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Tapes

  • SBDDAT (Reel)Stream OnlyTaper unknownCassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
    Taper
    Paul Scotton and Joani Walker
  • Source unknownDATTaper unknownNeumann U-87 mics > Sony D-6 > DAT > CDR
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
    Taper
    Rob Eaton
  • MatrixStream OnlyTaper unknownMatrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2022
  • SBDStream OnlyTaper unknownSBD -> Cassette Master -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
    Taper
    Transferred/Edited by Charlie Miller
  • Front of BoardD5Front of BoardFront of BoardTaper unknown(FOB) Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s (MAC); MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > TLH > FLAC
    Taper
    Mark McCue & unknown
  • Front of BoardD5Front of BoardFront of BoardTaper unknownSBD FOB Sennheiser 441s > Sony D5 > Maxell MX90 MAC > cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5 (recorded as 24 bit / 96 kHz WAV) > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
    Taper
    Bill Koucky
  • Source unknownD5Taper unknownD5 > D10 > SHN
  • AUDMaster CassetteTaper unknownunknown shotgun mics > Sony D6 > Maxell MX 90s (MC) > Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHN
  • Source unknownD5MTaper unknownSony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
    Taper
    Da Weez
  • Source unknownD5MTaper unknownPlayback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownlineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
    Taper
    chasingwilma
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
    Taper
    Oade, Robert Bryant
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
    Taper
    Oade, Bryant, Rick Castwirk
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
    Taper
    Bill Koucky
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
    Taper
    Bill Koucky
  • AUDTaper unknownunknown mics -> Marantz pdm360 ( no dolby )-> Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
    Taper
    Ted Carpenter
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Front of BoardMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownAnalog Master Cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48K WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 24bit/48K single WAV file to FLAC 24bit/48K multiple file set = 1 stereo file for each song track. TOTAL tracks = 17) (*DAW = Digital Audio Workstation)
    Taper
    Tom Strizak
    etreedb source
    https://etreedb.org/shn/176745

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1984-04-14-hampton-coliseum-hampton

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Recording gd84-04-14.neumann.pj.1562.sbeok.shnf
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gd84-04-14.neumann.pj.1562.sbeok.shnf
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-14.neumann-u87.eaton.miller.90595.sbeok.flac16
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gd1984-04-14.neumann-u87.eaton.miller.90595.sbeok.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-14.161418.mtx.seamons.ht155.flac16
identifier
gd1984-04-14.161418.mtx.seamons.ht155.flac16
source_type
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2022
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https://archive.org/details/gd1984-04-14.161418.mtx.seamons.ht155.flac16

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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Feel Like A Stranger<br />They Love Each Other<br />C.C. Rider<br />Brown Eyed Women<br />My Brother Esau<br />Tennessee Jed<br />Let It Grow</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Touch Of Grey<br />Playing In The Band &gt;<br />Terrapin Station &gt;<br />Don't Need Love &gt;<br />Drums &gt;<br />Space &gt;<br />Morning Dew &gt;<br />Throwing Stones &gt;<br />One More Saturday Night<br />It's All Over Now Baby Blue</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
      "notes": "Notes:\n\n16-second cut in Tennessee Jed and 5-second cut in Morning Dew now patched in the SBD source. 7 seconds missing from the AUD source during Space.\n\nOccasional SBD hot level distortion, but still a pretty good sound.",
      "runtime": "138:27.66"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-14.sbd.walker-smiller.32501.sbeok.flac16
identifier
gd1984-04-14.sbd.walker-smiller.32501.sbeok.flac16
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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