Grateful Dead
Oct 12, 1983 at Madison Square Garden
New York, NYFall 1983
Setlist via JerryBase
Set 1
Cold Rain And Snow, Minglewood Blues, Ramble On Rose, My Brother Esau, It Must Have Been The Roses, Cassidy, Cumberland Blues, Looks Like Rain > Might As Well
Set 2
Help On The Way > Slipknot! > Franklin's Tower, Man Smart (Woman Smarter), He's Gone > Drums > Space > Truckin' > Black Peter > Not Fade Away
Encore
Writeups
None available yet
Related videos
None available yet
Tapes
- AUDDATTaper unknownTransfer:Â DAT > ZA2 > SoundForgeListenArchive.orgRelisten
- SBDDATStream OnlyTaper unknownSBD > Cassette Master > Dat x 2 > CDRListenArchive.orgRelistenetree8112
- Front of BoardDATFront of BoardFront of BoardTaper unknownDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLACListenArchive.orgRelistenetree91125TransferCharlie Miller
- MatrixDATFront of BoardFront of BoardStream OnlyTaper unknown2 Source Matrix by Dusborne; Soundboard (shnid:08112) SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91125) Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie MillerListenArchive.orgRelistenetree135251TransferMatrix by Dave Usborne
- MatrixTaper unknownSee NotesListenArchive.orgRelistenetree92461TransferJim Groves
- SBDDAT (Reel)Taper unknownTDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1ListenArchive.orgRelistenetree33340TransferDean Grabski
- Front of BoardD5Front of BoardFront of BoardTaper unknownFostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > FlacListenArchive.orgRelistenetree30827TransferGreg Lance
- Source unknownD5MTaper unknownSony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac filesListenArchive.orgRelistenetree117774TransferD5scott
- Source unknownMaster CassetteTaper unknownMAC > SHNListenArchive.orgRelistenetree99070
- Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&RenameListenArchive.orgRelistenetree135289TransferKeo
- Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24ListenArchive.orgRelistenetree137323TransferCharlie Miller
- SBDMaster CassetteTaper unknownmaster cassette > cd > eac > flac; sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8ListenArchive.orgRelistenetree101954Transferchasingwilma
- Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24ListenArchive.orgRelistenetree137302TransferCharlie Miller
- Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&RenameListenArchive.orgRelistenetree135290TransferKeo
- Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496ListenArchive.orgRelistenetree143609TransferScott Clugston and Charlie Miller
- Front of BoardPCMFront of BoardFront of BoardTaper unknownsource: Sennhesier 441 fob>tcm-d-5; conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note : Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrateListenArchive.orgRelistenetree122216Transferchasingwilma
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24ListenArchive.orgRelistenetree140818TransferCharlie Miller
- Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496ListenArchive.orgRelistenetree143608TransferScott Clugston and Charlie Miller
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24ListenArchive.orgRelistenetree141012TransferCharlie Miller
- MatrixStream OnlyTaper unknownMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 12, 2024ListenArchive.orgRelistenetree168943
- Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496ListenArchive.orgRelistenetree163835TransferScott Clugston, Charlie Miller
- Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496ListenArchive.orgRelistenetree163836TransferScott Clugston, Charlie Miller
- SBDMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496ListenArchive.orgRelistenetree167752TransferRob, Eaton, Scott Clugston, Charlie Miller
- SBDMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496ListenArchive.orgRelistenetree167753TransferRob, Eaton, Scott Clugston, Charlie Miller
- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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"notes": "Source Info:\n\n SBD: shnid 8112 SBD > Cassette Master > Dat x 2 > CDR > SHN\n\n \n Audience: shnid=91125 FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Taped by Rob Eaton. Transfered and mastered by Charlie Miller. Dat \n Dat supplied by J.J. Clifton\n\nSpecial thanks to Rob Eaton, Charlie Miller,J.J Clifton and Bob Harrell.\n\n\nFor those burning CDRs discs 2 and 3 are seemless. Disc 3 should start at track 27\n\nAny questions or comments feel free to email me at drgseeds@hotmail.com. Enjoy Jim.",
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Recording gd1983-10-12.senn421.grabski.33340.flac16
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"notes": "notes\n- I got to this show late and didn't have a floor ticket so it wasn't easy finding a patch. At the very last minute I see these guys behind the stage with their mics setup on tent poles pointed at rear facing repeaters and split by the aisle dead center. Less crowd, great view, nice mics and no security back there. Only problem was that no one in the patch chain talked to anyone else and everyone just flipped their tapes anytime they felt like it. Being towards the end of the chain I got a lot of cuts in my recording and always hoped that someone else higher up on that food chain would convert this sweet sounding source but it has never surfaced; so here's a taste.",
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Recording gd1983-10-12.neumannU87-senn421.lance.30827.flac16
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Recording gd1983-10-12.117774.Sennheiser421.daweez.d5scott.flac16
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"notes": "---------------------------------\nR.I.P. Sandy - aka \"Bigfoot\" \n---------------------------------",
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Recording gd1983-10-12.beyerm160.rumrunners.99070.shnf
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Recording gd1983-10-12.135289.Unk-Nak100-Hill.Keo.Flac2496
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"notes": "Notes:\n\nThe SBD cassette master source had some digital noise reduction applied (unlike 10/11/83, which had none, but this source still sounds pretty good). A subtle metallic tinkling sound can be heard at times during quieter parts of the recording, and there seems to be a slightly more brittle sound at times. From 4:47 in Drums to 10:18 in Space, this \"DNR sound\" becomes much more prominent and pretty distracting. To correct or help mask this issue, the matrix was mixed very AUD-heavy here, with the audience recording becoming the dominant source. At the beginning of Space, the DNR sound shifts exclusively to the left channel in the SBD. As an experiment, we restored the right channel of the matrix to its original SBD-heavy ratio at this point, while we maintained an AUD-heavy ratio in the left channel. The resulting \"inverted\" mix had a relatively balanced and pleasing sound - it accentuated Jerry's guitar more in the Garden. It seems the fact that Jerry's guitar and most of the other instruments are pretty centered-sounding in the SBD contributed to why this experimental mix worked the way it did.\n\nThe SBD source was pitch corrected faster (between 0.9% and 1.3%), while the AUD was pitch corrected a little slower (generally between -0.1% and -0.7%). The pitch corrected Rob Eaton recording was used as a reference in multiple areas in both sets. There's likely still a minimal margin of error but it's overall closer.\n\nSome initial hot vocals in Cold Rain And Snow.\n\nSome minor SBD level adjustments were made in the first set to maintain consistency.\n\nVery light EQ was used for a few songs early in the first set. Then, the SBD source was more muffled sounding after about a minute into Cumberland Blues through the cut in Franklin's Tower, with the high end (treble) becoming noticeably lower. Compensatory EQ was applied for this entire section and was a significant improvement. No EQ was used after the Franklin's cut.\n\nAn unknown AUD source (possibly FOB Schoeps mk4), via Andy Gustin (shnid=345, 1/31/00), patches breaks between songs in the AUD, including brief cuts at the beginnings of Cumberland Blues, Looks Like Rain, Women Are Smarter and He's Gone. The tail end of He's Gone and most of Drums are patched as well. Rob Eaton and Mark Cohen's recordings patch 1:45 in Drums for the AUD track, transferred by Charlie Miller and Scott Clugston (shnid=167752, circulated 6/3/24).\n\nSome moments of dead air in the SBD were trimmed out to match the AUD cuts, which were also cross-faded.\n\nAn unusually loud sound effect moment in Looks Like Rain was reduced.\n\n2-second cuts in Help On The Way and Drums in the SBD are now patched. There's also a minuscule cut in Space that was patched.",
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Cold Rain & Snow<br />New Minglewood Blues<br />Ramble On Rose<br />My Brother Esau<br />It Must Have Been The Roses<br />Cassidy ><br />Cumberland Blues<br />Looks Like Rain ><br />Might As Well</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Help On The Way ><br />Slipknot! ><br />Franklin's Tower<br />Man Smart (Woman Smarter)<br />He's Gone ><br />Drums ><br />Space ><br />Truckin' ><br />Black Peter ><br />Not Fade Away<br /><br />Encore:<br />Revolution</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of \"China Cat Sunflower\", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nJanuary 2023",
"transferer": "Rob, Eaton, Scott Clugston, Charlie Miller",
"taperText": "Rob Eaton"
}
},
"contentUrl": "https://archive.org/details/gd1983-10-12.167753.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording playdead:1983-10-12:47494
- identifier
- playdead:1983-10-12:47494
- source_type
- SBD
- lineage
- —
- lineage_chain
- —
- capture_position
- —
- lineage_media_token
- —
- compendium_quality_grade
- —
- tape_culture_tags
- —
- source_family_tags
- —
- is_listable
- —
- download_count
- —
- review_count
- —
- mean_rating
- —
- shnid
- —
- relisten_url
- —
- etree_url
- —
- content_url
- https://vault.playdead.app/release/47494
Full served wire node (JSON)
{
"@type": "AudioObject",
"@id": "https://longstrangeclick.com/id/recording/playdead:1983-10-12:47494",
"contributor": [],
"lsc": {
"entityType": "archive_recording",
"identifier": "playdead:1983-10-12:47494",
"people": [],
"legs": [],
"sourceType": "SBD"
},
"contentUrl": "https://vault.playdead.app/release/47494"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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