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Tapes

  • Front of BoardD5Front of BoardFront of BoardTaper unknownRob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN
    Taper
    Rob Eaton
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownDat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
  • SBDDATFront of BoardFront of BoardStream OnlyTaper unknownDat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
    SHN discs
    2
  • AUDDATTaper unknownNeumann U-87 mics > Sony D6 cass > Dat > CDR
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
    Taper
    Rob Eaton
  • Source unknownD5MTaper unknownSony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
    Taper
    Da Weez
  • Front of BoardMaster CassetteTaper unknownunknown shotgun mics > Sony D6 > Maxell MX 90s (MC) > Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHN
  • Source unknownTaper unknownNakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
    Taper
    executive crew
  • Front of BoardPCMFront of BoardFront of BoardTaper unknownsource: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit
    Taper
    chasingwilma
  • SBDD5Taper unknownMAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
    Taper
    Mark McCue
  • Source unknownD5MTaper unknownPlayback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
  • Source unknownTaper unknownNakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
    Taper
    executive crew
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
    Taper
    Recorded and Transferred by Rob Eaton
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
    Taper
    Rob Eaton
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
  • AUDTaper unknownNakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
    Taper
    Ted Carpenter
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownLineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 16bit/48khz single WAV file to FLAC 16bit/48khz multiple file set = 1 file for each track/song. TOTAL tracks= 19) (*DAW = Digital Audio Workstation)
    Taper
    Tom Strizak
    etreedb source
    https://etreedb.org/shn/176744

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1984-04-13-hampton-coliseum-hampton

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gd84-04-13.fob-eaton.21130.sbeok.shnf
source_type
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lineage
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etree_url
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Archive.org metadata (on the wire)

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Recording gd1984-04-13.sbd.miller.102499.flac16
identifier
gd1984-04-13.sbd.miller.102499.flac16
source_type
SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k)
lineage
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
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etree_url
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      "notes": "Notes:\n-- Set 2 is seamless\n-- This is a re-master of shnid=27733\n-- Thanks to Joe B. Jones for his help with the pitch correction",
      "runtime": "154:28.38",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd84-04-13.sbd.miller.27733.sbeok.flacf
identifier
gd84-04-13.sbd.miller.27733.sbeok.flacf
source_type
flac16 SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source;
lineage
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
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capture_position
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shnid
27733
relisten_url
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etree_url
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content_url
https://archive.org/details/gd84-04-13.sbd.miller.27733.sbeok.flacf

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd84-04-13.aud-neumann.pj.1521.sbeok.shnf
identifier
gd84-04-13.aud-neumann.pj.1521.sbeok.shnf
source_type
Neumann U-87 mics > Sony D6 cass > Dat > CDR
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-13.neumann-u87.eaton.miller.90470.sbeok.flac16
identifier
gd1984-04-13.neumann-u87.eaton.miller.90470.sbeok.flac16
source_type
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D
lineage
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
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Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > FLAC
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90470
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      "notes": "Patch Sources:\nIdentifier: gd84-04-13.fob-eaton.21130.sbeok.shnf\nSpecial Thanks to Rob Eaton, and Charlie Miller for helping to complete these sets\n\n\n1st set\nchannels swapped to correct left right stereo.\nadded intro to Bird Song from 00:00 to 00:22\nAdded Patch for tape flip in birdsong at 06:02 to 06:38\nAdded Crowd Connector end of birdsong to smooth song transition from 10:10 to 10:19\n\n2nd set\nchannels swapped to correct left right stereo.\nPatch Fire into Estimated set 2 track 2 from 00:00 to 00:44 connector between songs - crowd - reduced gain by 1 db.\nadded estimated Patch at 09:08 to 10:28. (EQ Modified patch for timber. Timber change during patch ).\npatch intro to space from 00:00 to 00:33 reduced gain by 3 db.\nEncore: is entirely from Rob Eaton / Miller Copy ... EQ modified for sound continuity.\nNote : side B of Set 2 Frequency Response is 20hz to about 13 KHz.\nconsequently that part of the show / tape has noticeable reduction of high end.\n* (see .png spectrograph ) entire 2nd set)\nRest of the show is 20hz to 20 khz. patches EQ moded to help audio continuity.",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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