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Tapes

  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)
    SHN discs
    2
  • Front of BoardFront of BoardFront of BoardTaper unknownCD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
    SHN discs
    2
  • Front of BoardFront of BoardFront of BoardTaper unknownRecorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
    Taper
    George "Fingers" Bethke;Justin Lee
  • SBDMaster CassetteTaper unknownNakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
    Taper
    Tom Pinney & Kyle Holbrook and Executive Crew
  • SBDMaster CassetteTaper unknownNakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
    Taper
    Tom Pinney & Kyle Holbrook and Executive Crew
  • Front of BoardFront of BoardFront of BoardTaper unknownTransfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
    Taper
    Michael Gardner
  • Front of BoardTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
    Taper
    Robert Bryant
  • Front of BoardFront of BoardFront of BoardTaper unknownTransfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
    Taper
    Michael Gardner
  • Front of BoardTaper unknownRobert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
    Taper
    Robert Bryant
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Source unknownCassetteTaper unknownPlayback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
    Taper
    Analog4011
  • Source unknownCassetteTaper unknownPlayback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
    Taper
    Analog4011

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1983-06-28-poplar-creek-music-theatre-hoffman-estates

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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etree_url
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-06-28.senn421.bethke.lee.119579.flac16
identifier
gd1983-06-28.senn421.bethke.lee.119579.flac16
source_type
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
lineage
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-06-28.142395.beyerm201.holbrook.flac2448
identifier
gd1983-06-28.142395.beyerm201.holbrook.flac2448
source_type
flac24/48 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
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      "notes": "Recording Notes\n/   paused between songs\n//  tape flip\n/// tape swap\n% missed start\n# missed less than 10 seconds of music at transition into Sugar Magnolia\n\nA final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was \"a one piece die-cast metal alloy between transparent hard plastic plates \" as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset.  In the Download Options Section click JPEG.",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-06-28.142394.beyerm201.holbrook.flac1644
identifier
gd1983-06-28.142394.beyerm201.holbrook.flac1644
source_type
flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
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etree_url
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https://archive.org/details/gd1983-06-28.142394.beyerm201.holbrook.flac1644

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.