 4:28-4:29\n\"Man Smart (Woman Smarter)\" - last 1.6 seconds\n\"Might As Well\" - First 4.1 seconds\n\"Samson And Delilah\" - 8:08-8:12\n\"Drums\" 1:41-8:51\n\"Space\" - first 25 seconds\n\"Sugar Magnolia\" - 8@59-9-09\n\npatch source shnid 138619 Thank you Kyle Holbrook & Olvy Johnson.\n\n- Most tracks were pitch corrected.\n\n\nThanks to Frank and Charlie\n\n\nedited and mastered\nSIRMick",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "notes": "recording notes:\n// Tape flip\nset 1-The PA sound is pretty rough for the first four songs. There is some overall bass distortion during half of set 1 through Cumberland Blues which I think is from the lead deck's levels set too high. Possibly the recorder's batteries were low and they got changed during tape flip. The rest of the show from Althea forward has much better sound quality.\nSet 2-\n*** we dropped the flashlight on the input knob at around 2:09 which turned\nthe volume way up for less than 10 seconds. Tough to edit out, so I reduced the volume there as best I could, but it might be startling!\n+ drums were cut as was a standard practice at the time to save tape;     apologies all these years later!\n& Left channel drops out for about start 1:06:22 -? 1:10:47 (4mins 25 seconds). I copied the Right channel and pasted it in this gap.(slight edit bump @1:10:47)\n//* quick tape swap to tape 1 for Sunshine Daydream and encore\n\nMy opinion is the first set is mainly archival, the last two songs aside. The second set is an VG+ rendition of that era's GD music with the Nakamichi microphones. The band was playing very well and the song selection for set 2 is top notch. NOt great but worth a listen.\n\nStarlight Theater Kansas City MO August 3 1982\nMicrophone location- in pavilion, moved between sets patched out of Nak 550\nThis was the show where we became tapers. We had tickets, bought at the box office earlier in the day during a surprise release. But the seats were farther back than we wanted. We spotted the guy we patched out of in OKC walk by us, and set up about 10 rows in front of us. So we asked if we could patch, he said,he had an extra ticket, one of us sit here and help him. I recall Olvy sat with him and at set break the taper, Dan, wanted to move. So, we commandeered three empty chairs about  15 feet up and almost dead center for Dan's Nakamichi set up. The venue was amazing, the show incredible and the scenery and skies co-operated to add beauty to the light show on stage.\n\nThis show is widely regarded as an excellent example of what the Dead were about on their best days of 1982. We called it \"bringing the heat\". After a top notch first set, the boys came out and hammered it down. The Shakedown, Sampson & Delilah, To Lay me Down and Let it Grow are grade A Dead. This recording capatures it pretty well as we were in the right spot acoustically. The complete story of our summer tour can be read in the text file.",
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Archive.org metadata (on the wire)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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