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Tapes

  • AUDCD-RTaper unknownACM> ??> CDR
    SHN discs
    2
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDat (Sony R500) -> Samplitude Professional v11.1.1 -> FLAC
  • Source unknownD5MTaper unknownSony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
    Taper
    Da Weez
  • Source unknownMaster CassetteTaper unknownNakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
    Taper
    Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
  • Front of BoardFront of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Robert Bryant
  • Source unknownMaster CassetteTaper unknownNakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean MurthaTransferred: Kyle Holbrook
    Taper
    Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Sean Murtha
  • Front of BoardFront of BoardFront of BoardTaper unknownTransfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
    Taper
    Michael Gardner
  • Front of BoardFront of BoardFront of BoardTaper unknownTransfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
    Taper
    Michael Gardner
  • Front of BoardFront of BoardFront of BoardTaper unknownCassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Robert Bryant
  • MatrixTaper unknownAUD1 + AUD2 Matrix 3 Source Mix (44/16)
  • Source unknownTaper unknown5.1 LPCM Surround Sound Mix (48k)
  • Source unknownTaper unknownDTS-Audio-CD 5.1 Mix

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1983-09-13-manor-downs-austin

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identifier
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source_type
ACM> ??> CDR
lineage
lineage_chain
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capture_position
audience
lineage_media_token
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tape_culture_tags
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is_listable
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download_count
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mean_rating
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relisten_url
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etree_url
https://etreedb.org/shn/12483
content_url
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identifier
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

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identifier
gd1983-09-13.senn441.miller.110772.flac16
source_type
(FOB) Sennheiser 441 -> PCM -> Dat
lineage
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https://relisten.net/grateful-dead/1983/09/13?source=3881107
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-09-13.110514.Sennheiser421.daweez.D5scott.flac16
identifier
gd1983-09-13.110514.Sennheiser421.daweez.D5scott.flac16
source_type
Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes
lineage
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
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      "notes": "* with a Spanish Jam \n\n-----------------------------------------------------------------------------------------------------------------------------------------------------------------\nR.I.P. Sandy - aka \"Bigfoot\"  He was a friend of mine and \"Da Weez\" who had nothing to do with this recording, but we all sure do miss him!\n-----------------------------------------------------------------------------------------------------------------------------------------------------------------",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
gd1983-09-13.143083.beyerm201.holbrook.flac1644
source_type
flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC
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      "notes": "//        tape flip\n\ntour story in text file",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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gd1983-09-13.151515.fob.unknown.bryant.miller.clugston.flac2496
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-09-13.168015.dts.tobin.flac16
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Full served wire node (JSON)

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      "notes": "---------------------------------------------------------\n- Mixed by kevtobin@yahoo.com\n- FLAC conversion 15-JUL-2024 - Trader Little Helper\n- Tagged 15-JUL-2024 - Tag&Rename\n---------------------------------------------------------\nMore On DTS\n\nToday's audio standards are moving towards multi-channel\nsound, like DTS and Dolby Digital. While the Audio-CD\nstandard (Red Book) hasn't changed to accommodate these\nnew sound formats, it is still possible to go around the\nspecification and to put a 5.1 surround recording on a\nregular Audio-CD. To play a DTS-Audio-CD you must connect\nyour DVD/CD player via a digital cable (optical or coaxial)\nto your DTS Dolby-Digital receiver. It is not 100% sure\nthat your receiver will recognize a DTS-Audio CD, so the\nfirst time you're trying to playback a DTS-Audio-CD you\nmust do a test to determine if it can. Begin with the\nvolume very low, start the disc and raise the volume\ngradually. NEVER listen to a DTS-Audio-CD through the\nanalog audio outputs of your CD/DVD player.\n\nBurning Instructions\n\nBurn them the absolute same way as you would burn any\nnormal Audio-CD from FLAC files.\n\nBrokedown House Production",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

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