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Tapes

  • Front of BoardDATFront of BoardFront of BoardTaper unknownRecording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
    SHN discs
    2
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16
    Taper
    Rick Pauline
  • SBDDATStream OnlyTaper unknownDAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
  • MatrixStream OnlyTaper unknownMatrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
  • Front of BoardTaper unknownLineage unknown
  • Front of BoardD5Front of BoardFront of BoardTaper unknownMAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16
    Taper
    long forgotten taper, Adam, & Mark McCue
  • Source unknownMaster CassetteTaper unknownlineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
    Taper
    chasingwilma
  • Source unknownD5MTaper unknownSony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
    Taper
    Da Weez
  • Source unknownD5Taper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Front of BoardCassetteFront of BoardFront of BoardTaper unknown(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
    Taper
    Bob Morris
  • Source unknownD5Taper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
    Taper
    Bob Morris
  • Source unknownTaper unknownNakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
    Taper
    Ted Carpenter
  • AUDD5Taper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged
    Taper
    Unknown
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Jim Vita
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Jim Vita

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1984-10-15-hartford-civic-center-hartford

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gd84-10-15.senn.miller.22022.sbeok.shnf
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Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
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Recording gd1984-10-15.senn421.pauline.miller.91434.sbeok.flac16
identifier
gd1984-10-15.senn421.pauline.miller.91434.sbeok.flac16
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      "notes": "-- Encore moved to end of Set 1 to fit show onto 2 discs\n-- Encore can be re-joined with Set 2 seamlessly\n-- All of Drums missing\n-- Recorded By Rick Pauline",
      "transferer": "Charlie Miller",
      "taperText": "Rick Pauline"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1984-10-15.150964.sbd.eaton-latvala.miller.flac1644
identifier
gd1984-10-15.150964.sbd.eaton-latvala.miller.flac1644
source_type
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lineage
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      "notes": "Notes:\n-- Thanks to Rob Eaton and Dick Latvala for this source",
      "runtime": "161:51.49",
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Archive.org metadata (on the wire)

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Recording gd1984-10-15.151235.mtx.seamons.ht126.flac16
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gd1984-10-15.151235.mtx.seamons.ht126.flac16
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Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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