Sep 11, 1983 at Downs of Santa Fe

identifier

gd1983-09-11.senn441.silberman.clugston.23224.sbefail.shnf

source_type

Jeff Silberman's Master Audience PCM Sennheiser 441 mics > Technics SV100 PCM

lineage

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—

lineage_media_token

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—

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—

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4.6

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23224

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etree_url

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content_url

https://archive.org/details/gd1983-09-11.senn441.silberman.clugston.23224.sbefail.shnf

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identifier

gd83-09-11.sennheiser.4874.sbeok.shnf

source_type

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identifier

gd83-09-11.sbd.dankseed.4995.sbeok.shnf

source_type

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—

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https://archive.org/details/gd83-09-11.sbd.dankseed.4995.sbeok.shnf

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identifier

gd1983-09-11.125609.mtx.dusborne.flac16

source_type

2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454)FOB) Nakamichi CM300->PCM->DAT (16/44)

lineage

Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson

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Dat clone > Sony PCM R-500 > VX Pocket V2 > SF6 Taper: Unknown Transferred and Seeded by Mike Watson

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matrix

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dat

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—

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true

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5

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125609

relisten_url

https://relisten.net/grateful-dead/1983/09/11?source=2180837

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https://etreedb.org/shn/125609

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https://archive.org/details/gd1983-09-11.125609.mtx.dusborne.flac16

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identifier

gd1983-09-11.152635.mtx.seamons.ht129.flac16

source_type

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

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—

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Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

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5

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content_url

https://archive.org/details/gd1983-09-11.152635.mtx.seamons.ht129.flac16

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identifier

gd1983-09-11.sbd.unk.109158.shnf

source_type

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—

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      "notes": "SBD with several Audience patches.  Sorry I don't have the original txt file that came with these files.  \nHowever, since the Archive folks decided to put that ridiculous Audience version that's missing half the first set!!! \nI've put this version on bt so folks can have it.  Enjoy!  It was a great show.  One of the folks that I saw this show \nwith remarked afterwards \"I'm going back east this fall to see a real Morning Dew indoors.\"  What an idiot.  And, the \njoke was on him, as this was the last Dew for 1983.",
      "runtime": "171:28.37",
      "transferer": "vamarty"
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}

identifier

gd1983-09-11.112783.Sennheiser421.daweez.d5scott.flac16

source_type

source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes;

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—

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content_url

https://archive.org/details/gd1983-09-11.112783.Sennheiser421.daweez.d5scott.flac16

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      "notes": "---------------------------------\nR.I.P. Sandy - aka \"Bigfoot\"  \n---------------------------------",
      "runtime": "163:26.59",
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      "taperText": "Da Weez"
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identifier

gd1983-09-11.nak304.mikeg-suraci.79168.sbeok.flac16

source_type

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Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac

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https://etreedb.org/shn/79168

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https://archive.org/details/gd1983-09-11.nak304.mikeg-suraci.79168.sbeok.flac16

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      "transferer": "Tony Suraci",
      "taperText": "Mike G. and Tony Suraci"
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identifier

gd1983-09-11.131805.mtx.remix.dusborne.flac16

source_type

2 Source Matrix by dusborne; This is a remix and remaster of gd83-09-11.125609.mtx.dusborne.flac16

lineage

—

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2 Source Matrix by dusborne; This is a remix and remaster of <a href="http://db.etree.org/shn/125609" > gd83-09-11.125609.mtx.dusborne.flac16</a >

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matrix

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5

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4.25

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https://relisten.net/grateful-dead/1983/09/11?source=3881255

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https://etreedb.org/shn/131805

content_url

https://archive.org/details/gd1983-09-11.131805.mtx.remix.dusborne.flac16

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      "notes": "I was never very happy with my original matrix of September 11, 1983. The SBD recording \nhas some funky mix issues, particularly too loud cymbals, especially a crash cymbal. \nThere is also some annoying high-end fizz and quite a bit of tape hiss on the SBD, I did \nuse Izotope RX 2 for some very light noise reduction. I remixed and smoothed out some of \nthe crossfades on the original synced files in Reaper v4.61/x64,  some great software from \nWaves was utilized to master the final mix. It's not perfect, but I think the extra time \nand work provides for a better listening experience. For best results, crank it up good \nand loud, enjoy this deservedly legendary show on Micky Hart's  40th birthday.\nDusborne 12-02-2014",
      "runtime": "183:13.42",
      "transferer": "Matrix by Dave Usborne"
    }
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  "contentUrl": "https://archive.org/details/gd1983-09-11.131805.mtx.remix.dusborne.flac16"
}

identifier

gd1983-09-11.fob.nak300.unknown.watson.100454.flac16

source_type

(FOB) Nakamichi CM300->PCM

lineage

PCM->DAT (16/44), Dat clone->Sony PCM R-500->VX Pocket V2->SF6

lineage_chain

PCM > DAT (16/44), Dat clone > Sony PCM R-500 > VX Pocket V2 > SF6

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front_of_board

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true

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3637

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1

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3

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100454

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https://relisten.net/grateful-dead/1983/09/11?source=3881256

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https://etreedb.org/shn/100454

content_url

https://archive.org/details/gd1983-09-11.fob.nak300.unknown.watson.100454.flac16

Full served wire node (JSON)

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      "notes": "Here's another one from the DAT collection of Keith Litzenberger. The only info I have is what was listed on the DAT. I believe the info is correct because some of the same crowd noise can be heard here and the Tony Suraci source. During the set II tuning a fan requests \"The Wheel\". This guy seems to be in between this taper and tony Suraci. so that tells me the FOB info is correct. There are no cuts where cassette flips would normally be and it sounds really crisp and clean leading me to believe it was mastered on PCM. God Bless The Grateful Dead, Enjoy!",
      "runtime": "183:26.28",
      "transferer": "M. Watson"
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identifier

gd1983-09-11.139021.FOB.Beyers.billydee.Sellars.Noel.t-flac24

source_type

billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

lineage

MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT

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MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT

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https://etreedb.org/shn/139021

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https://archive.org/details/gd1983-09-11.139021.FOB.Beyers.billydee.Sellars.Noel.t-flac24

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    "sourceType": "billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)",
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    "sourceMeta": {
      "description": "Set 1<br /><br />\nAlabama Getaway-> Greatest Story Ever Told, Dire Wolf, Hell In A Bucket, West L.A. Fadeaway, Me & My Uncle-> Mexicali Blues, Althea, CC Rider-> Might As Well<br /><br />\nSet 2<br /><br />\nHelp On The Way-> Slipknot!-> Franklin's Tower-> Let It Grow-> He's Gone-> Drums-> Truckin'-> Wang Dang Doodle-> Morning Dew-> Around & Around-> Sugar Magnolia, E: U.S. Blues",
      "notes": "Notes:\n- crossfades applied to tapes pauses\n- Mickey Hart's 40th Birthday. \n- Weekend shows that lasted nearly six hours, aka the music never stopped.\n- Willie Dixon -> Bonnie Dobson, can't say that happened a lot.",
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identifier

gd1983-09-11.143082.beyerm201.holbrook.flac2448

source_type

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identifier

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identifier

gd1983-09-11.139652.FOB.s2.Sen441.Silberman.Gans.Miller.Noel.fix.t-flac16

source_type

Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller

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identifier

gd1983-09-11.161893.nak300-cp4.shields-hughes.flac2496

source_type

Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB

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Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)

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identifier

gd1983-09-11.151510.fob.unknown.bryant.miller.clugston.flac2496

source_type

Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6

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identifier

gd1983-09-11.141025.FOB.Beyer.billydee.Sellars.Noel.t.flac1644

source_type

billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

lineage

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gd1983-09-11.151509.fob.unknown.bryant.miller.clugston.flac1648

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identifier

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