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Tapes

  • Front of BoardDATFront of BoardFront of BoardTaper unknownSet 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD
    Discs
    3
    SHN discs
    2
  • Source unknownDAT (Reel)Taper unknownMaxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
    Taper
    Dean Grabski
  • Source unknownD5MTaper unknownSony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
    Taper
    Da Weez
  • Front of BoardFront of BoardFront of BoardTaper unknownMAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8
    Taper
    David Minor
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • AUDD5Taper unknownPan SV3700 -> Za2 -> .shn
    Taper
    J. Silberman
  • Front of BoardFront of BoardFront of BoardTaper unknownSony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit)
    Taper
    Richard Colyard
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
    Taper
    Bob Morris
  • AUDTaper unknownsource: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8
    Taper
    chasingwilma
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownTaper unknownsource: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
    Taper
    Dave Barfield and David Lane
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1983-06-20-merriweather-post-pavilion-columbia

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identifier
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source_type
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lineage
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shnid
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relisten_url
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etree_url
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content_url
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Archive.org metadata (on the wire)

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Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch.
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capture_position
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etree_url
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content_url
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      "notes": "Location: Outside on the lawn, slightly right of center about 30 ft from the repeaters.  The sound was incredibly clear - of course you can hear the rain during quieter parts of the second set, but for those there it just adds to the intensity of the listening experience.\n\nNotes: This is one of the most memorable Grateful Dead concerts I've attended. The weather and band were incredibly fierce.  There are so many vivid memories of this night - of course the intense weather; there were record rainfall amounts set and huge bright lightning bolts filling the sky. The thoughts that go through ones head when lightning is crackling all over the place and you have an aluminum microphone stand (lightning arrestor) up in the air with a tape deck wired directly to your chest! Were we dedicated, insane or both? I remember the microphones owner dressed up in sailing foul weather gear looking like a mad ship captain around the mast -\"ah mate bring it on\"..   There were others patched out of me and another rig or two set up during the 1st set but they all bailed shortly into the 2nd set or during the break.\n\nDuring the 2nd set there were a few times when the power would go out, it's pretty wild to listen to since you can hear the stunned audience come up from the silence, then the power comes on with a speaker pop and Phil just wails!\n\nWalking out I was completely stunned by the whole experience, getting into my car and trying to find a hotel since there was no way we were going to try to camp that night?    Sorry for taking so long to share it with you.\n\nFlaws: We didn't record drums since that would've taken one extra flip and with the weather",
      "transferer": "Dean Grabski",
      "taperText": "Dean Grabski"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
identifier
gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
source_type
source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
lineage
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
lineage_chain
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mean_rating
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relisten_url
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etree_url
https://etreedb.org/shn/117531
content_url
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Full served wire node (JSON)

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      "notes": "note:\n* with \"Bob Star\" \n---------------------------------\nR.I.P. Sandy - aka \"Bigfoot\"  \n---------------------------------",
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Archive.org metadata (on the wire)

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Recording gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
identifier
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
source_type
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
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Recording gd1983-06-20.119816.aud.chasingwilma.flac24
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Archive.org metadata (on the wire)

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.