Grateful Dead
Apr 4, 1985 at Providence Civic Center
Providence, RISpring 1985
Setlist via JerryBase
Set 1
Alabama Getaway > Jack Straw, Dire Wolf, El Paso, She Belongs To Me1, My Brother Esau, Friend Of The Devil, Lost Sailor > Saint Of Circumstance > Deal
Set 2
I Need A Miracle > Crazy Fingers2, Samson And Delilah, He's Gone > Goin' Down The Road Feelin' Bad > Drums > Space > The Wheel > Black Peter > Around And Around > Turn On Your Lovelight
Encore
Writeups
- The Grateful Dead in New England 1973-76 (New England II)
The Boston Garden, home to the Boston Celtics and Boston Bruins, was also the premier popular music venue in the city. The Grateful Dead...
Related videos
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Tapes
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- Front of BoardPCMFront of BoardFront of BoardTaper unknownlineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bitListenArchive.orgRelistenetree124813Transferchasingwilma
- Source unknownD5MTaper unknownSony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac filesListenArchive.orgRelistenetree118787TransferD5scott
- Source unknownD5Taper unknownMaster Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16ListenArchive.orgRelistenetree77029TransferAlex Ford
- Source unknownCD-RTaper unknownMAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015ListenArchive.orgRelistenetree132860TransferRay Ackerman
- Source unknownTaper unknownTransfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLACListenArchive.orgRelistenetree152128TransferKyle Holbrook
- Source unknownD5MTaper unknownSource Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496ListenArchive.orgRelistenetree140940TransferScott Clugston and Charlie Miller
- Source unknownTaper unknownTransfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLACListenArchive.orgRelistenetree152127TransferKyle Holbrook
- AUDD5Taper unknownnakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019ListenArchive.orgRelistenetree145469TransferRob Berger
- AUDD5Taper unknownnakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019ListenArchive.orgRelistenetree145468TransferRob Berger
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496ListenArchive.orgRelistenetree149315TransferScott Clugston and Charlie Miller
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496ListenArchive.orgRelistenetree149316TransferScott Clugston and Charlie Miller
- Source unknownDAT (Reel)Taper unknownTransfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496ListenArchive.orgRelistenetree151192TransferCharlie Miller and Mark Goldey
- Source unknownDAT (Reel)Taper unknownTransfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496ListenArchive.orgRelistenetree151191TransferCharlie Miller and Mark Goldey
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1985-04-04-providence-civic-center-providence
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"notes": "-----------------------------------------------------------\nOkay, here's the damage I (un)did to this source. I patched in the missing space from Doug Oade's excellent recording. In order to match the levels with Drums at the beginning and Wheel at the end, I had to put up with a certain amount of clipping on the drums during the space set - just where the snares are hit really hard. It's worth it, though, first to make the transitions smoother, second to illustrate how an AUD can shine. Doug Oade was obviously not using any limiter, which Amy probably was, at least for her recording - you can instantly tell the difference in clarity. A local soundman friend of mine once told me, \"I don't mix for tapes, I mix for the room\". Soundboard snobs take heed!\n\nI also eliminated a short gap at the end of The Wheel, restoring the seamless transition into Stella Blue. The gap was possibly a TAO artifact.\n\nThe US Blues encore from the original fileset is probably also from the Oade AUD.\n\nBill Tetzeli (btet@adelphia.net)\n3/23/2006\n-----------------------------------------------------------",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Alabama Getaway ><br />\nJack Straw<br />\nDire Wolf ><br />\nEl Paso<br />\nShe Belongs To Me<br />\nMy Brother Esau ><br />\nFriend Of The Devil<br />\nLost Sailor ><br />\nSaint Of Circumstance ><br />\nDeal</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">I Need A Miracle ><br />\nCrazy Fingers<br />\nSamson & Delilah ><br />\nHe's Gone ><br />\nGoin' Down The Road Feeling Bad ><br />\nDrums ><br />\nSpace ><br />\nThe Wheel ><br />\nBlack Peter ><br />\nAround & Around ><br />\nTurn On Your Lovelight<br />\nU.S. Blues</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "Notes:\n- Probably a cassette master with a cassette generation, maybe two. It's possible the sets are from different sources, as the channels needed to be corrected for the 1st set and the pitch changed for the 2nd set\n- Thanks to Charlie Miller for this upgrade, which he found hidden away on a harddrive\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:08 of \"Friend Of The Devil\", the set break announcemnet, some crowd and the first few notes of \"I Need A Miracle\" (0:13 total), as well as \"Drums > Space\" and the beginning of \"The Wheel (11:17 total)\n- This transcription includes the \"US Blues\" encore\n- Pitch corrected\n\nMastered by Scott Clugston\nApril 2020"
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"notes": "open the text files for tour stories",
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"notes": "Notes:\n- Thanks to Rob Hunt and Ted Mattes for the master cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:51 patch in \"Drums\"\n- Pitch verified\n\nMastered by Scott Clugston\nMarch 2020",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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"notes": "Pitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer.\n\nLevels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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Full served wire node (JSON)
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Alabama Getaway ><br />\nJack Straw<br />\nDire Wolf ><br />\nEl Paso<br />\nShe Belongs To Me<br />\nMy Brother Esau ><br />\nFriend Of The Devil<br />\nLost Sailor ><br />\nSaint Of Circumstance ><br />\nDeal</span>\n </div>\n</div><br /><div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "Pitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer.\n\nLevels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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