Grateful Dead
Dec 27, 1982 at Oakland Auditorium
Oakland, CA
Setlist via JerryBase
Set 1
Bertha > Greatest Story Ever Told, Bird Song > Beat It On Down The Line, They Love Each Other, Me And My Uncle > Big River, Brown Eyed Women > Let It Grow
Set 2
Scarlet Begonias > Fire On The Mountain > Playing In The Band > Drums > Space > The Wheel > The Other One > Black Peter > Sugar Magnolia
Encore
Writeups
None available yet
Related videos
None available yet
Tapes
- MatrixStream OnlyTaper unknownSee info fileListenArchive.orgRelistenetree34705TransferBill Koucky and Chris Ladner and Chris Chappell
- SBDPCMTaper unknownPCM -> Peak -> Samplitude Professional v10.1 -> FLACListenArchive.orgRelistenetree95954TransferCharlie Miller
- Front of BoardDATFront of BoardFront of BoardTaper unknownPlayback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLACListenArchive.orgRelistenetree77463TransferBill Koucky and Chris Ladner
- SBDTaper unknownCassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16ListenArchive.orgRelistenetree81515TransferCharlie Miller
- SBDDATStream OnlyTaper unknown4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).ListenArchive.orgRelistenetree32134TransferBill Koucky and Chris Ladner
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree147919TransferScott Clugston and Charlie Miller
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree147920TransferScott Clugston and Charlie Miller
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1982-12-27-oakland-auditorium-oakland
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"description": "Set I\n\nd1t01 - Bertha ->\t\nd1t02 -\tGreatest Story Ever Told\t\nd1t03 -\tBird Song\t\nd1t04 -\tBeat It On Down The Line\t\nd1t05 -\tThey Love Each Other\t\nd1t06 -\tMe & My Uncle ->\t\nd1t07 -\tBig River\nd1t08 -\tBrown-Eyed Women ->\nd1t09 -\tLet It Grow\n\nSet II\n\nd2t01 - Scarlet Begonias ->\t\nd2t02 -\tFire On the Mountain\t\nd2t03 -\tPlayin' In the Band ->\t\nd2t04 -\tDrums ->\t\nd2t05 -\tSpace ->\t\nd2t06 -\tThe Wheel ->\t\nd2t07 -\tThe Other One ->\nd2t08 -\tBlack Peter ->\nd2t09 -\tSugar Magnolia\nEncore:\nd2t10 - US Blues",
"notes": "General Notes:\n\nBill Koucky contacted me and wanted me to try and matrix this sick but\nrelatively unknown show because neither source really did it justice. I\nsaid I'd give a whirl and sure enough the mix turned out to be a big\nimprovement. The Oakland Auditorium Arena later became the Henry J. Kaiser\nConvention Center so this nice FOB sounds great when coupled with a so-so\nSBD which needed much digi snit removal (thanks Chris Ladner) which I used\nfor set 1 - the second set I used was the Clugston source but there is\nnothing in the db, so it is unclear if Scott remastered the problematic\nBruce Fried source or got it somewhere else. Bill K's 1st gen FOB from\nSteve Aldeman that he duped 23 years ago serves as an excellent AUD source.\n\nThe first set is on fire with Garcia constantly trying to slow things\ndown in his song selection (Birdsong as the 3rd tune?!! and TLEO is quite\nspirited) but he finally gives and cranks out a ripping Brown-Eyed so Weir\ncan stretch out on a monster Let It Grow. Second set opening with Scarlet >\nFire is big and groovy, and the Playin' that follows has Jerry referencing\nthe Woody Woodpecker theme (4:57). The whole show is played well, no big\nsurprises, just good ole Grateful Dead.\n\nOn the FOH side of things Healy seemed to be playing with a short delay\neffect (15ms or so) for most of the first set on both Garcia's guitar\nand all the vocals. It is very noticeable in spots, especially on Garcia's\nsolo in Bertha and the vocals in BIODTL. The result is a flange effect\nwhich some might misconstrue as bad synching, but let it be known this is\nhow it sounded in both sources and is not the result of the matrix.\n\nThanks to Steve Aldeman for recording the AUD, and to Bill Koucky and\nChris Ladner for transfering, encoding and remastering both SBDs and the\nAUD source. Thanks to Scott Clugston for the mystery SBD II source, and\nto Dr. Bruce Fried for the SBD I source.\nSpecial thanks to Bill Koucky for motivating me to matrix this wonderful\nyet obscure show (even the LlaMA doesn't have anything for this date).\n\nEnjoy!\nChappy\n\n___________________________________________________________\n\nEditing Notes:\n\n- Pitch\nSet 1: Both sources were not very close in pitch. The SBD had to be\npitched down between 53 and 59 cents, while the AUD had to be pitched down only\n49 cents.\nSet 2: The SBD was relatively close in pitch so I left it as is and\npitched the AUd down about 50 cents. \n\n- Synch\nBecause of the speed fluctuation within a given source, multiple edits\nwere performed to keep the sources synched. Since the AUD was my\nmaster pitch and time ref, the SBD was synched to the AUD (too many\nedits to list). \n\n- Sonic Quality/Matrix ratio\nNo EQ was applied to either of the two sources. I applied very sparingly\nWaves L2 (limiter) to the master 2 buss to keep things contained, the\nlevels rarely hitting zero, thus the limiting is quite scarce. All I was\ntrying to do here is to add some dimension to the SBD by using the\nambience of the AUD. The result is a lively but clear recording, hopefully\nclose to how it sounded at the show. If I had to guess the SBD/AUD ratio\nwould be somewhere between 2.5:1 and 2:1. \n\n- Edits\nThe following are places where the SBD and AUD had splices, holes or\nincomplete coverage in reference to the final matrix timeline.\n\nSBD:\nd1t01 (0:00 - 0:14) - missing (tuning)\nd1t01 (0:14 - 1:11) - multiple volume moves to smooth out levels\nd1t01 (1:39) - feedback - minimized on both sources",
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"notes": "Original seeder flaw notes:\nPauses between 1st set tunes quick pause before encore.\n\nRemaster comments:\nThere is some minor hiss during the quietest portions of the show which I left as is - no NR.",
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"notes": "Notes:\n-- Thanks to Paul Scotton and Joani Walker for the Cassettes\n-- The circulating 1st Set sbd sucks, so I didn't include it\n-- First few notes of U.S. Blues missing",
"runtime": "78",
"transferer": "Charlie Miller",
"taperText": "Cassettes provided by Joani Walker and Paul Scotton"
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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"description": "Disc I - Set I\n01 Bertha > [07:12]\n02 Greatest Story Ever Told [04:18]\n03 Bird Song [09:12]\n04 Beat It On Down The Line [03:36]\n05 They Love Each Other [08:05]\n06 Me & My Uncle > [03:05]\n07 Big River [05:46]\n08 Brown-Eyed Women > [04:55]\n09 Let It Grow [11:00]\nTotal time: 57:11\n\nDisc 2 - Set II\n01 Scarlet Begonias > [10:24]\n02 Fire On the Mountain [09:49]\n03 Playin' In the Band > [10:15]\n04 Drums > [06:07]\n05 Space > [03:49]\n06 The Wheel > [05:37]\n07 The Other One > [07:03]\n08 Black Peter > [08:33]\n09 Sugar Magnolia [08:10]\nEncore\n10 U.S. Blues [04:54]",
"notes": "Original Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out\nin hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud\nthat I have put up. It sounds like it could be a monitor mix at times not all of the instruments are\nthere and the crowd is silent in the tape. Very strange when compared to the aud and when\nbeing in the audience myself. Tons of energy and power that just does come accross on this recording\nTake it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to billk@neci.edu Enjoy!!!\n\nC.Ladner's remastering comments:\n- there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound.\n- dead space associated with tape splices removed using Wavelab 5.\n- levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used.\n-I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source.\n\nThis is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).",
"runtime": "131",
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"notes": "Notes:\n- Thanks to Chris Hecht for the master recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of \"Let It Grow\", the crowd and first 0:15 of \"Scarlet Begonias\" (3:31 total), as well as a 0:13 patch in \"Space\"\n- Beginning of \"US Blues\" muffled\n- Pitch corrected\n\nMastered by Scott Clugston\nAugust 2019",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Bertha ><br />\nGreatest Story Ever Told<br />\nBird Song<br />\nBeat It On Down The Line<br />\nThey Love Each Other<br />\nMe & My Uncle ><br />\nBig River<br />\nBrown Eyed Women<br />\nLet It Grow</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Scarlet Begonias ><br />\nFire On The Mountain ><br />\nPlaying In The Band ><br />\nDrums ><br />\nSpace ><br />\nThe Wheel ><br />\nThe Other One ><br />\nBlack Peter ><br />\nSugar Magnolia<br /><br />\nEncore:<br />\nU.S. Blues</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "Notes:\n- Thanks to Chris Hecht for the master recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of \"Let It Grow\", the crowd and first 0:15 of \"Scarlet Begonias\" (3:31 total), as well as a 0:13 patch in \"Space\"\n- Beginning of \"US Blues\" muffled\n- Pitch corrected\n\nMastered by Scott Clugston\nAugust 2019",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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