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identifier

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source_type

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identifier

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source_type

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identifier

gd1983-10-22.135075.Nak300CP4.Hill.Keo.Flac1644

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identifier

gd1983-10-22.111406.Sennheiser421.daweez.d5scott.flac16

source_type

Source: 2 Sennheiser 421 microphones (22nd row-center) > Sony TC-D5M - analog master cassettes;

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identifier

gd1983-10-22.137309.senn421.miller.flac24

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identifier

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identifier

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identifier

gd1983-10-22.143147.FOB-Senn421.Noel.Ackerman.t-flac2496

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gd1983-10-22.143330.beyerm201.holbrook.flac2448

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identifier

gd1983-10-22.148199.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648

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      "notes": "Notes:\n- Thanks to Jim Vita (RIP) for the 1st generation cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Charlie Miller for the Sennheiser 421 source which supplies some crowd and beginning of \"Shakedown Street\" (0:26 total), a 2:51 patch during the \"Drums > Space\" transition, as well as a 0:12 patch in the \"Not Fade Away > One More Saturday Night\" transition\n- Spanish Jam tease during \"Space\"\n- Pitch corrected\n\nMastered by Scott Clugston\nDecember 2022",
      "runtime": "146:00.641",
      "transferer": "Scott Clugston, Charlie Miller",
      "taperText": "Jim Vita"
    }
  },
  "contentUrl": "https://archive.org/details/gd1983-10-22.164042.senn421.vita.miller.clugston.flac1648"
}

identifier

gd1983-10-22.177167.set2.nak.300.Strizak.flac1648

source_type

Tom Strizak Master Audience Cassettes (1 Maxell XLII 90 / Dolby-B On). (2) Nak CM300 W Shotguns (unknown caps) standard stereo configuration (mic stand at approx. 7’) Sony TC-D5M stereo recorder patched 3rd in line. Location: FOB Approx. 50’ from stage at slightly L center GA audience.

lineage

Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 16bit/48Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 16 bit/48khz WAV file to FLAC fileset. (*DAW = Digital Audio Workstation)

lineage_chain

Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 16bit/48Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 16 bit/48khz WAV file to FLAC fileset. (*DAW = Digital Audio Workstation)

capture_position

front_of_board

lineage_media_token

mc

compendium_quality_grade

—

tape_culture_tags

front_of_board

source_family_tags

front_of_board

is_listable

true

download_count

316

review_count

—

mean_rating

—

shnid

177167

relisten_url

https://relisten.net/grateful-dead/1983/10/22?source=3959251

etree_url

https://etreedb.org/shn/177167

content_url

https://archive.org/details/gd1983-10-22.177167.set2.nak.300.Strizak.flac1648

Full served wire node (JSON)

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    "sourceMeta": {
      "description": "<div>Set II</div><div>China Cat Sunflower &gt;</div><div>I Know You Rider</div><div>Man Smart (Woman Smarter)</div><div>Terrapin Station &gt;</div><div>Drums &gt;</div><div>Space &gt;</div><div>The Wheel &gt;</div><div>Throwing Stones &gt;</div><div>Not Fade Away &gt;</div><div>One More Saturday Night</div><div><br /></div><div>Revolution</div><div><br /></div><div><br /></div><div>Comment</div><div>The Band opened</div><div><br /></div><div>Jerry Garcia - Guitar</div><div>Bob Weir - Guitar</div><div>Brent Mydland - Keyboards</div><div>Phil Lesh - Bass</div><div>Bill Kreutzmann - Drums</div><div>Mickey Hart - Drums</div>",
      "notes": "Notes:\nChina Cat Clips in where tape had to be spliced. Got to show late had car trouble, line patched in just in time for 2nd set. Enc. Revolution fades out at 1:27:45 missing just the tail end. This was my first time recording the GD live. This recording is dedicated to Tamara Metzer, of Connecticut (RIP) who helped me get my gear into the show.",
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