Setlist via JerryBase

Writeups

  • St. Stephen (Guest Post)
    Dead EssaysMar 24, 2017
    ST. STEPHEN by Alan Friedman , Gary Hartman & Barney Issen Houston , March 1999 By the time "St. Stephen" made its first appearance ...

Related videos

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Tapes

  • Front of BoardCD-RFront of BoardFront of BoardTaper unknownFicca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownSbd > Cassette Master > Dat x 2 > CDR > SHN
    SHN discs
    2
  • MatrixTaper unknownMatrix mix (SBD/AUD)
  • Front of BoardPCMFront of BoardFront of BoardTaper unknownPCM -> Dat (44.1k) -> Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
    Taper
    Jeff Silberman
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassette > Sony TC-D5M > Edirol UA5 Custom Oade Mod > USB > IBM R40 > Sound Forge 5.0 > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16
    Taper
    Doug Mow
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes > Sony ES-950 > Edirol Digi-Mod UA5@44.1khz >Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16
    Taper
    Rick "Coyotte" Colyard
  • Front of BoardDATFront of BoardFront of BoardTaper unknown: DAT > ZA2 > SoundForge
    Taper
    Jeff Silberman
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
    Taper
    Mark Cohen
  • SBDMaster CassetteTaper unknownNakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
    Taper
    Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
  • SBDTaper unknownUnknown
    Taper
    Unknown
  • Source unknownD5MTaper unknownSony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
    Taper
    Daweez
  • Source unknownTaper unknownCassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
    Taper
    David Dyche
  • AUDCassetteTaper unknownNakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
    Taper
    Bob Morris
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
    Taper
    Bob Morris
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownLineage: master cassette > cd > eac > flac ; sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
    Taper
    chasingwilma
  • SBDMaster CassetteTaper unknownNakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
    Taper
    Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
  • Front of BoardPCMFront of BoardFront of BoardTaper unknownlineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8
    Taper
    chasingwilma
  • Source unknownMaster CassetteTaper unknownTransfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8
    Taper
    Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
  • MatrixStream OnlyTaper unknownA photoLeon Matrix
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 Maxell UDXLII 90, Set 2 TDK MA 90; Set 1 Labelled:1st GEN - 2 Nakamichi 100 Guns Sandy, Set 2 No Label; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
    Taper
    Jeff Silberman from the Gastwirt collection
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
    Taper
    Brian Schley
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 Maxell UDXLII 90, Set 2 TDK MA 90; Set 1 Labelled:1st GEN - 2 Nakamichi 100 Guns Sandy, Set 2 No Label; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Source unknownD5MTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013
    Taper
    Tim Friend and Joe Morrone
  • Source unknownMaster CassetteTaper unknownTransfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8
    Taper
    Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
  • Front of BoardMaster ReelFront of BoardFront of BoardTaper unknownMAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; note: the original file set was 16 bit/96kHz; please do not circulate that source
    Taper
    billydee
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
  • SBDDATStream OnlyTaper unknownLineage: Sbd > Cassette Master > Dat x 2 > CDR > SHN > TLH > Wav > Roxio Sound Editor > Flac
    etreedb source
    https://db.etreedb.org/shn/168625
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Rob Eaton
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
    Taper
    Mark Cohen
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • AUDTaper unknownNakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
    Taper
    Ted Carpenter
  • Front of BoardD5MFront of BoardFront of BoardTaper unknownbillydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB)
    Taper
    Billydee
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Rob Eaton
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1983-10-15-hartford-civic-center-hartford

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identifier
gd83-10-15.beyer-ficca-brennan.ficca.20024.sbeok.shnf
source_type
Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca
lineage
lineage_chain
Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88 > Sony CDR-W66 > EAC > CDWave > CD via Ficca
capture_position
front_of_board
lineage_media_token
cdr
compendium_quality_grade
tape_culture_tags
front_of_board
source_family_tags
front_of_board
is_listable
true
download_count
51580
review_count
34
mean_rating
4.55
shnid
20024
relisten_url
https://relisten.net/grateful-dead/1983/10/15?source=3881084
etree_url
https://etreedb.org/shn/20024
content_url
https://archive.org/details/gd83-10-15.beyer-ficca-brennan.ficca.20024.sbeok.shnf

Full served wire node (JSON)

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          "atUtc": null,
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        {
          "eventType": "transfer",
          "atUtc": null,
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      "notes": "Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca",
      "shnDiscs": "2"
    }
  },
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}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd83-10-15.sbd.harrell.7313.sbeok.shnf
identifier
gd83-10-15.sbd.harrell.7313.sbeok.shnf
source_type
Sbd > Cassette Master > Dat x 2 > CDR > SHN
lineage
lineage_chain
Sbd > Cassette Master > Dat x 2 > CDR > SHN
capture_position
soundboard
lineage_media_token
dat
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
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download_count
35979
review_count
20
mean_rating
4.7
shnid
7313
relisten_url
https://relisten.net/grateful-dead/1983/10/15?source=3881179
etree_url
https://etreedb.org/shn/7313
content_url
https://archive.org/details/gd83-10-15.sbd.harrell.7313.sbeok.shnf

Full served wire node (JSON)

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          "eventType": "transfer",
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          "eventType": "transfer",
          "atUtc": null,
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          "eventType": "reseed",
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    "isListable": false,
    "sourceType": "Sbd > Cassette Master > Dat x 2 > CDR > SHN",
    "lineageChain": "Sbd > Cassette Master > Dat x 2 > CDR > SHN",
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      "notes": "Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell",
      "shnDiscs": "2"
    }
  },
  "contentUrl": "https://archive.org/details/gd83-10-15.sbd.harrell.7313.sbeok.shnf"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-10-15.mtx.seamons.99326.sbeok.flac16
identifier
gd1983-10-15.mtx.seamons.99326.sbeok.flac16
source_type
Matrix mix (SBD/AUD)
lineage
lineage_chain
capture_position
matrix
lineage_media_token
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
30674
review_count
7
mean_rating
4.86
shnid
99326
relisten_url
https://relisten.net/grateful-dead/1983/10/15?source=3880653
etree_url
https://etreedb.org/shn/99326
content_url
https://archive.org/details/gd1983-10-15.mtx.seamons.99326.sbeok.flac16
legs
soundboard / Sbd > Cassette Master > Dat x 2 > CDR > SHN; audience; matrix / SHN & FLAC>AIFF>Final Cut>WAV>FLAC / Final Cut Pro

Full served wire node (JSON)

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        "qualityNote": null,
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        "lineageNotes": null
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        "captureSource": null,
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      {
        "kind": "matrix",
        "lineage": "SHN & FLAC>AIFF>Final Cut>WAV>FLAC",
        "method": "Final Cut Pro"
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    "sourceMeta": {
      "description": "Set 1\n\nFeel Like A Stranger  \nDire Wolf  \nNew Minglewood Blues  \nBrown Eyed Women  \nWang Dang Doodle  \nBig Railroad Blues  \nLet It Grow  ->\nKeep Your Day Job  \n\nSet 2\n\nChina Cat Sunflower  ->\nI Know You Rider  \nPlaying In The Band ->\nChina Doll  ->\nDrums  ->\nSpace  ->\nSaint Stephen  ->\nThrowing Stones  ->\nOne More Saturday Night  \n\nEncore\nBrokedown Palace",
      "notes": "*Matrix*\n\n-----------------------------------------------------------------\nSBD (shnid=7313):\n\nSbd > Cassette Master > Dat x 2 > CDR > SHN\n\n-----------------------------------------------------------------\nAUD (shnid=93751):\n\nRecording Info:\n(FOB) Sennheiser 441 -> PCM -> Dat (44.1k)\n\nTransfer Info:\nDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC\n(2 Discs Audio / 2 Discs FLAC)\n\nAll Transfers and Mastering By Charlie Miller\ncharliemiller87@earthlink.net\nJuly 31, 2008\n\nNotes:\n-- Disc change is seamless\n-- Recorded By Jeff Silberman\n-- Dat provided by J.J. Clifton\n\n-----------------------------------------------------------------\nThank you to Bob Harrell and Jim Groves for the SBD transfer,\nto Jeff Silberman for recording the show,\nand to Charlie Miller for the AUD transfer.\n\nMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) \nJune 6, 2009",
      "runtime": "148:18.54",
      "transferer": "Hunter Seamons"
    }
  },
  "contentUrl": "https://archive.org/details/gd1983-10-15.mtx.seamons.99326.sbeok.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1983-10-15.fob.senn441.silberman.miller.93751.sbeok.flac16
identifier
gd1983-10-15.fob.senn441.silberman.miller.93751.sbeok.flac16
source_type
(FOB) Sennheiser 441 -> PCM
lineage
PCM -> Dat (44.1k) -> Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
lineage_chain
PCM > Dat (44.1k) > Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.1 > FLAC
capture_position
front_of_board
lineage_media_token
pcm
compendium_quality_grade
tape_culture_tags
front_of_board
source_family_tags
front_of_board
is_listable
true
download_count
14412
review_count
13
mean_rating
4.5
shnid
93751
relisten_url
https://relisten.net/grateful-dead/1983/10/15?source=2607815
etree_url
https://etreedb.org/shn/93751
content_url
https://archive.org/details/gd1983-10-15.fob.senn441.silberman.miller.93751.sbeok.flac16

Full served wire node (JSON)

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          "eventType": "seed",
          "atUtc": null,
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          "eventType": "transfer",
          "atUtc": null,
          "note": "Dat (Sony R500)"
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          "eventType": "transfer",
          "atUtc": null,
          "note": "Sound Devices 744T"
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        {
          "eventType": "transfer",
          "atUtc": null,
          "note": "Samplitude Professional v10.1"
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          "eventType": "reseed",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "notes": "Patch Sources:\nIdentifier: gd1983-10-15.nak300.friend-morrone.124552.flac1644\nSpecial Thanks to:  Tim, Joe, Andrew , for helping to complete these sets.\n\n1st Set\nSpliced intro to Dire Wolf from:  00:00 to 00:08\nnote: Right channel dropout at beginning of dire wolf is from soundboard.\nSpliced in first minute of Big Railroad Blues from 00:00 to 00:52.\nSplices EQ'd for sound continuity - transition -  some source change noticable.\n\n2nd Set\nSpliced intro for China Cat from 00:22 to 00:29\nDrums Spliced from 00:35 to 02:00 almost un-noticeable / slight timbre source change.\nDrums Spliced From 05:25 to 05:46 slight timbre / source change\nSplices EQ'd for continuity. transitions are smooth and almost un-noticeable\nnote : There are instances on the tape where Phils’ bass over-modulates the speakers.\nand the bass isn't being held firm I believe it's partially ambient and\npartially a kind of tape bias, or input overload.\nMemory says: the mic's were Nak 300s w/ cp4  but don't quote me, It was 40 years ago.",
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