Grateful Dead
Aug 3, 1982 at Starlight Theatre
Kansas City, MOSummer 1982
Setlist via JerryBase
Set 1
Mississippi Half Step > Franklin's Tower > Minglewood Blues, Peggy-O, El Paso, Cumberland Blues, Althea > Cassidy > Big Railroad Blues, Man Smart (Woman Smarter), Might As Well
Set 2
Shakedown Street > Samson And Delilah, To Lay Me Down > Let It Grow > Drums > Space > He's Gone > The Other One > Stella Blue > Sugar Magnolia
Encore
Writeups
None available yet
Related videos
None available yet
Tapes
- MatrixMaster CassetteFront of BoardFront of BoardStream OnlyTaper unknown[SBD > MC > PCM > DAT > CDR] + [Senn 441's (FOB) > Sony TC-D5 > DAT > CD] > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16ListenArchive.orgRelistenetree30705TransferChris Chappell
- SBDPCMStream OnlyTaper unknownCD -> Samplitude Professional v7.02 -> FLACListenArchive.orgRelistenetree77196TransferCharlie Miller
- Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownAUD : MC (FOB, 27th Row, Senn 441's > Sony TC-D5) > DAT > CDListenArchive.orgRelistenetree5984
- SBDMaster CassetteStream OnlyTaper unknownSBD>MC>PCM>DAT>CDR with Aud patch assumed from widely circulated audience sourceListenArchive.orgRelistenetree19228
- SBDMaster CassetteStream OnlyTaper unknownSBD>MC>PCM>DAT>CDR>EAC>SHNListenArchive.orgRelistenetree33614TransferBill Tetzeli
- Source unknownTaper unknownunknown cassette > ? > CD; CD > FLACListenArchive.orgRelistenetree121407Transferscottz
- AUDTaper unknownAud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only.ListenArchive.orgRelistenetree121973TransferUher Archives
- Front of BoardD5Front of BoardFront of BoardTaper unknownTDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.ListenArchive.orgRelistenetree136587TransferAndrew F.
- Front of BoardD5MFront of BoardFront of BoardTaper unknownSource: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017ListenArchive.orgRelistenetree140037TransferCharlie Miller and SIRMick
- Source unknownTaper unknownPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle HolbrookListenArchive.orgRelistenetree138618TransferKyle Holbrook
- Front of BoardD5MFront of BoardFront of BoardTaper unknownTransfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24ListenArchive.orgRelistenetree145217TransferSirmick and Charlie Miller
- Source unknownTaper unknownPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle HolbrookListenArchive.orgRelistenetree138619TransferKyle Holbrook
- Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496ListenArchive.orgRelistenetree158507TransferScott Clugston, Charlie Miller
- Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496ListenArchive.orgRelistenetree158506TransferScott Clugston, Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16ListenArchive.orgRelistenetree167999TransferTim McKenzie;Charlie Miller;Scott Clugston
- AUDMaster CassetteTaper unknownMaster Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496ListenArchive.orgRelistenetree176351TransferTransfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel February 15, 2026
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1982-08-03-starlight-theatre-kansas-city
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"runtime": "188",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd82-08-03.senn-hogan.fink.5984.sbeok.shnf
- identifier
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- relisten_url
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd82-08-03.sbd.unk.19228.sbeok.shnf
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1982-08-03.sbd.unknown.tetzeli.fix-19228.33614.reflac.flac16
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Recording gd1982-08-03.aud.uherarchives.partial.121973.flac24
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Recording gd1982-08-03.140037.beyer-m160.streeter.miller.sirmick.flac24
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"notes": "Notes:\n\n- Patches\n\n\"Mississippi Half-Step Uptown Toodeloo\" - first 26 seconds\n\"Cumberland Blues\" - 5:43-5:47\n\"Big Railroad Blues\" - 4:28-4:29\n\"Man Smart (Woman Smarter)\" - last 1.6 seconds\n\"Might As Well\" - First 4.1 seconds\n\"Samson And Delilah\" - 8:08-8:12\n\"Drums\" 1:41-8:51\n\"Space\" - first 25 seconds\n\"Sugar Magnolia\" - 8@59-9-09\n\npatch source shnid 138619 Thank you Kyle Holbrook & Olvy Johnson.\n\n- Most tracks were pitch corrected.\n\n\nThanks to Frank and Charlie\n\n\nedited and mastered\nSIRMick",
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Recording gd1982-08-03.138618.nak300.holbrook.flac1644
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"notes": "recording notes:\n// Tape flip\nset 1-The PA sound is pretty rough for the first four songs. There is some overall bass distortion during half of set 1 through Cumberland Blues which I think is from the lead deck's levels set too high. Possibly the recorder's batteries were low and they got changed during tape flip. The rest of the show from Althea forward has much better sound quality.\nSet 2-\n*** we dropped the flashlight on the input knob at around 2:09 which turned\nthe volume way up for less than 10 seconds. Tough to edit out, so I reduced the volume there as best I could, but it might be startling!\n+ drums were cut as was a standard practice at the time to save tape; apologies all these years later!\n& Left channel drops out for about start 1:06:22 -? 1:10:47 (4mins 25 seconds). I copied the Right channel and pasted it in this gap.(slight edit bump @1:10:47)\n//* quick tape swap to tape 1 for Sunshine Daydream and encore\n\nMy opinion is the first set is mainly archival, the last two songs aside. The second set is an VG+ rendition of that era's GD music with the Nakamichi microphones. The band was playing very well and the song selection for set 2 is top notch. NOt great but worth a listen.\n\nStarlight Theater Kansas City MO August 3 1982\nMicrophone location- in pavilion, moved between sets patched out of Nak 550\nThis was the show where we became tapers. We had tickets, bought at the box office earlier in the day during a surprise release. But the seats were farther back than we wanted. We spotted the guy we patched out of in OKC walk by us, and set up about 10 rows in front of us. So we asked if we could patch, he said,he had an extra ticket, one of us sit here and help him. I recall Olvy sat with him and at set break the taper, Dan, wanted to move. So, we commandeered three empty chairs about 15 feet up and almost dead center for Dan's Nakamichi set up. The venue was amazing, the show incredible and the scenery and skies co-operated to add beauty to the light show on stage.\n\nThis show is widely regarded as an excellent example of what the Dead were about on their best days of 1982. We called it \"bringing the heat\". After a top notch first set, the boys came out and hammered it down. The Shakedown, Sampson & Delilah, To Lay me Down and Let it Grow are grade A Dead. This recording capatures it pretty well as we were in the right spot acoustically. The complete story of our summer tour can be read in the text file.",
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"notes": "Notes:\n\n- Patches\n\n\"Mississippi Half-Step Uptown Toodeloo\" - first 26 seconds\n\"Cumberland Blues\" - 5:43-5:47\n\"Big Railroad Blues\" - 4:28-4:29\n\"Man Smart (Woman Smarter)\" - last 1.6 seconds\n\"Might As Well\" - First 4.1 seconds\n\"Samson And Delilah\" - 8:08-8:12\n\"Drums\" 1:41-8:51\n\"Space\" - first 25 seconds\n\"Sugar Magnolia\" - 8@59-9-09\n\npatch source shnid 138619 Thank you Kyle Holbrook & Olvy Johnson.\n\n- Most tracks were pitch corrected.\n\n\nThanks to Frank and Charlie\n\n\nedited and mastered\nSIRMick",
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"notes": "recording notes:\n// Tape flip\nset 1-The PA sound is pretty rough for the first four songs. There is some overall bass distortion during half of set 1 through Cumberland Blues which I think is from the lead deck's levels set too high. Possibly the recorder's batteries were low and they got changed during tape flip. The rest of the show from Althea forward has much better sound quality.\nSet 2-\n*** we dropped the flashlight on the input knob at around 2:09 which turned\nthe volume way up for less than 10 seconds. Tough to edit out, so I reduced the volume there as best I could, but it might be startling!\n+ drums were cut as was a standard practice at the time to save tape; apologies all these years later!\n& Left channel drops out for about start 1:06:22 -? 1:10:47 (4mins 25 seconds). I copied the Right channel and pasted it in this gap.(slight edit bump @1:10:47)\n//* quick tape swap to tape 1 for Sunshine Daydream and encore\n\nMy opinion is the first set is mainly archival, the last two songs aside. The second set is an VG+ rendition of that era's GD music with the Nakamichi microphones. The band was playing very well and the song selection for set 2 is top notch. NOt great but worth a listen.\n\nStarlight Theater Kansas City MO August 3 1982\nMicrophone location- in pavilion, moved between sets patched out of Nak 550\nThis was the show where we became tapers. We had tickets, bought at the box office earlier in the day during a surprise release. But the seats were farther back than we wanted. We spotted the guy we patched out of in OKC walk by us, and set up about 10 rows in front of us. So we asked if we could patch, he said,he had an extra ticket, one of us sit here and help him. I recall Olvy sat with him and at set break the taper, Dan, wanted to move. So, we commandeered three empty chairs about 15 feet up and almost dead center for Dan's Nakamichi set up. The venue was amazing, the show incredible and the scenery and skies co-operated to add beauty to the light show on stage.\n\nThis show is widely regarded as an excellent example of what the Dead were about on their best days of 1982. We called it \"bringing the heat\". After a top notch first set, the boys came out and hammered it down. The Shakedown, Sampson & Delilah, To Lay me Down and Let it Grow are grade A Dead. This recording capatures it pretty well as we were in the right spot acoustically. The complete story of our summer tour can be read in the text file.",
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Recording gd1982-08-03.158507.senn421.vita.miller.clugston.flac2496
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"notes": "Notes:\n- Thanks to Jim Vita (RIP) for the 1st generation cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Kyle Holbrook for the Nakamichi 300 source which supplies the first few notes of \"Cumberland Blues\"\n- Thanks to Brian Schley for the Sennheiser 441 source which supplies a 6:08 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nApril 2022",
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"notes": "Notes:\n- Thanks to Jim Vita (RIP) for the 1st generation cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Kyle Holbrook for the Nakamichi 300 source which supplies the first few notes of \"Cumberland Blues\"\n- Thanks to Brian Schley for the Sennheiser 441 source which supplies a 6:08 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nApril 2022",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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"notes": "Notes:\n- Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1)\n- Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to Paul Hogan and Daryl Fink for the Sennheiser 441 source which supplies 0:29, 0:27 and 0:12 patches in \"Mississippi Half-Step Uptown Toodeloo\", the last few notes of \"Cumberland Blues\" (0:08 total), a 0:34 patch in \"Stella Blue\", a 0:17 patch in \"Sunshine Daydream\", as well as \"Casey Jones\" in its entirety\n- Thanks to Jim Vita (RIP) and Charlie Miller for the Sennheiser 421 source which supplies 1:01 and 0:23 patches in \"Drums\"\n- Other One themed \"Space\"\n- Pitch corrected\n\nMastered by Scott Clugston\nJune 2024",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1982-08-03.176351.aud.bernstein.ackerman.noel.flac2496
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- content_url
- https://archive.org/details/gd1982-08-03.176351.aud.bernstein.ackerman.noel.flac2496
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Mississippi Half Step Uptown Toodleloo ><br />Franklin's Tower ><br />New Minglewood Blues<br />Peggy-O<br />El Paso ><br />Cumberland Blues<br />Althea<br />Cassidy<br />Big Railroad Blues ><br />Man Smart (Woman Smarter)<br />Might As Well</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Shakedown Street ><br />Samson & Delilah<br />To Lay Me Down<br />Let It Grow ><br />Drums ><br />Space ><br />He's Gone ><br />The Other One ><br />Stella Blue ><br />Sugar Magnolia<br />Casey Jones</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes;\n- mics or lead deck can't be recalled.\n- a quick listen reveals Bernstein's upfront & centered (again).\n- checksums & tags created in xACT\n\nThanks to;\n- Jon Bernstein for his recording efforts & sharing his masters\n- Ray Ackerman for the quality transfer\n- Frank Streeter & Jimi for the patch sources",
"runtime": "3:13:29.532",
"transferer": "Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel February 15, 2026",
"taperText": "Jon Bernstein",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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