Sep 17, 1982 at Cumberland County Civic Center

identifier

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—

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—

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download_count

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review_count

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mean_rating

4.89

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relisten_url

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etree_url

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content_url

https://archive.org/details/gd82-09-17.aud.lai.2577.sbefail.shnf

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identifier

gd1982-09-17.aud.wise.91483.sbeok.flac16

source_type

FOB, Sennheiser MD-421's > Sony TC-D5.

lineage

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content_url

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identifier

gd82-09-17.nak300.clugston.335.sbeok.shnf

source_type

Audience Recording: Nak CM300's

lineage

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d5

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tape_culture_tags

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16

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4.5

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etree_url

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https://archive.org/details/gd82-09-17.nak300.clugston.335.sbeok.shnf

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identifier

gd1982-09-17.mtx.haugh.82208.sbefail.flac16

source_type

(55%SBD + 15%AUD1 + 15%AUD2 + 15%AUD3)

lineage

Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) by Mark Cohen Encoding: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Feurio/mkwACT by David Minches AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC > CEP > CDWave > CDRWin > Yamaha CR8424 CDR AUD3 Unknown AUD (was thought it may be a matrix, which it is not) Thanks to Dr.B.Fried for his copy. Conversion by Mike Lai

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content_url

https://archive.org/details/gd1982-09-17.mtx.haugh.82208.sbefail.flac16

Full served wire node (JSON)

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identifier

gd1982-09-17.sbd.harrison.80770.sbeok.flac16

source_type

Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)

lineage

Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge

lineage_chain

Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge

capture_position

soundboard

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cdr

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—

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—

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4

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https://archive.org/details/gd1982-09-17.sbd.harrison.80770.sbeok.flac16

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identifier

gd82-09-17.cohen.minches.18985.sbeok.shnf

source_type

Audience Recording: Nak 700s> Sony D5

lineage

—

lineage_chain

Audience Recording: Nak 700s > Sony D5

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—

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—

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—

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—

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4.5

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https://archive.org/details/gd82-09-17.cohen.minches.18985.sbeok.shnf

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identifier

gd1982-09-17.152910.mtx.seamons.ht132.flac16

source_type

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

lineage

—

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Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

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gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf

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identifier

gd1982-09-17.nak300.friend.andrewf.99679.flac16

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identifier

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identifier

gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496

source_type

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identifier

gd1982-09-17.aud.morris.111030.sbeok.flac24

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identifier

gd1982-09-17.mtx.dts.82184.sbefail.flac16

source_type

See info file

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See info file

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See info file

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https://archive.org/details/gd1982-09-17.mtx.dts.82184.sbefail.flac16

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      "notes": "*  first time played\n\nSource Info\n\nSBD\nSet 1.  \nRecording:  SBD > Dolby B metal cassette master\nPlayback:  Dolby B metal cassette master > 20-bit SBM2 > CDR\n(David Gans master) > EAC > SoundForge > CDR (Gen 1) > EAC > Flac\nSet 2.  \nRecording:  SBD > ? (likely cassette master) *\nPlayback:  ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 >\nCD Wave Editor > Flac\nAll Transfers By Rob Harrison\n\n* B/c of the consistent speed and low levels of hiss I am sure\nit is from a cassette master.  Additional note by: Dan Haugh\n\nAUD1\nFOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen\nTransfer: Tascam 122MKIII cassette deck (MC playback) > Tascam\nDA40 DAT deck (record)  by Mark Cohen\nEncoding: Tascam DA-30 playback > Egosys Waveterminal 2496 >\nCool Edit 2000 > Feurio/mkwACT by David Minches\n\nAUD2\nMaster FOB Audience Cassette > Nak CM300 mics > Sony D5:\nmaster cassette played back via a Nakamichi DR-1 > HHB 850 >\nEAC > CEP > CDWave > CDRWin > Yamaha CR8424 CDR\n\nAUD3\nUnknown AUD (was thought it may be a matrix, which it is not)\nThanks to Dr.B.Fried for his copy.  Conversion by Mike Lai\n\nThanks to all the hard work from the folks mentioned above in\ntheir loving care getting these sources out.  All 3 audience\nrecordings were nothing short of spectacular and the transfer\njobs to digital were all very well done.\n\n---------------------------------------------------------\n\nTech Notes\n\nFLAC/SHNs were decoded to wave. Wavmerge was used to reassemble\nthe tracks back to 1 long wave.  CEP2.0 was used to align &\nsynch all of the sources.  SF8.0 was used for the EQ setting\npre mixdown. This is a 55% SBD, 15% AUD1, 15% AUD2, 15% AUD3 mix.      \n- Mixed by dan@am-dig.com\n- FLAC conversion done 15-JAN-2007  \n- Artwork at 300dpi by dan@am-dig.com\n- For best results print at the highest resolution onto glossy\nphoto paper.  Design for use in a clear double jewel case.\n\n---------------------------------------------------------\n\nDTS-Audio-CD Info\n\nFront\nLeft Channel SBD+AUD DEQ\\'d Matrix 90%-SBD/10%-AUD1\nRight Channel SBD+AUD DEQ\\'d Matrix 90%-SBD/10%-AUD1\n\nCenter\nMono Mix -5db SBD DEQ\\'d\n\nSurround\nLeft Channel AUD+AUD DEQ\\'d Matrix 60%AUD2+40%AUD3\nRight Channel AUD+AUD DEQ\\'d Matrix 60%AUD2+40%AUD3\n\nSub/LFE\nMono Mix -5db SBD+AUD  DEQ\\'d Matrix 70%SBD+30%AUD1\n\n---------------------------------------------------------\n\nNotes\n\nThis 5.1 mix utilizes 5 fully discrete channels.\n\nThe SBD and all 3 AUD sources all had cuts between just about\nevery song in the first set.  The SBD was even missing a note\nor two at the start of each song.  A huge effort was made to\nmake the first set flow as naturally as possible.  In most\ncases the transition from song to song sounds very good as if\nthe Dead weren\\'t tuning up much and just rattling off song\nafter song.  Losing a naturally flow and between song cuts are\na big pet peeve of mine.  I hope you enjoy all the hard work\nthat went to keep this sounding smooth and natural.\n\nd1t01 \\\"Bertha\\\" first 8 seconds is from a matrix mix of AUD\nsources D\\'EQed. Then a several second crossfade to the SBD.  \nThis is very short and the patch ends before the lyrics\nbegin.  Hardly noticeable and not at all distracting.\n\nd1t04 \\\"CC Rider\\\" the line \\\"see what you done done\\\" sounds like\na tiny skip but it is on the SBD and all 3 AUDs so it was also\ncoming over the PA.  Probably a problem with Bobby\\'s microphone.\nThere is also an echo effect on the vocals. This is not a\nsynch issue.\n\nd1t05 \\\"Althea\\\"  first 2 seconds is from a matrix mix of AUD\nsources D\\'EQed. Then a several second crossfade to the SBD.  \nThis is very short patch, hardly noticeable and not at all\ndistracting.\n\nd2t01-02 \\\"Touch > Women\\\" is made entirely from a mix of all\n3 AUD sources.  Fun to hear both a stereo mix of all 3 AUD\nrecordings and even better in the 5.1 multichannel mix.  \n\nd2t01 \\\"Touch Of Grey\\\" was missing 3.187 seconds from the AUD3\nsource.  This was patched with a matrix mix of AUD1 + AUD2.\n\nd2t01 \\\"Touch Of Grey\\\" Weir hits a real sour note at the start\nof the song.  Out of tune and bad timing.  This is not a synch\nissue\n\nd2t05 \\\"Drums\\\" cassette flips in all 3 AUD sources during\ndifferent portions.  B/c these were all located at different\nspots complete coverage was achieved.\n\nd3t03 \\\"Spanish Jam\\\" cassette flip in SBD source.  There was\napprox 12 seconds of missing material patched with a matrix\nmix of all 3 sources.  Plus 5 second crossfades at each end\nto make the source transition as smooth as possible.  This\ncame out real nice and is hardly noticeable and not at all\ndistracting.\n\n---------------------------------------------------------\n\nMultitrack Mixdown Settings\n\nSET ONE\n\nFront Matrix\nSBD -1\nAUD1 -9\n\nRear Matrix\nAUD2 -4\nAUD3 -9\n\nSub/LFE Matrix\nSBD -3db\nAUD1 -7.5db\n\nSET TWO\n\nFront Matrix\nSBD -2\nAUD2 -10\n\nRear Matrix\nAUD2 -4\nAUD3 -9\n\nSub/LFE Matrix\nSBD -3.5db\nAUD1 -8db\n\n---------------------------------------------------------\n\nEditorial Comments\n\nThis is a fantastic show with too many highlights to mention.\nThe ultra clear SBD was a perfect candidate for a matrix mix\nas these great AUDs really opened the recording up.\n\nOne of the earliest SBDs I collected in High School with a known\nanalog generation (3rd gen).  That cassette was also missing the\nTouch > Women opener which leads me to believe that there is no\nSBD recording for those 2 tunes.  \n\nListen carefully to the 3 AUD source matrix for the Touch >\nWomen to get a good idea of what it sounded like for the crowd\nthat night.  The stereo matrix and 5.1 multichannel mix give you\na great feel for the room and the small size of the venue.  For\ndifferent reasons I really like the all AUD mix of those 2 songs.\nI think an argument could be made to produce an all AUD source\nas a companion to this SBD+AUDs version.\n\n\n---------------------------------------------------------\n\nMore On DTS\n\nToday\\'s audio standards are moving towards multi-channel sound\nlike DTS, Dolby Digital and DVD-Audio.  While the Audio-CD\nstandard (Red Book) hasn\\'t changed to accommodate these new\nsound formats, it is still possible to go around the\nspecification and to put a 5.1 surround recording on a\nregular Audio-CD.  To play a DTS-Audio-CD you must connect\nyour DVD/CD player via a digital cable (optical or coaxial)\nto your DTS Dolby-Digital receiver. It is not 100% sure that\nyour receiver will recognize a DTS-Audio-CD, so the first\ntime you\\'re trying to playback a DTS-Audio-CD you must do\na test to determine if it can. Begin with the volume very\nlow, start the disc and rise the volume gradually. NEVER\nlisten to a DTS-Audio-CD through the analogue audio outputs\nof your CD/DVD player.\n\nBurning Instructions\nBurn them the absolute same way as you would burn any normal\nAudio-CD from FLAC files.",
      "transferer": "Dan Haugh",
      "releaseNote": "This source is availble in DTS 5.1 format (not streamable)"
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identifier

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content_url

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identifier

gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644

source_type

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identifier

gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648

source_type

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lineage

—

lineage_chain

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content_url

https://archive.org/details/gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648

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identifier

gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448

source_type

Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on

lineage

Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)

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identifier

gd1982-09-17.167532.set2.sbd.harrison-miller.flac1644

source_type

Recording: Pre-FM production disc of GDH #545 on 1999-03-01) > Charlie's transfer & mastering > FLAC Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC

lineage

—

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capture_position

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identifier

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