Setlist via JerryBase

Encore

Day Job

Notes

  1. Last performance in Set 1 1982-07-17 (179 events ago)
  2. With Matthew Kelly on harmonica
  3. Last performance in Set 1 1981-05-16 (256 events ago)
  4. Includes a Playin' theme for a couple minutes in the middle of the jam.

Writeups

None available yet

Related videos

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Tapes

  • SBDMaster CassetteStream OnlyTaper unknownSBD> MC> DAT> CDR
    SHN discs
    2
  • SBDPCMStream OnlyTaper unknownSBD PCM > DAT > Sonic Solutions > CD
    SHN discs
    1
  • MatrixStream OnlyTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
  • Source unknownPCMTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
    Taper
    Oade Brothers
    Discs
    3
    SHN discs
    2
  • Source unknownCD-RTaper unknownMaster Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
    Taper
    Brian Mandel
  • MatrixStream OnlyTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
  • MatrixTaper unknownSee info file
  • SBDDATStream OnlyTaper unknownVault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
    Taper
    Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
  • MatrixStream OnlyTaper unknownSBD (5313) + AUD (23443)
  • SBDMaster ReelTaper unknownSoundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico
  • Front of BoardD5Front of BoardFront of BoardTaper unknownMAC>Nakamichi CD2 [azimuth adjusted]>RCA>Audiophile 2496>CEP 2.0>CD Wave Editor>TLH>FLAC16
    Taper
    Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade.
  • Source unknownTaper unknownLineage unknown
  • MatrixStream OnlyTaper unknownSBD + AUD Matrix 3 Source Mix (44/16)
  • Source unknownMaster CassetteTaper unknownmaster cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
    Taper
    Dave Barfield and David Lane
  • SBDDATTaper unknownDat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
    Taper
    Bob Morris
  • MatrixTaper unknownSet 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8)
  • Source unknownTaper unknownLineage unknown
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownlineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
    Taper
    chasingwilma
  • SBDMaster ReelTaper unknownSoundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for source ID 118304 ; see info file for details
  • Source unknownTaper unknownTransfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
  • Source unknownTaper unknownTransfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
    Taper
    Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
  • SBDTaper unknownSBD (5313) + AUD (23443)
    Official release
    This source is availble in DTS 5.1 format (not streamable)
  • Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Rob Hunt and Ted Mattes
  • StudioTaper unknownNakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
    Taper
    David Dyche
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
    Taper
    Rob Hunt and Ted Mattes
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
    Taper
    Rob Eaton
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Stephen Thomas
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
    Taper
    Stephen Thomas
  • Front of BoardMaster CassetteFront of BoardFront of BoardTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Jim Vita
  • Source unknownTaper unknownDTS-Audio-CD 5.1 Mix
  • Source unknownTaper unknownBryan Tartus' Master Audience Recording: 2 AKG 451 Shotguns > D6 (Maxell XLII, Dolby B) > Tascam 122 mk III > Cool Edit Pro 2.0 > CDWav > SHN
    Taper
    Brian Tartus
    etreedb source
    https://db.etreedb.org/shn/169427

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1985-03-28-nassau-veterans-memorial-coliseum-uniondale

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legs
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      "description": "Set 1 (only)\n\nTruckin' ->\nSmokestack Lightning * ->\nHigh Time\nEl Paso\nPeggy-O\nCassidy\nChina Cat Sunflower ->\nI Know You Rider\n\n* with Matthew Kelly on harp",
      "notes": "*Matrix*\n\n----------------------------------------------------\nSBD:\n\nPCM > DAT > Sonic Solutions > CD\n\n----------------------------------------------------\nAUD:\n\nRecorded by the Oade Brothers\nTransferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)\n\nField:\nSchoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1\n\nTransfer:\nMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac\n\n---------------------------------------------------\nThank you to Alan Fink and Mark Ferguson for the SBD transfer,\nand to the Oade Brothers and Darrin Sacks for the AUD transfer.\n\nMatrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)\nSeptember 15, 2008\n\n\nSet I\n-----\nd1t01 Tuning\nd1t02 Truckin' ->\nd1t03 Smokestack Lightning* ->\nd1t04 High Time\nd1t05 El Paso\nd1t06 Peggy-O\nd1t07 Cassidy\nd1t08 China Cat Sunflower ->\nd1t09 I Know You Rider\n\n* with Matthew Kelly on harp\n\n\nNotes:\n\nThe reason I did not initially use the PCM SBD source for the original full-length matrix - a source I was fully aware of - was due to somewhat misleading information, but ultimately my lack of full investigation.\n\nSo here's the whole story:\n\nI first came across PLS's matrix of this show at shnflac.net, which included a fixed version and a DTS version. Scarfire, one of my matrix heroes, commented how awful the matrix was and that it should be redone. I heartily took up the task. The reasons I did not use the PCM initially are:\n\n1) The PCM source had an \"OCD\" category icon next to it (although I don't think it should), which lead me to believe there was a \"better\" source out there.\n\n2) Since PLS used the Griesman SBD, a source that came after the PCM, I assumed that that was the better version, despite a previous PCM being available. I thought there must have been problems with the PCM.\n\n3) The preview button for the PCM source at shnflac.net had \"vbr\" listed in the streaming info, so I assumed it was the Hi-Fi vbr streaming sound. In spite of this, I think it is actually a straight 64Kbps Lo-Fi sound - which lead me to believe the source was poor sounding, for whatever reason.\n\n4) For the PCM source at db.etree.org, it states there is an \"upgrade\" in circulation, referring to the Griesman SBD (which I think is not the best descriptor). However, I think the term \"upgrade\" is used to refer to the SBD source that has the whole show, not just set 1. But it is NOT an \"upgrade\" in terms of sound.\n\nAll these things naturally threw me off - and I did not have the actual PCM on hand at the time to verify, so this was ultimately my oversight.\n\nCoincidentally, I recently downloaded the DVD bootleg of this show on shnflac.net and noticed the music used for the audio was awesome. I gathered that it must have been the PCM source that I never got to fully consult. Luckily, some good folk were still seeding the PCM at shnflac.net (via project '85), so I got it and realized it was really all good and not a \"downgrade,\" as it were.\n\nIN COMPARING THIS TO THE OTHER SBD SOURCE THEN:\n\n1) This sounds MUCH better and is SIGNIFICANTLY less harsh on the ears.\n\n2) Coincidentally, while I initially thought set 2 from the Griesman SBD was worse than set 1 because of some higher hiss, greater scrutiny has revealed that set 1 actually sounds worse in that it is harsher on the ears (sharper sounding, like knives digging in my ears). Luckily, the PCM was available for set 1, so now these files can essentially replace set 1 in the other matrix I did. So now a nice, smooth sounding matrix is available via two sources, as inconvenient - yet convenient - that is.\n\n\nMy suggestion to future seeders of this matrix as a whole, if so desired, is to seed a torrent with these \"replacement\" tracks along with set 2 from the other matrix source. Then it will be ALL GOOD in the end.\n\nPeace.\n\n-Hunter",
      "runtime": "53:46.50",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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See info file
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https://etreedb.org/shn/89074
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https://archive.org/details/gd1985-03-28.mtx.fix-shnid-77465.griesman.89074.flac16

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      "description": "Set 1\n\nTruckin' ->\nSmokestack Lightnin' ->\nHigh Time \nEl Paso \nPeggy-O \nCassidy \nChinaCat Sunflower ->\nI Know You Rider\n\nSet 2\n\nScarlet Begonias ->\nFire On The Mountain ->\nLooks Like Rain ->\nJam ->\nDrums ->\nSpace ->\nGimme Some Lovin' ->\nThe Other One ->\nBlack Peter ->\nSugar Magnolia\n\nEncore\nKeep Your Day Job",
      "notes": "Shortly after 77465 was circulated in 2005, its creator learned of a serious\nproblem with one of the tracks, d1t04. A replacement track was circulated,\nbut does not seem to have made it into the etree database or into wide\ncirculation.\n\nThis new seed fixes 77465 by providing the \"fixed\" version\nof d1t04 along with the rest of the tracks. If you already have 77465,\nyou only need the new txt and fingerprint files and the one new track and\nyou will have this seed.\n\nSteveSw, 12-15-2007"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-03-28.151044.sbd.latvala.eaton.dalton.miller.clugston.flac1648
identifier
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etree_url
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content_url
https://archive.org/details/gd1985-03-28.151044.sbd.latvala.eaton.dalton.miller.clugston.flac1648

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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Truckin' ><br />\nSmokestack Lightning *<br />\nHigh Time<br />\nEl Paso<br />\nPeggy-O<br />\nCassidy ><br />\nChina Cat Sunflower ><br />\nI Know You Rider</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Scarlet Begonias ><br />\nFire On The Mountain ><br />\nLooks Like Rain ><br />\nDrums ><br />\nSpace ><br />\nGimme Some Lovin' ><br />\nThe Other One ><br />\nBlack Peter ><br />\nSugar Magnolia ><br />\nSunshine Daydream<br /><br />\nKeep Your Day Job</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n        <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums<br />\nMatthew Kelly - Harmonica *</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Notes:\n- Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)\n- Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort\n- Thanks to Charlie Miller for the PCM soundboard source which supplies a 0:08 patch in the beginning of \"China Cat Sunflower\"\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of \"Scarlet Begonias\" (0:28 total), a 0:29 patch in \"Looks Like Rain\", a 0:34 patch in Drums, as well as a 0:10 patch in \"The Other One > Black Peter\" transition\n- Other One space included in \"The Other One\"\n- \"Smokestack Lightning\" with Matt Kelly\n- Pitch corrected\n\nMastered by Scott Clugston\nFebruary 2020",
      "runtime": "141:55.603",
      "transferer": "Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort; Mastered by Scott Clugston",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-03-28.mtx.griesman.77465.sbeok.flac16
identifier
gd1985-03-28.mtx.griesman.77465.sbeok.flac16
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etree_url
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content_url
https://archive.org/details/gd1985-03-28.mtx.griesman.77465.sbeok.flac16

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-03-28.118304.sbd.healy.damico.flac16
identifier
gd1985-03-28.118304.sbd.healy.damico.flac16
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      "notes": "---------------------------------------------------------\n- Mixed by kevtobin@yahoo.com\n- FLAC conversion 15-FEB-2019 - Trader Little Helper\n- Tagged 15-FEB-2019 - Tag&Rename\n---------------------------------------------------------\nMore On DTS\n\nToday's audio standards are moving towards multi-channel\nsound, like DTS and Dolby Digital. While the Audio-CD\nstandard (Red Book) hasn't changed to accommodate these\nnew sound formats, it is still possible to go around the\nspecification and to put a 5.1 surround recording on a\nregular Audio-CD. To play a DTS-Audio-CD you must connect\nyour DVD/CD player via a digital cable (optical or coaxial)\nto your DTS Dolby-Digital receiver. It is not 100% sure\nthat your receiver will recognize a DTS-Audio CD, so the\nfirst time you're trying to playback a DTS-Audio-CD you\nmust do a test to determine if it can. Begin with the\nvolume very low, start the disc and raise the volume\ngradually. NEVER listen to a DTS-Audio-CD through the\nanalog audio outputs of your CD/DVD player.\n\nBurning Instructions\n\nBurn them the absolute same way as you would burn any\nnormal Audio-CD from FLAC files.\n\nBrokedown House Production",
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