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Tapes

  • SBDDATStream OnlyTaper unknownMaster Soundboard Cassette > Cassette > DAT > CDR (Missing Encore)
    Discs
    0
    SHN discs
    0
  • SBDDATStream OnlyTaper unknownCD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
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  • MatrixStream OnlyTaper unknownSee Notes
    Taper
    See Notes
  • Front of BoardD5Taper unknown{ Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) / Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) } > Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960>CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16
    Taper
    Chris K / Kyle H.
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownMAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
    Taper
    Ted Gidley
  • Front of BoardPCMFront of BoardFront of BoardTaper unknownsource: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
    Taper
    chasingwilma
  • Source unknownMaster CassetteTaper unknownSony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
    Taper
    Da Weez
  • SBDTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
    Taper
    Tim Friend and Joe Morrone
  • SBDTaper unknownMAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
    Taper
    Tim Friend and Joe Morrone
  • Source unknownD5MTaper unknownPlayback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
  • AUDD5Front of BoardFront of BoardTaper unknownsource: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
    Taper
    Doug Lamarre
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Doug Lamarre
  • AUDD5Front of BoardFront of BoardTaper unknownsource: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
    Taper
    Doug Lamarre
  • Source unknownTaper unknownTransfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
  • Source unknownTaper unknownTransfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
  • Source unknownMaster ReelTaper unknownTransfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
  • Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Doug Lamarre
  • Source unknownTaper unknown1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
    Taper
    Jim Vita

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1984-04-26-providence-civic-center-providence

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-26.mtx.seamons.91809.sbeok.shnf
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gd1984-04-26.mtx.seamons.91809.sbeok.shnf
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MATRIX MIX: SBD/2 AUD (About 60%/40%)
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-26.mtx.seamons.fix.92297.sbeok.flac16
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gd1984-04-26.mtx.seamons.fix.92297.sbeok.flac16
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See Notes
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See Notes
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      "notes": "MATRIX MIX: SBD/2 AUD (About 60%/40%)\n\n---------------------------------------------------------------\nSBD:\n\nSBD -> Cassette Master -> Cassette -> Dat -> CD\n\nTransfer Info:\nCD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC\n(3 Discs Audio / 2 Discs FLAC)\n\nAll Transfers and Mastering By Charlie Miller\ncharliemiller87@earthlink.net\nApril 17, 2008\n\nNotes:\n-- Set 2 is seamless [see notes below]\n-- Thanks to Joe B. Jones for his help with the pitch correction\n\n---------------------------------------------------------------\nAUDs:\n\nSet I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby)\n\nSet II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby)\n\nLocation: FOB, 40 feet from the stage, almost center.\n\nTapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H.\n\nTransfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960>\nCEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16.\n\n----------------------------------------------------------------\n\nMatrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN)\nMay 10, 2008  Remastered June 14, 2008.\n\nNotes:\n1) There is occasional, light static in the SBD.\n\n2) The Set II AUD is better quality than the Set I AUD - and there's more crowd action in Set II due to the microphone placement.\n\n3) While there is more 'distance' from the crowd in the AUDs than usual, these sources do provide a complementary indoor ambience for the typically 'studio' sounding SBDs of the mid-80's. The SBD alone is pretty 'flat.'\n\n4) There was a Neumann patch for the first 5 minutes of Shakedown in the AUD source that I did not use because it was scratchy and not as nice as I would have liked, so the matrix begins after five minutes into Shakedown.\n\n5) There are gaps in the Set I AUD between songs (when the band takes time to tune), so there is less crowd banter with this matrix, unfortunately. The music should make up for this.\n\n6) Some interesting notes about the SBD source, which apparently was seamless for Set II (as noted by Charlie): (1) There was a 'seamless' cut/edit in Fire on the Mountain, because the AUD version was about twenty seconds longer with more 'Fire! Fire on the mountain!' verses toward the end. I favored the AUD source alone for an extra ten seconds (10:55-11:25) because the SBD was scratchy around that point as well. (2) And while Fire was shorter in the SBD than the actual performance, a section of Eyes toward the end of the song was actually repeated (in the source), making it about a minute and a half longer than it really was. This is not the first time I have encountered such an oddity in a recording. That strangeness was edited out. With all this in mind, SET II should now be seamless in terms of performance.\n\n7) Cuts in the AUD during songs are:\nShakedown Street (0:00-5:01)\nSupplication (1:31-1:58)\nEstimated Prophet (11:18-12:14)\n\nCuts in the SBD during songs are:\nFire on the Mountain (10:55-11:25)\nEyes Of The World (4:35-4:41)\nSpace (5:31-5:50)\nNot Fade Away (4:22 to end of track)\nIt's All Over Now, Baby Blue (entire track)\n\n8) This show is extra hot all around from an extra hot month in '84 - one of my favorite Dead zones. Great Space>Dew!\n\n\nRemastering Notes (06/14/08)\n\n1) Lots of static was removed, or reduced, using Soundtrack Pro, and a bunch of clicks and pops - this involved visually combing through the waveform for anomalies, and some some other techniques. \n\n2) The right channel of the AUD source gradually decreases about 7 dB during Throwing Stones into Not Fade Away, until only the AUD plays in NFA. This was adjusted. (Charlie Miller had fixed this issue in the patched source in the SBD [where it is more noticeable], so I matched this correction for the earlier portion of the AUD now used for the matrix.)\n\n3) Portions of Supplication, Deal, Scarlet Begonias, and Fire on the Mountain were re-synced.",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-04-26.fob.chrisk-kyleh.ford.78773.sbeok.flac16
identifier
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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