Grateful Dead
Berkeley, CA
Setlist via JerryBase
Set 1
Dancin' In The Streets, West L.A. Fadeaway, C.C. Rider, Peggy-O, Hell In A Bucket1, Keep On Growing2 > Stagger Lee3 > Let It Grow > Deal
Set 2
Morning Dew > Playing In The Band > China Doll > Jam4 > Drums > Space > Truckin' > Smokestack Lightning > Comes A Time5 > Sugar Magnolia
Encore
Writeups
- Jerry Garcia Interview Links
For some time I’ve lamented that there isn’t a complete archive of Jerry Garcia interviews online. Many interviews in old publications are n...
Related videos
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Tapes
- Source unknownDATTaper unknownSony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin SacksListenArchive.orgRelistenetree4978
- SBDDATStream OnlyTaper unknownSBD > DAT > CDR/?ListenArchive.orgRelistenetree13747
- MatrixStream OnlyTaper unknownSee info file for detailsListenArchive.orgRelistenetree85831TransferChris Chappell
- SBDDATStream OnlyTaper unknownSHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLACListenArchive.orgRelistenetree117028TransferCharlie Miller
- Source unknownPCMTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > FlacListenArchive.orgRelistenetree24451TransferDoug Oade - Darren Sacks
- Source unknownD5Taper unknownCassettes>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC> HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16.ListenArchive.orgRelistenetree32867TransferAlex Ford
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16ListenArchive.orgRelistenetree105542TransferCharlie Miller
- SBDDATStream OnlyTaper unknownDat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/ListenArchive.orgRelistenetree135656TransferCharlie Miller
- SBDDATStream OnlyTaper unknownDat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48kListenArchive.orgRelistenetree145575TransferCharlie Miller and Joe Noel
- Source unknownD5MTaper unknownSony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac filesListenArchive.orgRelistenetree111797TransferD5scott
- Source unknownTaper unknownMAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )ListenArchive.orgRelistenetree97221TransferBrian Green and Evan K.
- Source unknownD5Taper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014ListenArchive.orgRelistenetree130923TransferAndrew F.
- Source unknownTaper unknownTaper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little HelperListenArchive.orgRelistenetree126336TransferJoe D'Amico
- SBDDATTaper unknownDat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/ListenArchive.orgRelistenetree135615TransferCharlie Miller
- Source unknownPCMTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presenceListenArchive.orgRelistenetree132932TransferDan McDonald
- Source unknownTaper unknownTaper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little HelperListenArchive.orgRelistenetree126338TransferJoe D'Amico
- Source unknownD5Taper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014ListenArchive.orgRelistenetree130924TransferAndrew F. and Andrew F
- SBDDATStream OnlyTaper unknownDat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48kListenArchive.orgRelistenetree145329TransferCharlier Miller and Joe Noel
- Tapers SectionMaster CassetteTapers SectionTaper unknownMaster Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.ListenArchive.orgRelistenetree152641TransferRecorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
- Behind SoundboardMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree148769TransferScott Clugston and Charlie Miller
- Behind SoundboardMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree148768TransferScott Clugston and Charlie Miller
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACTListenArchive.orgRelistenetree140888TransferCharlie Miller and Joe Noel
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2ListenArchive.orgRelistenetree141238TransferCharlie Miller and Joe Noel
- Tapers SectionMaster CassetteTapers SectionTaper unknownTransfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.ListenArchive.orgRelistenetree152788TransferEdited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496ListenArchive.orgRelistenetree167248TransferScott Clugston, Charlie Miller
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496ListenArchive.orgRelistenetree167247TransferScott Clugston, Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496ListenArchive.orgRelistenetree174160TransferScott Clugston, Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496ListenArchive.orgRelistenetree174159TransferScott Clugston, Charlie Miller
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1985-06-14-william-randolph-hearst-greek-theatre-uc-berkeley-berkeley
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd85-06-14.sbd.carman.13747.sbeok.shnf
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-14.matrix.chappell.85831.sbeok.flac16
- identifier
- gd1985-06-14.matrix.chappell.85831.sbeok.flac16
- source_type
- Matrix: (SBD/AUD mix) See info file for details
- lineage
- See info file for details
- lineage_chain
- See info file for details
- capture_position
- matrix
- lineage_media_token
- —
- compendium_quality_grade
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- tape_culture_tags
- —
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- etree_url
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- content_url
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"description": "Set I:\ns1t01 - Sgt. Pepper's PA/crowd\n\ns1t02 - Dancin' In The Streets\ns1t03 - West L.A. Fadeaway\ns1t04 - CC Rider \ns1t05 - Peggy-O\ns1t06 - Hell In A Bucket \ns1t07 - break/tuning \ns1t08 - Keep On Growing* ->\ns1t09 - Stagger Lee ->\ns1t10 - Let It Grow ->\ns1t11 - Deal \n\nSet II:\ns2t01 - tuning\ns2t02 - Morning Dew ->\ns2t03 - Playin' In The Band ->\ns2t04 - China Doll ->\ns2t05 - Jam (Brent w/drummers) ->\ns2t06 - Drums ->\ns2t07 - Space ->\ns2t08 - Truckin' ->\ns2t09 - Smokestack Lightning ->\ns2t10 - Comes A Time ->\ns2t11 - Sugar Magnolia\ns2t12 - E: Day Job\n\n* first time played",
"notes": "General Notes:\n\nThis show was plagued by technical issues in the first set, causing\nthe band to take a break mid-set, only to come back to the stage and\nbreakout Keep On Growing. Stagger Lee and Comes A Time enjoy 3 and 5\nyear resurrections respectively. Great second set Dew opener. Jerry \nis low in the mix for most of the show (something slighly enhanced by \nthe matrix, but not much), and I assume this had to do with the technical \nissues which by the next night seemed to be fully resolved. \n\nBoth SBD sources were synched to the AUD. Set 1 SBD through Peggy-O\nwas pitched up between 2 and 17 cents, and from Bucket until the end\nof the set the SBD was pitched down between 4 and 14 cents. Set 2 SBD \nwas pitched up around 12 cents, and the McCue AUD was used to patch\ncrowd/tuning for the Sgt Pepper's 20th anniversary opening reference,\ns1t07 (mid 1st set break), the tuning for set 2 opener, and a little\ncrowd at the very end to enhance the fadeout. No EQ was applied, and \nvery spare Waves L2 limiting was employed to the matrix mix.\n\nThanks to Randy Carman for the SBD source. Thanks to Jim and Doug Oade \nfor recording the wonderful AUD, Doug for transferring it, and Darrin Sacks \nfor tracking it. Thanks to Mark McCue and crew for taping the AUD used to \npatch, and Alex Ford for transferring and seeding it.\n\nEnjoy!\n-Chappy",
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"transferer": "Chris Chappell",
"taperText": "See info files for details"
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-14.sbd.miller.117028.flac16
- identifier
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- etree_url
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"description": "Set 1\n\nDancin' In The Streets, West L.A. Fadeaway, CC Rider, Peggy-O, Hell In A Bucket, Keep On Growing-> Stagger Lee-> Let It Grow-> Deal\n\nSet 2\n\nMorning Dew-> Playin' In The Band-> China Doll-> Drums-> Truckin'-> Smokestack Lightning-> Comes A Time-> Sugar Magnolia, E: Day Job\n\nEquipment problems after bucket caused them to leave the stage for a while",
"notes": "Notes:\n-- Encore on end of Set 1 to fit show into 2 discs\n-- Encore can be re-joined with set 2 seamlessly\n-- This is a re-master of shnid=13747\n-- There was an equipment break after Hell In A Bucket\n-- Fixed swapped channels, corrected pitch, fixed uneven levels and cleaned flaws\n-- Thanks to Joe B. Jones for his help with the pitch correction",
"runtime": "148:18.24",
"transferer": "Charlie Miller"
}
},
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf
- identifier
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- Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1
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- Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
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"notes": "---------------------------------\nR.I.P. Sandy - aka \"Bigfoot\" \n---------------------------------",
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Recording gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16
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Recording gd1985-06-14.nak300.andrewf.130923.flac2448
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Recording gd1985-06-14.126336.akg.thompson.damico.flac24
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Recording gd1985-06-14.135615.sbd-new.miller.flac16
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Recording gd1985-06-14.132932.schoeps.Oades.BCE.flac16
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Recording gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
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"notes": "Notes;\n- Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area.\n- Thanks to the Oade Bros & all involved with the patch source.\n- Tapes pauses/flips have been cross faded where applicable.\n- This source has been pitch corrected.\n- There was an equipment breakdown after Hell in a Bucket.\n* first performance\n- China Doll ends with a percussion jam lead by Brent.",
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