Oct 5, 1984 at Charlotte Coliseum

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identifier

gd1984-10-05.nak100.holtz.townshend.fix-83161.83188.sbeok.flac16

source_type

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identifier

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Well, we needed a way to stabilize our improvised mic stand, so we duct taped the crutch rig to this guy's wheelchair, and it worked great.  We proceeded to patch in about 9 decks in all, every single one of them Sony D-6 tape decks.  I recall that as we were checking all the connections, we discovered a problem with deck number two in the chain, it was not passing a good signal down the line, so that deck was relegated to the back of the line. That was the brand new deck.  Ends up it had a cracked circuit board that was damaged unbeknownst to us at a Roger Waters show we taped in Chicago on the way home from Ventura....that is a story unto itself.  \n\nBack to Charlotte... I recall that this was a general admission show, no seats on the floor. Throughout the area where tapers were setting up, there were several nice old lady ushers walking around with six foot tall poles, and they were asking all the tapers to hoist their rigs no more than 6 feet up.  Well, this nice woman came to our rig and we had to explain to her that there was no way to adjust the height of our crutches.  So I shouted back to Healy asking him if our rig was OK, and he gave the thumbs up, so the nice lady walked on.  We all busted up laughing at that.  Anyway, we were set up about half-way between the stage and the soundboard, in a very advantageous\nspot, a bit right of center.   The house lights went down, we fired up all the decks, and we were off to the races.  \n\nBertha opened the set at a very good clip, and we were on our way. There were some PA crackles near the beginning of the show, but nothing too distracting.  The sound in that Coliseum was just awesome.  The Bertha opener was great, Promised Land delivered with its inclusion of the \"Stopped in Charlotte\" line for the hometown crowd, and the set was off to a great start. Listen for a loud searing metal noise near the beginning of West L.A. Fadeaway, it'll make you cringe....and some haunting Hammond Organ lines from Brent.  Without giving you a blow by blow account of the set, this first set was noteworty in every respect, with a great song selection (Duprees, Stranger in the middle of the set, Brown-Eyed Women, etc.), and incredible musicianship...hell, it is safe to say that the entire evening was simply fabulous.\n\nChina/Rider opened the second set, and it was a real piece of work.  Just as good as it gets.....and the Estimated, well, just give it a listen.  I do not recall being at a show where this one was played with such wild sounds. Listen to the Brent/Jerry combo sounds in that middle\ncrescendo...Majestic...completely wiggin out.  The Eyes dissolved out of that cohesiveness into an entirely new direction.  Drums was a gas, Space was all about and into the Other One, Black Peter was plaintive.  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